Ajouter une intrigue dans votre langueSoe Hok Gie is an activist who lived in the sixties. Set in the darkest era of Indonesian modern history, "Gie" is an interpretation of what happened based on his journal.Soe Hok Gie is an activist who lived in the sixties. Set in the darkest era of Indonesian modern history, "Gie" is an interpretation of what happened based on his journal.Soe Hok Gie is an activist who lived in the sixties. Set in the darkest era of Indonesian modern history, "Gie" is an interpretation of what happened based on his journal.
- Récompenses
- 5 victoires et 11 nominations au total
- Ira
- (as Sita Nursanti RSD)
- Jaka
- (as Doni Alamsyah)
Avis à la une
The protagonist is portrayed with subtlety and poetic expression, and the film reflects this tone. Gie is portrayed with a quiet beauty, and the cinematography, though striking and well-composed, feels effortless and natural. The film maintains a sense of formal beauty without detracting from its naturalistic approach, supported by gentle music and a focus on small, meaningful moments.
Although the film addresses a period of great turmoil and persistent political corruption, it also emphasizes the protagonist's appreciation for nature and tranquility, which adds depth and humanity to the story. It portrays the country and its people, using moments of calm to contrast with the pervasive corruption, creating a poignant and thoughtful exploration of the past and its relevance to the present..
riri riza should have done more research on the issue of gie especially on hes mind set,in my perspective he himself doesn't understand GIE stand point way of mind where logically how can you expect hem to let the viewer know gie if he himself doesn't understand gie, which in the end he makes the looks of GIE struggle and stand point looks completely naive.
i understand the task in directing GIE is a hard task you have to know and understand philosophy to create the perfect composition of GIE, not just plainly adapting it from hes book which by the way is only a simple diary , plain adaptation of gie is which i think creates the roots of the storyline-disorder of this movie.
the poor artistic value and the unmet tone color of the movie ,even more makes me unattached to the movie , a more effort should have been done in both of the department, but overall i do appreciate riri riza and the gang for the moral effort of even have the boldness to picture a story like this ,salute......
"How a person masters his fate is more important than what his fate is".
-wilhem van Humboldt
The film's portrayal of its central character is subtle and poetic, mirroring the understated beauty of the narrative. The cinematography is both strong and seamlessly integrated, balancing formal beauty with naturalism. The film's naturalism is enhanced by its gentle music and focus on small, intimate moments.
Set against a backdrop of political turmoil and corruption, the film's melancholic tone is underscored by the protagonist's love for nature and tranquility, which infuses the story with genuine heart and humanity. It contrasts the calm and serenity of the protagonist's world with the pervasive corruption of the times.
"Gie" stands out for its unique approach to important themes, blending a wistful and melancholic mood with a clear political intent to create a deeply emotional portrait of its era.
Le saviez-vous
- AnecdotesOfficial submission of Indonesia the 'Best Foreign Language Film' category of the 78th Academy Awards in 2006.
- Citations
Soe Hok Gie: [voice-over] The history of the world is one of oppression. The question is, can there be history without oppression or without sadness and betrayal? It's like, when studying history, the only thing we find is betrayal. It is there, in each and every part of our life, and yet we can do nothing about it. How very tragic this is. But "life is suffering," so says the Buddha, and people cannot escape from it.
- ConnexionsFeatured in The Year of Living Vicariously (2005)
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Détails
Box-office
- Budget
- 10 000 000 000 IDR (estimé)
- Durée2 heures 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1