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Lady Vengeance

Titre original : Chinjeolhan geumjassi
  • 2005
  • 16
  • 1h 55min
NOTE IMDb
7,5/10
90 k
MA NOTE
POPULARITÉ
2 694
1 507
Lee Yeong-ae in Lady Vengeance (2005)
20 years after its initial theatrical run, 'Oldboy' returns to theaters newly restored and remastered. IMDb sits down with filmmaker Park Chan-wook to discuss his career-long exploration into the themes of violence and eroticism that fuel his Vengeance Trilogy, how his characters lead him into those realms and toward those bloody endings, and how his family inspires him to keep creating. Director Park also reveals that if he were ever locked away for 15 years like Oh Dae-su (Choi Min-sik) in 'Oldboy,' what series he'd hope were on the television in his room.
Lire clip4:33
Regarder Director Park Chan-wook on Weaving Violent and Erotic Themes into 'Oldboy'
1 Video
99+ photos
Dark ComedyCrimeDramaThriller

Une jeune femme est condamnée à plusieurs années de détention pour l'enlèvement et le meurtre d'un enfant. En prison, elle prépare méticuleusement une vengeance qu'elle compte mener à terme ... Tout lireUne jeune femme est condamnée à plusieurs années de détention pour l'enlèvement et le meurtre d'un enfant. En prison, elle prépare méticuleusement une vengeance qu'elle compte mener à terme lors de sa libération.Une jeune femme est condamnée à plusieurs années de détention pour l'enlèvement et le meurtre d'un enfant. En prison, elle prépare méticuleusement une vengeance qu'elle compte mener à terme lors de sa libération.

  • Réalisation
    • Park Chan-wook
  • Scénario
    • Chung Seo-kyung
    • Park Chan-wook
    • Park Myeong-chan
  • Casting principal
    • Lee Yeong-ae
    • Choi Min-sik
    • Yea-young Kwon
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    90 k
    MA NOTE
    POPULARITÉ
    2 694
    1 507
    • Réalisation
      • Park Chan-wook
    • Scénario
      • Chung Seo-kyung
      • Park Chan-wook
      • Park Myeong-chan
    • Casting principal
      • Lee Yeong-ae
      • Choi Min-sik
      • Yea-young Kwon
    • 208avis d'utilisateurs
    • 224avis des critiques
    • 75Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 13 victoires et 14 nominations au total

    Vidéos1

    Director Park Chan-wook on Weaving Violent and Erotic Themes into 'Oldboy'
    Clip 4:33
    Director Park Chan-wook on Weaving Violent and Erotic Themes into 'Oldboy'

    Photos110

    Voir l'affiche
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    + 104
    Voir l'affiche

    Rôles principaux58

    Modifier
    Lee Yeong-ae
    Lee Yeong-ae
    • Geum-ja Lee
    Choi Min-sik
    Choi Min-sik
    • Mr. Baek
    Yea-young Kwon
    • Jenny
    Kim Shi-hoo
    • Geun-shik
    • (as Shi-hoo Kim)
    Oh Dal-su
    Oh Dal-su
    • Mr. Chang
    Lee Seung-shin
    Lee Seung-shin
    • Yi-jeong Park
    Kim Byeong-Ok
    Kim Byeong-Ok
    • Preacher
    Ra Mi-ran
    Ra Mi-ran
    • Su-hee Oh
    Young-ju Seo
    • Yang-hee Kim
    • (as Yeong-ju Seo)
    Go Su-hee
    • Ma-nyeo
    Kim Geum-soon
    • Prisoner 1
    Yeonsoo Song
    • Prisoner 2
    Lee Jung-yong
    • Pimp
    Ko Chang-seok
    Ko Chang-seok
    • So-young's Husband
    Hye-Ryeong Hong
    • Detective Choi's Wife
    Kim Jeong-nam
    • Won-mo's Relative
    • (as Jeong-nam Kim)
    Choi Hee-jin
    • Prisoner 3…
    Tony Barry
    Tony Barry
    • Jenny's Adopted Father
    • Réalisation
      • Park Chan-wook
    • Scénario
      • Chung Seo-kyung
      • Park Chan-wook
      • Park Myeong-chan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs208

    7,589.9K
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    Avis à la une

    7Gigo_Satana

    Lady Repentance

    I guess it was somewhat convenient and clever for Park to have conceived this film as the third and final installment to his two pragmatically different films. Seeing as how Lady Vengeance shares two similar themes of unjust imprisonment and child kidnapping with her elder brothers Oldboy and Sympathy for Mr. Vengeance. Clearly if this picture wouldn't have been regarded in the trilogy, many would proclaim Park as stagnant and unable of moving away from these akin proses dealing with revenge.

    Film opens with the release of Lady Vengeance, a.k.a. "The Witch", a.k.a. "kind-hearted Geum-ja", played by the elegant Yeong-ae Lee. I was quite surprised by how heavily narrated this film was from the get-go, as I was expecting the major breakdowns and motives revealed at a much later time, lets say right before the final pinnacle. But I preferred this to how Oldboy played, in a sense that Lady Vengeance didn't largely depended on the "big shocker" to end the film and instead moved along steadily, revealing everything piece by piece.

    Making comparisons with Park's past two films was much tangible here as with each beautiful classical piece mirroring one from Oldboy there was also the unexaggerated violence similar to that of SFMV. The music was again well chosen and played in melancholic and elating waves without any use of mainstream ballads or electronic beats. Some of the compositions were used multiple times and while they might come off a bit repetitive, most of them were either recurring for the sake of certain notions and themes that the characters were going through or just because.

    Aside from the tight main cast, many known and capable faces of Korean cinema made appearances in short and shorter interludes throughout the film. Not much else could be said, apart from them doing just as much as the script was asking of them. While the visual and musical aspects of the film are simply splendid, the story here might cause some viewers to contend whether everything premeditated and executed by our leading lady was truly worthful.

    **The following comments contain spoilers**

    A lot was shown of what Geum-ja was like during the prison time where she was boldly portrayed as a calculating, 'devil in God's clothes' of a woman who had a conveniently good eye for helping those who could later help her. Geum-ja was able to put on a quite a good by finding faith and making public speeches. But she had the best part reserved for Mr. Baek, played by the powerhouse actor Min-sik Choi. Mr. Baek had betrayed Geum-ja and made her take the blame for a murder of a child that he himself committed. And if then 19 year old Geum-ja was to refuse, he would've simply killed her (illegitimate) newborn child.

    More was revealed about Mr. Baek who continued working as a kindergarten teacher for when Geum-ja captured him with the help of her former cell mate, who returned her a favor by marrying Mr. Baek and coping with his demeaning ways. Apparently Mr. Baek's past crime with that child wasn't a singular case as he had a fetish for capturing little kids and taping their deaths on camera for his viewing pleasure.

    After toying with Mr. Baek, but holding back from completely destroying him, Geum-ja revealed her grand plan. Standing in the middle of an abandoned school, in a classroom of irregularly filled seats, Geum-ja gathered the family members of those kids that Mr. Baek had killed. After screening the tapes, Geum-ja gave those people options to either have their way with Baek or call upon the law to deal with him instead.

    Watching these characters nauseate over the tapes of their little children being tortured in a way deflated Geum-ja's arc as a character and somewhat weakened the film's final punch in my eyes. So many years spent in jail and questions surrounding the well-being of her daughter must have been undoubtedly excruciating for her, but standing next to these people, who unlike her seemed so much more humane and relatable, I felt a lot more sorrow for them than I did for Geum-ja, most likely due to how mechanical and manipulative her character was made to look, which to say the least was brave of the director, if not a bit overzealous. Her struggles with gaining forgiveness from the dead boy and the symbolism of the white cake representing her state of repentance, overshadowed the climax of the revenge, however the scenes with the family members going in one by one after Mr. Baek were the essence of the film.

    **End of spoilers**

    In the end I found Lady Vengeance more infatuated with itself than Oldboy, but not as fundamentally visceral and unrelenting as SFMV, which remains to be my favorite film from Park to date. Lady Vengeance felt like an amusement park, filled with hard facts mixed with dreamy imagination sequences, en route of sardonic pokes at religion and sexual deeds. A film with a little bit of everything for everyone, that's if you don't strip away its flashy overtones and comic-book-like personifications, which gracefully coat the film's otherwise improbable scheme, fantasized by a random cell-woman, unjustly imprisoned for a crime she didn't commit.

    I think Park needs to make a film that will not only disassociate him from his well talked about and highly debated trilogy flicks, but will devoid him from being thrown into the pool of devaluing comparisons to Hollywood films like Kill Bill as also witnessed with the response to A Bittersweet Life from the press and movie fans. Park has all the right tools and he has shown us the many faces of revenge, now it's time for him to show us something else.
    9Carl_Tait

    Unexpected poetry and bleak hilarity

    "Sympathy for Lady Vengeance" is a surprisingly poetic finale to Park's excellent Revenge Trilogy. The film fuses the relatively low-key style of "Sympathy for Mr. Vengeance" with the jet-black humor of "Oldboy," while adding welcome moments of poignancy and sentiment. The film is nowhere near as violent as its predecessors, although a good deal of mayhem takes place offscreen.

    Yeong-ae Lee is outstanding as the troubled protagonist Geum-ja, the ex-convict who is seeking redemption as much as revenge. Although the supporting actors -- including several from Park's earlier films -- are uniformly fine, Lee's performance is the heart of the film.

    "Lady Vengeance" is difficult to describe without revealing major plot points, as the most memorable scenes come at revelatory moments in the story. Suffice it to say that the climax blends tragedy and hilarity with a degree of success that few directors could hope to match.

    9/10. Bravo.
    9autumnleaves87

    A sinful opera

    The final instalment of Park's Revenge Trilogy concluded well. In fact, I personally feel that it is the best out of the three film, excellent cinematography and beautiful classic music that blended perfectly well into the story. Lee Youngae gives fantastic performance in her role, a complete impression from her previous kind-hearted and sweet looking role in "Jewel in the Palace". Cold and filled with vengeance , yet she exudes fine elegance with her subtle body language and facial expression. The soundtrack works well at suitable moments, infusing classic into this art-house film. It was a pity the film didn't win any grand awards in the Venice Film Festival, Park definitely deserves recognition for his excellent works.
    9diggler302

    Poetic

    I had the luxury of watching this last night and was awed by it's sheer brilliance. I don't want to delve into the story, as you must see it for yourself to savor the fantastic story like a glass of red wine.

    The story revolves around a young woman sentence to jail due to murdering a young boy. Upon release she then embarks on a journey of redemption for the crime committed.

    The cast's acting is impeccable on all sides. with sumptuous photography and a moving musical score consisting of such great composers as Vivaldi.

    If you are a lover of foreign cinema this is a definite DO NOT MISS movie!
    10emmily87

    standing ovation

    i usually don't enjoy movies that contain gore, suspense, and violence. still, sympathy for lady vengeance was undoubtedly, a movie worth watching. even for those who actively dislike movies in this certain genre, sympathy for lady vengeance is an absolute must. out of the trilogy, this one was the one i enjoyed most. there was nothing overly-excessive and/or gratuitous (which i honestly found oldboy and sympathy for mr vengeance had a bit of), and it definitely cannot be considered a brain-candy film. with an extremely intelligent and interesting plot, and visually stunning cinematography, it was a spectacular piece of art, from the start to the finish, and had me thinking about it and talking about it for days afterward.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The snow during the closing scene is not real. They brought two trucks of salt and scattered it all over the street; the falling snow is CGI.
    • Gaffes
      Toutes les informations contiennent des spoilers
    • Citations

      Geum-ja Lee: Listen carefully. Everyone make mistakes. But if you committed a sin, you have to make an atonement for that sin. Atonement, do you know what that means? Big Atonement for big sins. Small Atonement for small sins.

    • Versions alternatives
      There are two different versions of the film. One is full color. The other, called "Fade to Black Version", shifts from color to B&W over the course of the movie. Like Sin City, there are color highlighted, even in the B&W scenes. The second version is what the director intended, but he was not able to complete it properly until the Korean DVD (which includes both versions).
    • Connexions
      Featured in MsMojo: Top 10 Best Female Revenge Movies of All Time (2022)
    • Bandes originales
      Mareta no'm faces plorar
      Composed by Jordi Savall

      Vocal by Montserrat Figuera, Arianna Savall

      Baroque Guitar by Xavier Diaz-Latotte

      Baroque Flutes Traversieres by Mare Hantai

      Bass Viola da gamba by Jordi Savall

      Courtesy by Alia Vox

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    FAQ

    • How long is Lady Vengeance?
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    Détails

    Modifier
    • Date de sortie
      • 16 novembre 2005 (France)
    • Pays d’origine
      • Corée du Sud
    • Langues
      • Coréen
      • Anglais
      • Japonais
    • Aussi connu sous le nom de
      • Señora Venganza
    • Lieux de tournage
      • Séoul, Corée du Sud
    • Sociétés de production
      • CJ Entertainment
      • CJ Capital Investment
      • Centurion Investment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 200 000 000 ₩ (estimé)
    • Montant brut aux États-Unis et au Canada
      • 211 667 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 9 850 $US
      • 30 avr. 2006
    • Montant brut mondial
      • 23 835 242 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 55 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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