L'ex-détenu Jensen Ames est forcé par un directeur de prison à participer à la compétition sportive la plus populaire de notre monde post-industriel : une course auto dans laquelle tous les ... Tout lireL'ex-détenu Jensen Ames est forcé par un directeur de prison à participer à la compétition sportive la plus populaire de notre monde post-industriel : une course auto dans laquelle tous les coups sont permis.L'ex-détenu Jensen Ames est forcé par un directeur de prison à participer à la compétition sportive la plus populaire de notre monde post-industriel : une course auto dans laquelle tous les coups sont permis.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 5 nominations au total
Frederick Koehler
- Lists
- (as Frederick Koehler, Fred Koehler)
Avis à la une
If "Mario Kart" was a movie and it had characters similar to the video game "Twisted Metal" this movie would be it. I really don't see why critics bash this movie so much, yes it isn't a Oscar worthy movie nor is it a very intelligent movie. But it sure is entertaining and was so stupid to the point it got irritating. People that decide to see this movie should know what they are getting into or else they might dislike it. Overall when I saw this movie in theater I really enjoyed it and had a blast with it, sure some of the plot holes are obvious but this is still a solid thrill ride. Personally I had a blast with this movie and Jason Statham was good in this role since he fit in with his tough guy exterior and I bought it. There is good amount of sex appeal and Ian McShane is just right as well while playing the character named Coach. This is a thrill ride that is like watching a actually entertaining video game movie. However if the script was a bit more intelligent it would have been better though although I didn't expect a solid script from Paul W.S. Anderson.
7.4/10
7.4/10
I was able to attend the advanced screening here in Dallas and must say I enjoyed myself immensely. While anyone going into this film expecting anything more then a thin veil of a plot will be sorely disappointed, it will definitely entertain those who have the right expectations. That said, this is a no holds barred, testosterone fueled thrill ride. Think of the game Twisted Metal, then throw in convicts, a greedy warden looking only at the profit and you have Death Race. While the movie has plenty of explosions, machine guns, armored cars, gore and beautiful females, there was enough humor and sentiment thrown in to make it all seem worthwhile. Definitely an entertaining film, and one that any over-the-top action movie junkie will surely add to their collection.
By the time I entered to see this movie, I knew what to expect. Jason Statham. A movie called "Death Race". A poster with spiked cars and bazookas on them. Why the hell would I expect a "Deep Sophisticated Movie"?
So, I grabbed 2-3 beers, some chips and started the movie!
Hell I enjoyed it. And I was in Home.
Don't listen to the critics. I love Sophisticated movies, I mean my favourite Director is Guy Ritchie and he tries to make every time a movie with a complicated plot. This is not Batman: Dark Night. It's a classic American Culture - Game-Like movie. Do you want pure Explosions & Guns entertainment to do something with your time? This is what you're looking for and it's good for what it is.
So, I grabbed 2-3 beers, some chips and started the movie!
Hell I enjoyed it. And I was in Home.
Don't listen to the critics. I love Sophisticated movies, I mean my favourite Director is Guy Ritchie and he tries to make every time a movie with a complicated plot. This is not Batman: Dark Night. It's a classic American Culture - Game-Like movie. Do you want pure Explosions & Guns entertainment to do something with your time? This is what you're looking for and it's good for what it is.
I always hate it when all those high class critics from the newspapers and journals bash a film for not being what THEY want it to be and not looking at it for what its SUPPOSED to be.
The title is "Death Race" after all. No-one ever expected it to win any golden trophies in the first place. So what if the acting was a bit bland and the plot was a little weak. That's not was the movie is supposed th be about.
It's not a Martin Scorsese film where you sit back and think "Oh, that is very thought-provoking and I feel that I've truly learned something inspirational today." No. This is a film where you sit back, look at it, and think "Holy ****!! Did you see that ********** explosion?!"
This is a film where you have fun in. Don't worry if you walk away with nothing meaningful to talk about at the end. Go ahead and laugh at its stupidity. I guarantee you you'll still have a much better time that watching something like Capote
The title is "Death Race" after all. No-one ever expected it to win any golden trophies in the first place. So what if the acting was a bit bland and the plot was a little weak. That's not was the movie is supposed th be about.
It's not a Martin Scorsese film where you sit back and think "Oh, that is very thought-provoking and I feel that I've truly learned something inspirational today." No. This is a film where you sit back, look at it, and think "Holy ****!! Did you see that ********** explosion?!"
This is a film where you have fun in. Don't worry if you walk away with nothing meaningful to talk about at the end. Go ahead and laugh at its stupidity. I guarantee you you'll still have a much better time that watching something like Capote
Now here's an exploitation film that knows what a solid B-movie is supposed to be: an action-dense, amped-up, gore-soaked killfest. It's the cinematic equivalent of eating that entire box of Red Vines you bought at the snack bar, using them as candy straws to suck down your extra-large Coke.
As a fan of the original "Death Race 2000," I was pleased to see just enough of a shadow of the original movie inhabiting the skin of the new one. Roger Corman's name on the producing credits gave me hope at the start, and his seal of approval seemed to mean something, perhaps as counterweight to Paul W. S. Anderson's track record of shooting mediocre video game adaptations. Surprisingly, Anderson rises to the occasion, effortlessly elevating a cliché-rich but fast-moving script to the level of a satisfyingly adrenalin-fueled confection aimed like a bullet at the A.D.D.-addled brains of the short-attention-span generation.
Set in an "Escape From New York"-style dystopic prison-culture (that sounds suspiciously like current American society), slaughter happens, stuff blows up, and the weak are culled like bunnies caught in the headlights of gas-sucking American muscle cars. Fans of the "Twisted Metal" video game will love the newest wrinkle in the race, the addition of weaponry a needed bloody bump for version 2.0. And what a bump it is, with each car's chugging machine guns indiscriminately spewing hot rounds at every foe, shredding Detroit steel like it was used Kleenex. It's unabashed gun fetishism at its gleeful best, and it makes you want to strap an M60 to the hood of your Prius in order to cut your commute in half.
Jason Statham does his standard tough-guy job as the scowling Frankenstein, Joan Allen plays a ball-busting warden (perhaps a bit in the mold of Louise Fletcher's Nurse Ratched), and Ian McShane of "Deadwood" has a solid cameo as the prison-wise mechanic, Coach. Even Machine Gun Joe gets a new incarnation in the form of Tyrese Gibson, who thankfully is nothing like Stallone's blustering Italian meatball.
I loved it, and can't wait to see it again in a theater with enough bass to pump up those impact crunches to the bone-jarring level they deserve.
Yeah!
As a fan of the original "Death Race 2000," I was pleased to see just enough of a shadow of the original movie inhabiting the skin of the new one. Roger Corman's name on the producing credits gave me hope at the start, and his seal of approval seemed to mean something, perhaps as counterweight to Paul W. S. Anderson's track record of shooting mediocre video game adaptations. Surprisingly, Anderson rises to the occasion, effortlessly elevating a cliché-rich but fast-moving script to the level of a satisfyingly adrenalin-fueled confection aimed like a bullet at the A.D.D.-addled brains of the short-attention-span generation.
Set in an "Escape From New York"-style dystopic prison-culture (that sounds suspiciously like current American society), slaughter happens, stuff blows up, and the weak are culled like bunnies caught in the headlights of gas-sucking American muscle cars. Fans of the "Twisted Metal" video game will love the newest wrinkle in the race, the addition of weaponry a needed bloody bump for version 2.0. And what a bump it is, with each car's chugging machine guns indiscriminately spewing hot rounds at every foe, shredding Detroit steel like it was used Kleenex. It's unabashed gun fetishism at its gleeful best, and it makes you want to strap an M60 to the hood of your Prius in order to cut your commute in half.
Jason Statham does his standard tough-guy job as the scowling Frankenstein, Joan Allen plays a ball-busting warden (perhaps a bit in the mold of Louise Fletcher's Nurse Ratched), and Ian McShane of "Deadwood" has a solid cameo as the prison-wise mechanic, Coach. Even Machine Gun Joe gets a new incarnation in the form of Tyrese Gibson, who thankfully is nothing like Stallone's blustering Italian meatball.
I loved it, and can't wait to see it again in a theater with enough bass to pump up those impact crunches to the bone-jarring level they deserve.
Yeah!
Le saviez-vous
- AnecdotesDavid Carradine, who starred in the original film, La Course à la mort de l'an 2000 (1975), played the voice of Frankenstein in the opening scene of this film.
- Gaffes(at about 24:00 into the film) At the introduction, Coach tells Frankenstein that the back protection plate, a.k.a. the Tombstone, is 6" thick solid steel. There are four plates 1.5" thick each and about 40", 50", 60" and 70" by about 48" tall. That is about 1,972 kg or 4,340 lbs. of steel. That would make the car so back heavy that, at the first hitting of any bump, the front of the car would go up and make controlling it impossible. Besides that, it would also be so heavy that the car would not be fit for the race.
- Crédits fousAfter the credits, the line "Okay, cocksucker. Fuck with me, and we'll see who shits on the sidewalk" is heard again.
- Versions alternativesThe unrated version runs 111 minutes.
- ConnexionsEdited into Heads Blow Up! (2011)
- Bandes originalesMaybe Tomorrow
Written by Stuart Cable, Kelly Jones, Richard Jones
Performed by Stereophonics
Courtesy of V2 Music Limited
Under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Death race - course à la mort
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 36 316 032 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 621 090 $US
- 24 août 2008
- Montant brut mondial
- 76 014 335 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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