Puzzlehead

This movie is one of the most original films I've seen in years. If you like thought provoking films you'll love it, if you are more into action and exploding cars you probably won't be so keen. My only reservation about it is the setting which is only mentioned once and it's tantalisingly left at that. That's fine by me because you can see more or less what's happened but it still would have been nice if the background was a little more consistent. I wanted to see more of it especially as it was so hauntingly shot.

I was interested by a comment someone else posted - "I don't understand how tripe like this can still be churned out in the 21st century with over 100 years of film history behind us.."

It's almost like they are saying movies started off terrible and amateurish and have somehow gone on an evolutionary journey to being better. I don't see that with Hollywood at all, it seems to me as though intelligent movies like this one are a rarity whereas in the past plot was something writers worked at because flashy effects and exploding cars were harder to come by.

"NO movie studio should back things like this." The person adds. Sadly, most studios won't so you have almost got your wish there. It's a shame though because films with an actual story to tell like this one will stay with you a lot longer than that exploding car scene. Each to his own though, I think this is a work of genius but I know a lot of people will disagree simply because it is slow and thoughtful. I personally found the implications quite scary, more so than a CGI monster popping out and a blaring noise to inform the viewer when to jump which is what passes for horror these days.

Unlike so many of the mass-produced, mind numbing works of garbage being pumped out by the Hollywood machine of late, this film was as thought provoking as it was entertaining.

This film is an ideal example of how a little genuine creativity and a lot of hard work and dedication can outdo a large budget, CGI and crowds of extras any day of the week. For that alone, the makers of 'Puzzlehead' deserve much credit. The scene of a drab future world, in which scientific advances are shunned in favor of protecting and preserving our own human concept of humanity, is set flawlessly through the thoughtful use of cinematography and colour.

Ultimately, this film has one questioning which of the many factors we associate with humanity are actually desirable, and which are not. It also raises questions regarding which human traits are necessary in a being in order to regard that being as human. If other humans think it human, does that make it so? I also appreciated the film's insinuation that all things made by man will ultimately suffer from the same innate flaws as man himself.

If you're looking for a film that can stand firmly on its own two feet, without the crutches of a catchy soundtrack, famous actors or multiple explosions, then I would highly recommend that you watch Puzzlehead without delay.

"Puzzlehead" is much like an extended "Twilight Zone" episode warning about man creating artificial life in his own flawed image.

It draws on myths from the doppelganger to the golem to Pygmalion and their psychological counterpart in "Fight Club," to sci fi from Asimov's Robot Rules to "Star Trek"'s "Data" character to darkly answering Philip Dick's question "Do Androids Dream of Electric Sheep?" (the basis for "Blade Runner"). But this film makes battles about the Rise of the Machines more intensely personal than in "The Matrix" trilogy and even more intimate than in the new "Battlestar Galactica" series.

Several elements raise it up beyond other robot genre films - the look, sound and, to a lesser extent, the role of woman and procreation in this nihilistic future.

While filmed all in Brooklyn, the film looks like it is set in a violent, post-apocalyptic vaguely Eastern European dictatorship, both through the settings and the gritty and changing point-of-view cinematography and editing.

The sound design very effectively adds to the creepy mood. According to Q & A with the director and crew at the Tribeca Film Festival, problems with the original ambient sound necessitated a re-recording of the entire soundtrack, including the actors' voices. Capitalizing on the look, the actors' original voices were replaced by other voice-overs with added accents so that all the speaking has the slightly disconnected feel of dubbed over foreign films, adding to the uneasy theme of relations between man and machine.

The superior music selections, mostly heard Dogme style played in situ, add to the tense atmosphere, from the Yiddish folk song "Dona Dona" (its chorus here is eerily ironic, usually translated as "But whoever treasures freedom/Like the swallow has learned to fly."), to Bach and Scarlatti played on a harpsichord as if it's an automatic player piano.

A unique element to the Frankenstein aspects of the story is the viewer's shifting sympathies between the creator and robot, usually based on how each relates to the woman, even as toward the end we scarily lose track of which one is the human.

Writer/director James Bai, in the Q & A, cited Daniel Keyes' ironic story/novel "Flowers for Algernon" (the basis for the movie "Charly") as an influence, but I was struck more by the warning of human creators transmitting their intrinsically violent and emotional flaws.

This film deals with some of the same issues as "Artificial Intelligence," but is to that film as the recent version of "Time Machine" is to "Primer." It is being showcased by the Alfred Sloan Foundation as the latter film was, for creatively showing science in society.

"Puzzlehead" can definitely be marketed to adult fans of robot movies, sci fi and "The Twilight Zone," but I doubt it will appeal more widely.

I had the good fortune to see this movie at the Santa Barbara Film Festival and listen to the director and the lead actress in it answer questions. He spent 6 years editing and putting this movie together and it shows despite the obvious budget limitations he faced.

Anyways, the film itself is basically about a man who creates a robot (named Puzzlehead) that looks exactly like him and whose "synaptic map" is a direct copy of his own. The two look the same except for a beard. The man has a crush on a local grocery store clerk and Puzzlehead the robot is the one who ends up finally meeting her. She thinks he's a human etc. and the drama begins. The plot goes from there and i don't want to spoil it but basically there's a lot of twists involving who is the real man and who is the robot and which is ultimately the better person.

The film handles robot artificial intelligence issues really well and shows the progression of how a robot would likely think and the striking differences and similarities between humans and robots. The film makes the audience truly question who is more human. All the technological mumbo jumbo is easy to understand so you don't get into a situation where you're confused (like that movie "Primer"). But the plot does stay a little ahead of the viewer.

The film obviously could have benefited from a bigger budget, but there are an enough circuits and gizmos and filming techniques that convince us that the protagonist created a robot.

There is subtle humor throughout and the plot is constantly engaging. I strongly recommend everyone see this film.

On a side note: the lead actresses's dialogue was all replaced by some other woman's voice to make it sound more eastern European. I was surprised she was at the screening, I would have been mad.

It's seldom nowadays that I find a movie that I feel connects with me intellectually. I guess I've just seen way too many movies! This was a breath of fresh air, let me tell you. At the end of this movie you won't feel like you've visited a 3$ wh***. This movie's story is complete in every way.

Despite all the above praise, I have to mention one thing that led to my average vote. Why no one has commented on this before me, I have absolutely no idea. The acting is atrocious; and there's just no way of getting around it. It's partly because of the mood the director wanted for his movie, but no one in this movie is even close to pulling it off. Even playing the robot, which in the beginning of its creation shouldn't require much skill, they completely miss the mark. In fact, if the story wasn't so genius, and the setting so beautifully laid out, not to mention some of the very artistic filming - I would probably have stopped watching the movie altogether.