The Reader

I saw "The Reader" at a film festival in Manhattan this week. It touched my heart in a way that few short films have done. In ten or so minutes, it tells a poignant two-character story that resonated deeply with me. Duncan Rogers has done a superb job capturing very real, tender moments on film. What I really admire about this film is that the director has chosen a story appropriate to the short format. These are genuinely interesting characters, and their story is told in the perfect length of time. This is no small feat. Haven't we all seen shorts that are simply longer stories squeezed to fit the format, or stage stories that weren't properly adapted to screen? I applaud "The Reader" for really doing it right, and I encourage anyone who is interested in film and in storytelling to look at it seriously. Worth every moment!

In the world of "shorts" (most of which aren't), this film is a gem.

A quiet, concise peek into the world of a young woman who's a reader for a blind woman, here the stellar Elizabeth Franz - this film bears the textures, layers and visual storytelling of a sumptuously painted still life.

The dialogue is minimal, the cinematography is stunning, and the direction sure, clear and compelling. I saw this film in a film festival held in a loud and crowded Tribeca bar - and within the first two minutes (and for the first time that night), the crowd fell quiet.

That says it all.

I saw this film on the same night I saw 6 other shorts. This one was leaps and bounds ahead of the others in terms of quality of acting, directing, filming and originality of story. It comes together with a professionalism often lacking in short films.

This is a great short film for the following reasons:

1. Amazing performances. The 2 actresses are both compelling and believable instantly. Their chemistry is palpable; the depth of their relationship is conveyed, even though the film is 10 mins long. The acting and directing are very powerful.

2. Beautifully shot. The lighting, framing and general filming are striking. The 35mm film sets this movie apart from other shorts. And what a difference it makes. The filming is worthy of this film stock.

3. Strong story. Often short films try to do too little or too much with the time. Or they are trying to tell a predictable story. This is a good balance of telling you an interesting story, without drawing it out too long or leaving you unsatisfied. You wonder what will happen next, while at the same time, feeling you saw something happen.

Nice score, too. Compliments without overpowering.

If you can find this at a festival, make an effort to see it.

Saw this last night at the 7th Annual NYC Home Film Festival -- a rather tumultuous venue that quieted down for this sweet and touching two-woman film.

The relationship between the two -- one, older and blind, the other, a twenty- something who helps her with her mail -- is established deftly, and its depth is readily apparent.

There are no car chases, explosions, or mind-boggling special effects -- just the sometimes difficult but rewarding task of humans reaching out toward each other to help and be helped.

See if it you can!

I saw "The Reader" as part of the 7th Annual NYC Home Film Festival on 5/25. While I enjoyed the other films I saw that night, I'm in danger of running out of adjectives to describe how much I liked this short film, shot on film - hooray! This is a beautiful, delicate piece of cinema featuring two lovely performances from Tony Award winner Elizabeth Franz, and the soon to be someone Morgan Hallet. A strong but subtle script, a camera that never calls attention to itself (yet, the film is filled with images of great beauty) and moves always in full support of a challenging story. A wonderful score and great sound. Duncan Rogers deserves high praise for his direction and screenplay. I look forward to his feature film directing debut. "The Reader" is a film deserving of wide festival consideration!