42
- 2013
- Tous publics
- 2h 8min
En 1947, Jackie Robinson devient le premier Afro-Américain à jouer dans la Ligue majeure de base-ball contemporaine. Il est alors recruté par les Dodgers de Brooklyn et est confronté à des a... Tout lireEn 1947, Jackie Robinson devient le premier Afro-Américain à jouer dans la Ligue majeure de base-ball contemporaine. Il est alors recruté par les Dodgers de Brooklyn et est confronté à des actes de racisme.En 1947, Jackie Robinson devient le premier Afro-Américain à jouer dans la Ligue majeure de base-ball contemporaine. Il est alors recruté par les Dodgers de Brooklyn et est confronté à des actes de racisme.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 21 nominations au total
André Holland
- Wendell Smith
- (as Andre Holland)
Avis à la une
I remember seeing Jackie Robinson as a retired man and walking with a cane, being applauded before World Series games in 1972. Was wondering who was that man. My mother told me he did something important in baseball, better than a winning home run.
Thank God what he did was open the doors to talented black and other ethnic players to play baseball, it changed the game forever.
This movie depicts this feat done by this man as well as the audacious Branch Rickey, general manager of the Dodgers. Well photographed, story well written and good characters. I noticed there were a lot of barriers that the Dodgers itself had to suffer (bigotry, banned from hotels, possible strike by players, white people booing). But that did not move Jackie on the field.
Sad that the producers did not shot a local scene regarding Montreal where he played for the "Royals". There was an anecdote that Robinson was ran over on the streets, not for bigotry, but for heroism on the field. And of course at the time, French-Canadians were subject to some bigotry by the English Canadian majority (until a certain Maurice Richard gave them courage to stand up, there was a movie about it...). Jackie Robinson is well honoured here with a statue near Olympic Stadium. However, the jersey said it all, and the former "Expos" did made a replica in 1992.
For the rest, a movie to see. To remember that there a place for all, and all can succeed, despite the hatred and bigotry...
Thank God what he did was open the doors to talented black and other ethnic players to play baseball, it changed the game forever.
This movie depicts this feat done by this man as well as the audacious Branch Rickey, general manager of the Dodgers. Well photographed, story well written and good characters. I noticed there were a lot of barriers that the Dodgers itself had to suffer (bigotry, banned from hotels, possible strike by players, white people booing). But that did not move Jackie on the field.
Sad that the producers did not shot a local scene regarding Montreal where he played for the "Royals". There was an anecdote that Robinson was ran over on the streets, not for bigotry, but for heroism on the field. And of course at the time, French-Canadians were subject to some bigotry by the English Canadian majority (until a certain Maurice Richard gave them courage to stand up, there was a movie about it...). Jackie Robinson is well honoured here with a statue near Olympic Stadium. However, the jersey said it all, and the former "Expos" did made a replica in 1992.
For the rest, a movie to see. To remember that there a place for all, and all can succeed, despite the hatred and bigotry...
42 is a movie about that particular black man, who entered the league for the very first time, challenged everyone, including his teammates and won. Jackie Robinson (Chadwick Boseman) became the pioneer athlete to stand alongside the white sportsmen on the field when segregation & racial discrimination was a "rule" in United States. However, film does not actually follow the whole story of Jackie, it more tells a story of racial revolution in baseball, which escalated after one bold decision of Brooklyn Dodgers executive - Branch Rickey (Harrison Ford). Branch was the first manager to hire a black man, a talented black man who ran fast, who could catch any ball and who could bring hundreds of black spectators to the field. And since every of them, regardless their skin color paid money to see Robinson playing, this new transfer to the team could be successful.
Brian Helgeland wrote a pretty interesting and engaging script, with really good dialogues (well, he has a great experience of it from LA Confidential and Mystic River). Even though there is no much tension in the movie, it still makes you enjoy every minute of it. At first I was not comfortable with the idea of racial discrimination, because I've seen so many good movies on this topic, and it just makes me feel bored. Most of them look like each other much. I believe that any film that regards this topic, shall be very much emotional, which helps director to deliver a message successfully. The last film that affected on me, and for sure on every person, was The Help - a masterful presentation of historic segregation. But 42 does not arise rave emotions, it instead provokes great satisfaction. That is why 42 is an above average film.
Picking totally unfamiliar actor, Chadwick Boseman, for lead role, which actually presents the whole idea of the movie, is a risky choice by director. But Jackie was exactly as it should be. Chad delivers a passionate, evolving character who struggles with his emotions and almost every person surrounding him. His convincing performance is really worth to call potentially one of the best performances this year.
And Harrison Ford, it's been years I've not seen him acting well. In fact, the portrait of Branch Rickey is one of the best performances he'd ever had. Even though Mr. Ford gets older, he can make Brooklyn Dodgers story unbelievably interesting.
As for the rest of cast, everyone is good. Maybe not the best actors you can imagine, but they make a good team and there is nothing we can reject about their performances.
Brian Helgeland wrote a pretty interesting and engaging script, with really good dialogues (well, he has a great experience of it from LA Confidential and Mystic River). Even though there is no much tension in the movie, it still makes you enjoy every minute of it. At first I was not comfortable with the idea of racial discrimination, because I've seen so many good movies on this topic, and it just makes me feel bored. Most of them look like each other much. I believe that any film that regards this topic, shall be very much emotional, which helps director to deliver a message successfully. The last film that affected on me, and for sure on every person, was The Help - a masterful presentation of historic segregation. But 42 does not arise rave emotions, it instead provokes great satisfaction. That is why 42 is an above average film.
Picking totally unfamiliar actor, Chadwick Boseman, for lead role, which actually presents the whole idea of the movie, is a risky choice by director. But Jackie was exactly as it should be. Chad delivers a passionate, evolving character who struggles with his emotions and almost every person surrounding him. His convincing performance is really worth to call potentially one of the best performances this year.
And Harrison Ford, it's been years I've not seen him acting well. In fact, the portrait of Branch Rickey is one of the best performances he'd ever had. Even though Mr. Ford gets older, he can make Brooklyn Dodgers story unbelievably interesting.
As for the rest of cast, everyone is good. Maybe not the best actors you can imagine, but they make a good team and there is nothing we can reject about their performances.
Up until this film, probably the best film about Jackie Robinson was the one in which the star played himself. This wasn't a bad film, though it seemed very over-idealized. Finally, after all these years, Hollywood has finally put a nice budget into making a lovely tribute to this baseball great. However, and this isn't a complaint, it is NOT a film about the entire life of Robinson--just a tiny portion. Of course, it's clearly the most important part--his career in the minor leagues and his first year in major league baseball. It does not discuss how his career was unfortunately cut short by diabetes--as was his life. But the movie makers clearly couldn't do EVERYTHING--and they were wise to narrow the focus. But as for me, I'd like to see a sequel--and what happened to Robinson AFTER the 1947 season. In fact, when the film ends, you see that Dodgers win the National League pennant--but you don't learn that they lost the World Series to the Yankees (that WOULD have been anticlimactic).
So what did I think of the film? Well, I thought it was terrific--and I really appreciated how the film tried to get the history correct (with a few tiny exceptions). Ben Chapman (the manager of the Phillies) really was a racist jerk. Robinson did, for a time, live in Sanford, Florida (that's a bit ironic). And, the film tried very hard to get the look right. I also appreciated seeing Harrison Ford try to stretch his range--uglying himself up and changing his voice so much to try to adequately portray Branch Rickey. All in all, a very, very inspiring and touching film--one even non-baseball players could love.
So what did I think of the film? Well, I thought it was terrific--and I really appreciated how the film tried to get the history correct (with a few tiny exceptions). Ben Chapman (the manager of the Phillies) really was a racist jerk. Robinson did, for a time, live in Sanford, Florida (that's a bit ironic). And, the film tried very hard to get the look right. I also appreciated seeing Harrison Ford try to stretch his range--uglying himself up and changing his voice so much to try to adequately portray Branch Rickey. All in all, a very, very inspiring and touching film--one even non-baseball players could love.
You probably think this film is completely focused on the story of Jackie Robinson. That is definitely not the case, as this film finds balance between the story of Robinson, baseball, and segregation. And this film succeeds in depicting all three aspects to bring a powerful, heartwarming, humorous film. The casting is great. Every actor fits his or her character perfectly. Harrison Ford does an amazing job portraying his character with his no- nonsense humorous attitude. He has a good chance of grabbing an academy award nomination for this roll. This is one of those movies that takes you for an emotional thrill ride. You feel for the Robinson. You want him to win. And you rejoice when he does. So sit back and let the film drag you in; it's worth your time.
An well done depiction of the struggles Jackie Robinson went through to just play baseball. I think all the casting was well done -especially Chadwick Boseman and Harrison Ford. It was hard to see the discrimination then and knowing how it continued for many years - but that was the time of my parents and it was true to the time (so sad). I think Harrison Ford should get an Oscar nomination for best supporting actor - it is such a good performance. I totally forgot who the actor was and got into the personality of Branch Rickey - it was all about the best for the baseball team - but he had a heart too for his players. It was fun to see J.R.Knight in a film again - I have always liked him. I liked the music (I grew up with it) and the costuming was accurate. The sets were well done and the language - that is the way it was - not tolerated now thank heaven. Jackie Robinson was a man of honor and strength - an admirable man.
Le saviez-vous
- AnecdotesIn 1997, baseball commissioner Bud Selig universally retired Jackie Robinson's number, 42. The handful of players still wearing the number were allowed to keep it. As of 2014, barring special requests or approval, no major league player will wear #42 again.
- GaffesIn the film, that Leo Durocher is suspended for his affair with a married woman. In reality, he was suspended for reported links to gamblers.
- Citations
Pee Wee Reese: Maybe tomorrow, we'll all wear 42, so nobody could tell us apart.
- ConnexionsFeatured in Jimmy Kimmel Live!: Épisode #10.371 (2013)
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- How long is 42?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 42: La verdadera historia de una leyenda del deporte
- Lieux de tournage
- Engel Stadium, Chattanooga, TN(Exterior)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 95 059 709 $US
- Week-end de sortie aux États-Unis et au Canada
- 27 487 144 $US
- 14 avr. 2013
- Montant brut mondial
- 97 510 197 $US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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