Fido

When you see the cover of the DVD you're convinced this is some Class B cheesy cheapie, a film made for $1,000 in somebody's backyard.

Wrong!

This is quality material and really good. It's a comedy and a clever one at that. It also is very touching in spots, with a nice spot of kindness. The production values are very good (this looks excellent), the actors are known, the film's direction and sets are great. It's amazing. Who would have thought?

Carrie-Ann Moss, playing against-type, is terrific, as"Helen Robinson," the June Cleaver-like wife; Billy Connolly is great as the grunting good-hearted zombie "Fido;" Tim Blake Nelson ("Mr. Theopolis") is a hoot is the neighbor with the sexy zombie girlfriend "Tammy," and Henry Czerny and Dylan Baker as dads (check) are excellent, too K'Sun Ray as young "Timmy Robinson," shouldn't be overlooked, either. In fact, he probably has more lines in the movie than anyone.

If I explain the story it will sound so stupid that few of you would watch it. You'll just have to take the word of the people here who liked it and found it to be a very, very pleasant surprise. You need a dark sense of humor, though; an appreciation of the absurd.

At a risk of sounding slightly sacrilegious, on first viewing I'm kind of inclined to put this right up on a par with 'Shaun of the Dead'. Now, given I view Simon Pegg as an unquestionable comedy genius, I realise this is a rather big claim. And to what extent you agree with that last statement may be a good preliminary gauge of whether 'Fido' will appeal to you.

In a way the comedy picks up where 'Shaun' left off, except we're back in the original 1950s Living Dead-era stereotypical middle-American small town. The Zombie Wars are over and zombies themselves are becoming more well-adjusted, useful members of the community. This, so we're informed at the outset, is largely thanks to the scientific advances made by the good people at Zomcom - a nice play on romantic comedy perhaps?

The beauty of the film lies in its dead-pan depiction of a respectable neighbourhood maintaining core values while making a place for zombies and the special hazards they pose. The charm and balance with which it does this is near enough perfect. Themes you might expect from a more mainstream kitsch comedy come through - the veneer of good clean living, keeping up appearances, repressed emotion, muddled parental values, social decorum and the plight of the alienated individual.

It's a story told with happy heart and wide appeal that is brought to life vividly by the film's all-round strong cast. It's one of those works where it really shows through that everyone involved got a kick out of taking part. It's also fun imagining what Billy Connelly learning his script must have been like...

So in conclusion, it is probable you will appreciate the humour of this film unless your father tried to eat you.

I have pass on this movie so many times because of the cover , when i looked at reviews on here and i had to see this movie.

When i was reading plot, i thinking it dose not sound that good, i so sat thinking, i don't think i would like this movie and i was think i was going waste hour and half of my life.

Soon as put on i was total shocked how different this zombie is, i thought this movie was fantastic, i could not believe not seen it before, the whole story was great idea and this movie did have some nice gory scenes however this movie more about boy being friend with zombie building connections with Fido the boy named the zombie Fido.

Great fun movie 8 out of 10

Set in a middle class neighborhood in the imaginary town of Willard in the 1950s, this dark comedy with a light touch toys with such American obsessions as gun mania and violence, materialism and keeping up with the Joneses, fear of others, slavery, golf, and the disposing of the dead. Yes, it all sounds a bit heavy, but trust me on this, it's nearly as light as a feather.

Zombies are featured prominently among the characters. Crucial questions arise, such as: who will become a zombie (90% of the Willard folks choose this final path, while only 10% prefer a traditional funeral)? Who owns how many Zombies to do their bidding like robots (they've become a mark of social status)? And, what is the range of possible relationships that can be worked out between the living and the sort of reincarnated dead?

Somehow, director Andrew Currie, who also co-wrote the lively screenplay (with Robert Chomiak and Dennis Heaton), keeps this improbable material percolating along for an hour and a half without once faltering for want of a good laugh. A super cast helps: Carrie-Anne Moss, Billy Connolly, Dylan Baker, Henry Czerny, Tim Blake Nelson, Mary Black and Sonja Bennett are the principals, aided by young K'Sun Ray as Timmy, the innocent kid with a good heart who acts as fair witness to all the lunacy of the grownups. (Having seen her only in "Memento" and "The Matrix," I had no idea that Ms. Moss had such fine comedienne chops.)

The production design and music are exquisitely 50s, to a tee. Maybe this one isn't for everybody. It surely will be a hard film to beat for my annual Bizarro Award. But intelligent comedies that stay funny from start to finish are among the hardest won achievements in movie-making. For me anyway, "Fido" is a hoot! My grades: 8.5/10 (A-) (Seen on 01/30/07)

I suppose the ultimate curse of attending the Toronto Film Festival is your release date time table get messed up. Quite frankly, I'm just happy Fido got picked up for US distribution. In any case...

Ever seen Shaun of the Dead? Good. How about Lassie? Able to reconcile the two? Well, if you can your name might be Andrew Currie, Canadian helmer of the first ever family themed zombie comedy, or zomedy. (Seriously, that's what the press book in Toronto called it.) Though not as violent, dry, or British as Shaun of the Dead, Fido remains true to its roots: a devotion to old 50s black and white television including both Lassie and the infamous sci-fi pulp that was being pumped out during the period.

Fido's talented headliners (Carrie Anne Moss, Billy Connelly, Dylan Baker, and Tim Blake Nelson) stand as a testament to the brilliance of the script. The film explores all the implications of its premise: a world where zombies have been converted to servants because of the sheer number of them due to a strange accident. What would you use your new undead servant for? A butler? Manual labor? A pet? Unspeakable acts? Fido tackles all these possibilities in a sweet and surprisingly classy way, with much thanks to the work of Connelly (as one of said zombies) and young TV actor K'Sun Ray, who seems at times to be a better young Elijah Wood than the young Elijah Wood was.

If you're expecting another Shaun of the Dead, don't waste your time. There's not nearly enough gore and pokes at the genre to satisfy you and you'll just leave the theater bitter and depressed. But if you're willing to take a look at what happens to Shaun of the Dead when it jumps across the lake, you're in for a treat. Think of Fido as the sensitive, more often beaten up little brother to Shaun of the Dead's rebellious loser, and you're starting to get the drift. If you like (or at least tolerate) zombies, small children, and loads of deadpan satire, Fido's the film for you. If that's not the case....well, you know the drill. Just hit 'em square between the eyes.