Un couple marié se retrouve coincé dans un motel isolé et trouve des caméras vidéo cachées dans sa chambre. Ils se rendent vite compte qu'à moins de s'échapper, ils seront les prochaines vic... Tout lireUn couple marié se retrouve coincé dans un motel isolé et trouve des caméras vidéo cachées dans sa chambre. Ils se rendent vite compte qu'à moins de s'échapper, ils seront les prochaines victimes d'un snuff movie.Un couple marié se retrouve coincé dans un motel isolé et trouve des caméras vidéo cachées dans sa chambre. Ils se rendent vite compte qu'à moins de s'échapper, ils seront les prochaines victimes d'un snuff movie.
- Récompenses
- 1 victoire et 2 nominations au total
Scott Anderson
- Killer
- (as Scott G. Anderson)
Mark Casella
- Truck Driver
- (as Mark Cassella)
Meegan Godfrey
- Snuff Victim
- (as Meegan E. Godfrey)
Dale Waddington
- Brenda B
- (as Dale Waddington Horowitz)
Ernest Misko
- Snuff Victim
- (as Ernie Misko)
Kevin Dunigan
- Maricopa county sheriff
- (non crédité)
Betsy Hammer
- Snuff Woman #3
- (non crédité)
Avis à la une
To tel you the plot of this movie would be telling you the plot of a hundred other films of the horror genre. Couple in car, car breaks down, couple goes to motel, motel people are crazy and try to kill them. So how does Vacancy try to step out of the conventional horror genre it has already set itself up as? Why not cast Luke Wilson and Kate Beckinsale...oh yeah, they are being killed for a snuff film too.
Vacancy isn't so much a film, as it is an exercise. It's an exercise in the genre of horror. It doesn't amount to anything, it simply exists to see what they could do with film. It's not good enough to be classified as experimental and not crappy enough to be called B movie trash. Hell, it's only 85 minutes long. It's a film that has both positives and negatives and if you take it with a grain of salt, you can have a lot of fun with it.
The negatives this film has can be turned into positives if you're willing. That is of course if you don't take this film too seriously. It has all the horror clichés, broken down car, creepy hotel, creepy guy, cell phone that doesn't work. These little things seem to be mandatory in horror films these days that involve slashers. So where does Vacancy separate itself from other slasher films? It has no teens in it. Instead we get a married couple who are getting a divorce. Unfortunately, we hate them just as much, if not more then any teen in any teen slasher.
These two characters do a lot of stupid things. Who goes down a tunnel not knowing where it leads, especially when the people trying to kill you use it. Who breaks a mirror to use a sharp piece as a weapon....and not use it. Hell, I was yelling at him for not using the shower curtain rod as a weapon. I never cared for these people at all, Wilson is miscast and Beckinsale is irritating. She looks good, but looks aren't everything. I couldn't cheer for them to live, but I couldn't really cheer for them to die either. For some strange reason I found many scenes to be suspenseful. It's an odd feeling when you don't like the main characters. Aside from the desk clerk, the bad guys are basically faceless mutes. Their reasoning for doing what they are doing is never mentioned. I can only guess they make these sick videos for some sick truck drivers. The snuff film aspect was a nice addition and it set up for some good tension, but it never delivers on that initial tension.
It sets itself apart as much as it could, but falls into its own tricks. It doesn't have the gore that other films these days have, but the actions from characters are so clichéd that whatever it tried to do to set itself apart is meaningless. Vacancy doesn't go to the twist ending route, nor does it try to go out on a downer. It simply ties everything in a nice little bow. It cheats the audience. The film would have been stronger had it ended with a death, and not a cop out.
While Vacancy isn't as bad as people have said it was, it isn't great either. As previously mentioned, it isn't so much of a film as it is an exercise in a specific genre. It does well in some areas and fails greatly at others.
Vacancy isn't so much a film, as it is an exercise. It's an exercise in the genre of horror. It doesn't amount to anything, it simply exists to see what they could do with film. It's not good enough to be classified as experimental and not crappy enough to be called B movie trash. Hell, it's only 85 minutes long. It's a film that has both positives and negatives and if you take it with a grain of salt, you can have a lot of fun with it.
The negatives this film has can be turned into positives if you're willing. That is of course if you don't take this film too seriously. It has all the horror clichés, broken down car, creepy hotel, creepy guy, cell phone that doesn't work. These little things seem to be mandatory in horror films these days that involve slashers. So where does Vacancy separate itself from other slasher films? It has no teens in it. Instead we get a married couple who are getting a divorce. Unfortunately, we hate them just as much, if not more then any teen in any teen slasher.
These two characters do a lot of stupid things. Who goes down a tunnel not knowing where it leads, especially when the people trying to kill you use it. Who breaks a mirror to use a sharp piece as a weapon....and not use it. Hell, I was yelling at him for not using the shower curtain rod as a weapon. I never cared for these people at all, Wilson is miscast and Beckinsale is irritating. She looks good, but looks aren't everything. I couldn't cheer for them to live, but I couldn't really cheer for them to die either. For some strange reason I found many scenes to be suspenseful. It's an odd feeling when you don't like the main characters. Aside from the desk clerk, the bad guys are basically faceless mutes. Their reasoning for doing what they are doing is never mentioned. I can only guess they make these sick videos for some sick truck drivers. The snuff film aspect was a nice addition and it set up for some good tension, but it never delivers on that initial tension.
It sets itself apart as much as it could, but falls into its own tricks. It doesn't have the gore that other films these days have, but the actions from characters are so clichéd that whatever it tried to do to set itself apart is meaningless. Vacancy doesn't go to the twist ending route, nor does it try to go out on a downer. It simply ties everything in a nice little bow. It cheats the audience. The film would have been stronger had it ended with a death, and not a cop out.
While Vacancy isn't as bad as people have said it was, it isn't great either. As previously mentioned, it isn't so much of a film as it is an exercise in a specific genre. It does well in some areas and fails greatly at others.
This is a typical thriller if you want to have a little scare at night. It is pretty fast-paced and gets to the action almost right away, from a divorcing couple's (Wilson and Beckinsale) issues on the road to ending at a freaky motel with strange banging noises in the room and finally to the mysterious video tapes in the room.
The movie became predictable midway towards the end, where the chase between the bad guys and the good guys begin. The villains take credit for being probably the most clueless I've seen on the screen. Their dialog is very cheesy and campy (I mean, who throws their opponent on top of a gun on the floor?). There's plenty of action, but I think the climax was a little rushed through and too predictable. Otherwise, it's an OK movie for a scare.
So, never check into a motel at night in the middle of nowhere. Sleep in your car instead.
Grade C
The movie became predictable midway towards the end, where the chase between the bad guys and the good guys begin. The villains take credit for being probably the most clueless I've seen on the screen. Their dialog is very cheesy and campy (I mean, who throws their opponent on top of a gun on the floor?). There's plenty of action, but I think the climax was a little rushed through and too predictable. Otherwise, it's an OK movie for a scare.
So, never check into a motel at night in the middle of nowhere. Sleep in your car instead.
Grade C
The ingredients are very familiar. So, to know the premise is to know the plot: Married couple on the outs travel through rural America, experience an automobile breakdown and locate the colorful folks in the back-country for assistance. What ensues is the usual "survive the night" style narrative with a few minor modifications.
That said, Luke Wilson (who apparently was a total PITA to work with) provides a very good performance. (If he was dialing it in, it certainly does not show.) And Kate Beckinsale was a great compliment to him the whole way through. In short, whatever their horrible chemistry off-set; on-set, it worked (after all, "David" and "Amy" are a couple in the midst of a divorce).
On top of that, the set design, lighting and pace of events are really quite good. And while there are some plot holes, this film had just enough energy and pluck to keep me interested. (The producers wisely trimmed it to 1:25.)
That said, Luke Wilson (who apparently was a total PITA to work with) provides a very good performance. (If he was dialing it in, it certainly does not show.) And Kate Beckinsale was a great compliment to him the whole way through. In short, whatever their horrible chemistry off-set; on-set, it worked (after all, "David" and "Amy" are a couple in the midst of a divorce).
On top of that, the set design, lighting and pace of events are really quite good. And while there are some plot holes, this film had just enough energy and pluck to keep me interested. (The producers wisely trimmed it to 1:25.)
While driving during the night, David Fox (Luke Wilson) leaves the interstate and takes a shortcut through a lonely road. He is in a divorce process with his wife Amy (Kate Beckinsale), who is sleeping in the car, after the loss of their son Charlie. In order to avoid hitting a raccoon, David breaks down the fan of his car and the couple finds stranded in the road. Without any other alternative, they decide to spend the night in a nasty low budget motel in the middle of nowhere. While watching some amateurish slash movies in the VCR, David realizes that they have been shot in their room. Sooner they discover that they are trapped in the place and surrounded by sadistic filmmakers of snuff movies.
"Vacancy" has a promising and claustrophobic beginning, with the scared couple stranded in a lonely place with a weird manager of an awful motel and listening to aggressive beats in the doors of their room. The development is also tense and good. However, the corny and commercial conclusion like in a television film spoils the story. My vote is six.
Title (Brazil): "Temos Vaga" ("Vacancy")
"Vacancy" has a promising and claustrophobic beginning, with the scared couple stranded in a lonely place with a weird manager of an awful motel and listening to aggressive beats in the doors of their room. The development is also tense and good. However, the corny and commercial conclusion like in a television film spoils the story. My vote is six.
Title (Brazil): "Temos Vaga" ("Vacancy")
Amy and David are close to ending their marriage, and share one final journey, the pair break down and check into a hotel, one which hides a very bleak secret.
The snuff film thriller was definitely in vogue back in 2007, it's a genre that has definitely died away, but Vacancy is a film that's well worth revisiting.
I'm not sure why, but I've always thought this film has an Alfred Hitchcock vibe about it, even that music in the opening credits seems to fit the bill.
A good old fashioned game of cat and mouse, with Amy and David taking on their captors, fortunately they're noy the brightest bunch.
Genre wise it's pretty much a horror thriller, I only wish they had ramped up the horrors element a little more.
It's not particularly unique, but it's very watchable, it's well paced, and given the fairly short running time it moves along without any lull.
Kate Beckinsale and Luke Wilson are both very competent in their respective roles.
7/10.
The snuff film thriller was definitely in vogue back in 2007, it's a genre that has definitely died away, but Vacancy is a film that's well worth revisiting.
I'm not sure why, but I've always thought this film has an Alfred Hitchcock vibe about it, even that music in the opening credits seems to fit the bill.
A good old fashioned game of cat and mouse, with Amy and David taking on their captors, fortunately they're noy the brightest bunch.
Genre wise it's pretty much a horror thriller, I only wish they had ramped up the horrors element a little more.
It's not particularly unique, but it's very watchable, it's well paced, and given the fairly short running time it moves along without any lull.
Kate Beckinsale and Luke Wilson are both very competent in their respective roles.
7/10.
Le saviez-vous
- AnecdotesKate Beckinsale had a difficult time working on the film with Luke Wilson who often showed up hungover, late and unprepared.
- GaffesAt the end she phones 911 again and the operator tells her: "an officer has already responded." In reality they would have dispatched another unit once they didn't get feedback from the 1st call out.
- Crédits fousThe opening credits turn repeatedly, hiding one set and revealing another. At the end, there is a set of turns and the camera pulls back to reveal a maze.
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- How long is Vacancy?Alimenté par Alexa
Détails
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 363 565 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 603 376 $US
- 22 avr. 2007
- Montant brut mondial
- 35 442 935 $US
- Durée1 heure 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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