No. 2

I've seen recent reviews of lacking a firm storyline - however I beg to differ. I really liked this film because it was so simplistic to understand, but yet portraying strong themes of a foreign/traditional family living in New Zealand. Additionally, the family as depicted in the film can be seen as being dysfunctional, this factor can reinforce our understanding of the film if one has been exposed to such kind of a family. Anyhow, I must praise the performances of the actors/actresses and in particular Ruby Dee - for instance, when I first viewed the film I though the Dee was a Fijian actress! It came to great shock when I discovered that she was in fact American! In conclusion, I would like to say that I very much enjoyed this little film, it is funny, touching and passionate. If anyone has the chance to watch this film, then DO IT! It isn't to be missed! Out

I was at the premier of this film out in the open air on Auckland's harbor...NZ's Prime Minister was there as she is a great supporter of the arts...I might add unannounced at first. This film can all remind us of someone(s) in our family and is a "feel good" in the end. Way to go NZ and I hope this film does a great showing worldwide...and no I am not from NZ...Canada! The way this country(NZ) has evolved into a great wealth of artistic talent speaks volume for its people and its isolation geographically. Must say I am most impressed with this film...was't sure what to expect and was pleasantly surprised...GO SEE IT!

This is a great film portraying human interaction and how families interact.

However, for a film that is supposed to portray a Fijian family, what a pity there was only one Fijian (the Priest) in the cast. The others were mainly a reasonably talented group of Maori and other South Pacific Island actors.

Why could the producers not have found Fijian actors to make the film more authentic?

That the film was produced more or less on our own doorstep (and we had not even heard of it before it was seen in "Shorts") and showed our own well-known and familiar locality added additional colour and interest to our viewing. But of course, a film is always "local" to those who live where it is filmed.

I saw this movie last night, and was very very impressed with the quality of the shots, the genuine actors, and the awesome writing of the film. Such an authentic combination of humor, drama, family ties, history, and culture, it made this movie truly worth watching. It's not often that you get a "nz" film that has you glued to the story the whole way through, so Number 2 stood out because it managed to do that. And even though I recognised some actors from NZ TV show's, they were enough in character in this film to let me see them as their new characters.

A genuine story, with a great local cast. it exceeded my expectations. I would recommend this movie to anyone, and I look forward to seeing what other great work Toa Fraser brings to us in the future!

A rough gem but a gem nonetheless. Slow going at first, as you wonder what it is with these people. Is there any hope? Has this extended family (apparently) totally lost their way in life? Then as you learn bits of the family history, the high walls and broken bridges separating the family start making sense, and you can see possibilities of reconciliation.

Ruby Dee plays (magnificently) the Polynesian matriarch, living in Mt. Roskill, Auckland NZ, for most her life, who knows what's wrong with her scattered cantankerous family and can see the one path that just might set things right -- a little "tough love", Polynesian style. Even though no one else can see the sense in it, they obediently carry out her demand for a family feast in the backyard, to happen that same evening, at which she will announce her successor. All must attend, even those who never come round.

Preparation for the improbable feast involves everyone, and in the process forces communication that's been avoided for years. But they pull it off, because after all, Mama may have lost her marbles but she is still the matriarch. The result is memorable, and validates her foresight.

The film is also, by the way, a great glimpse of suburban New Zealand life, Samoan (or Tongan, not sure) style. See it just for that, and enjoy the story too.