Dans l'Espagne phalangiste de 1944, la jeune belle-fille d'un officier de l'armée sadique s'échappe dans un monde fantastique et captivant.Dans l'Espagne phalangiste de 1944, la jeune belle-fille d'un officier de l'armée sadique s'échappe dans un monde fantastique et captivant.Dans l'Espagne phalangiste de 1944, la jeune belle-fille d'un officier de l'armée sadique s'échappe dans un monde fantastique et captivant.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 3 Oscars
- 109 victoires et 115 nominations au total
Francisco Vidal
- Sacerdote
- (as Paco Vidal)
Résumé
Reviewers say 'Pan's Labyrinth' is acclaimed for its visual artistry, imaginative storytelling, and strong performances, particularly highlighting the contrast between war's harsh reality and fantasy's escapism. However, some criticize its excessive violence and the perceived lack of cohesion between its dual narratives. Additionally, certain viewers find the characters underdeveloped, which slightly undermines the narrative. Despite these drawbacks, the film's artistic vision and technical prowess are widely appreciated.
Avis à la une
1944, Spain, Ofelia accompanied her mother to meet up with her father, who happens to be a Captain in The Spanish Army, there Ofelia escapes into a nightmarish world, and must complete three horrifying challenges.
It took me one or two viewings to fully get it, and to appreciate it, but I'm glad I did, Pan's Labyrinth is an incredible movie, it's one that will appeal to horror fans, and those that enjoy surreal stories and fantasies.
Plenty of messaging to loon out for, you have to wait to learn exactly what's going on, it's worth waiting for.
Beautifully acted and stunningly produced, it's a glorious looking film, I think it's aged incredibly well.
Personally my favourite scene is the dinner table, Ofelia chomps down a few grapes, whilst a terrifying being wakes up, what a scene.
Only from the mind of Guillermo del Toro is this possible.
9/10.
It took me one or two viewings to fully get it, and to appreciate it, but I'm glad I did, Pan's Labyrinth is an incredible movie, it's one that will appeal to horror fans, and those that enjoy surreal stories and fantasies.
Plenty of messaging to loon out for, you have to wait to learn exactly what's going on, it's worth waiting for.
Beautifully acted and stunningly produced, it's a glorious looking film, I think it's aged incredibly well.
Personally my favourite scene is the dinner table, Ofelia chomps down a few grapes, whilst a terrifying being wakes up, what a scene.
Only from the mind of Guillermo del Toro is this possible.
9/10.
10EVON1TY
I know not everyone should like this movie as I am. I actually don't like this type of Fantasies. I like Fantasy movies that are belong to another Fictional Universe. Making a Fantasy movie in our world were not a great idea for me. But this movie shows you the real world, makes you feel the reality and all the bad things in the world. Then shows you a great land, I don't know like a Heaven. You're traveling one to another. You're seeing another aspect all the time.
That is why this movie is so unique. It doesn't bring you another world. Bring the another world to your world. And somehow It manages to doing that so perfectly.
Not only these but this movie has amazing fictonal characters. The terrifying villain, the innocent daughter that deserves to see miracles, the mother that doesn't have a choice, the creatures with unique visuals.
Acting, costumes, makeups, editing are pretty good. But the Screenplay, Scores and Cinematography are just brilliant. Totally worth to see, you'll see another type of Fantasy with this movie.
That is why this movie is so unique. It doesn't bring you another world. Bring the another world to your world. And somehow It manages to doing that so perfectly.
Not only these but this movie has amazing fictonal characters. The terrifying villain, the innocent daughter that deserves to see miracles, the mother that doesn't have a choice, the creatures with unique visuals.
Acting, costumes, makeups, editing are pretty good. But the Screenplay, Scores and Cinematography are just brilliant. Totally worth to see, you'll see another type of Fantasy with this movie.
Everyone's been raving about this. My opinion doesn't differ too much. It did however suffer slightly from the overwhelmingly high expectations I'd developed based on how brilliant everyone said it was, and the whole "20min ovation at Cannes" thing. Really, who stands for that long? That said, it's an amazing work.
Skipping the plot recap (find the briefest synopsis you can if you need to be filled in), I'll go straight to the tech specs. I'm not a huge Del Toro fan, Cronos was interesting but lacked something for me. Mimic was dross. Hellboy was enjoyable and Ron Perlman is always great on screen. But here, the director really outdoes himself. By far. He has wrapped together some amazing elements and somehow maintains a balance, that doesn't tip into the mundane or the ridiculous for a moment. And this is no mean feat. The story is part historical drama, part fantasy, part family melodrama. When it dips out of the fantasy, it still enchants.
Sergi Lopez and Maribel Verdú really drive the story in the historical drama scenes. I haven't seen Lopez in anything other than a film called Lisbon, in which he played a character so completely opposite from the Captain. He is a fierce and terrifying guy but actually comes across as sympathetic in a couple of scenes. Verdu is incredible as Mercedes, the head housekeeper (or something) who is Ofelia's closest friend in the house. The scenes with these characters and the civil war subplot never fail to hold your attention. Ivana Baquero is excellent as the main character Ofelia, her performance is very mature and believable and she shares some beautiful scenes with her mother and Mercedes.
When the fairy tale elements return, it's astounding how naturally they fit into the story. I think that is the real magic of this film. The war drama and the fairy tale stem so naturally from each other.
One thing that most reviews haven't mentioned is the violence. I think it's been firmly established that this is an adult's fairytale, but at times it is a very intense and brutal film. There are a couple of scenes in particular which are very disturbing and difficult to watch. These do not distract from the tone and theme of the film however so they don't seem exploitative at all. If you are squeamish, it may get a bit much for you.
A final and obvious point I spose I can't get away without making: the set design, costumes and effects are superb. That's all.
I was perhaps expecting a little more fantasy, but the unique blend of genres is absolutely compelling. There wasn't a false note anywhere or a plot hole, which are too often present in fantasy films. I can't recall a good, original fantasy film from recent years. Fortunately this blows MirrorMask out of the water. It doesn't share any of the contrivances, vagueness or ineffectual characters with that film.
I just wish I'd seen it without already having read so much. I've tried very hard to not reveal any plot details at all as it does go to some surprising and unexpected places. Fortunately most of the reviews have done the same. I'd urge anyone with the chance to see it to do so immediately, and try not to read too much more.
Skipping the plot recap (find the briefest synopsis you can if you need to be filled in), I'll go straight to the tech specs. I'm not a huge Del Toro fan, Cronos was interesting but lacked something for me. Mimic was dross. Hellboy was enjoyable and Ron Perlman is always great on screen. But here, the director really outdoes himself. By far. He has wrapped together some amazing elements and somehow maintains a balance, that doesn't tip into the mundane or the ridiculous for a moment. And this is no mean feat. The story is part historical drama, part fantasy, part family melodrama. When it dips out of the fantasy, it still enchants.
Sergi Lopez and Maribel Verdú really drive the story in the historical drama scenes. I haven't seen Lopez in anything other than a film called Lisbon, in which he played a character so completely opposite from the Captain. He is a fierce and terrifying guy but actually comes across as sympathetic in a couple of scenes. Verdu is incredible as Mercedes, the head housekeeper (or something) who is Ofelia's closest friend in the house. The scenes with these characters and the civil war subplot never fail to hold your attention. Ivana Baquero is excellent as the main character Ofelia, her performance is very mature and believable and she shares some beautiful scenes with her mother and Mercedes.
When the fairy tale elements return, it's astounding how naturally they fit into the story. I think that is the real magic of this film. The war drama and the fairy tale stem so naturally from each other.
One thing that most reviews haven't mentioned is the violence. I think it's been firmly established that this is an adult's fairytale, but at times it is a very intense and brutal film. There are a couple of scenes in particular which are very disturbing and difficult to watch. These do not distract from the tone and theme of the film however so they don't seem exploitative at all. If you are squeamish, it may get a bit much for you.
A final and obvious point I spose I can't get away without making: the set design, costumes and effects are superb. That's all.
I was perhaps expecting a little more fantasy, but the unique blend of genres is absolutely compelling. There wasn't a false note anywhere or a plot hole, which are too often present in fantasy films. I can't recall a good, original fantasy film from recent years. Fortunately this blows MirrorMask out of the water. It doesn't share any of the contrivances, vagueness or ineffectual characters with that film.
I just wish I'd seen it without already having read so much. I've tried very hard to not reveal any plot details at all as it does go to some surprising and unexpected places. Fortunately most of the reviews have done the same. I'd urge anyone with the chance to see it to do so immediately, and try not to read too much more.
I was fortunate enough to catch Pan's Labyrinth last night as part of the 'Fright Fest' programme in London and was completely blown away. Guillermo Del Toro himself was present to both introduce the movie and to answer questions afterwards. He spoke very passionately about the film, and it was easy to see why. Guillermo Del Toro has created something very special - part war movie, part fantasy, that everyone should see. The film features a fantastic performance by Sergi Lopez as Captain Vidal and as central character Ofelia, newcomer Ivana Baquero delivers the performance of a seasoned veteran. If you are the type of person who is put off by subtitled movies, don't be. This is a very 'visual' film that does not rely overly on dialogue. This does not open until 24 November in the UK and 29 December in the USA but already I am looking forward to seeing it again (and buying the Special Edition DVD).This is the first time I've felt the need to write a review on here. Do yourselves a favour and go and watch it on the big screen.
10Hitchcoc
An incredibly creative piece of cinema. It incorporates an amazing fantasy world with the realities of war. It gives its protagonist a way of surviving and continuing on with a life after she could have lost everything. The visuality is striking, creating a world like we've never seen. There is an amazing use of computer generated images. Everything in this film is in balance as it shifts between fantasy and the horrors of the civil war under Franco. Del Torro is a director of the first order. If you don't like him, try to realize that he takes chances and there are always naysayers out there who want to tear down that creativity. Imagine Stravinsky stopping after "The Rite of Spring" because the Philistines who are stuck in the past couldn't give it its due or at least have some optimism.
Le saviez-vous
- AnecdotesGuillermo del Toro is famous for compiling books full of notes and drawings about his ideas before turning them into films, something he regards as essential to the process. He left years worth of notes for this film in the back of a cab, and when he discovered them missing, he thought it was the end of the project. However, the cab driver found them and, realizing their importance, tracked him down and returned them at great personal difficulty and expense. Del Toro was convinced that this was a blessing and it made him ever more determined to complete the film.
- GaffesWhen Ofelia goes down the stairs in the labyrinth and is talking to the Faun, his shadow still shows Doug Jones' legs while they are in the stilts. The special effects crew took out his physical legs, but the shadow still exists.
- Citations
Capitán Vidal: Tell my son the time that his father died. Tell him...
Mercedes: No. He won't even know your name.
- Crédits fousThe two "Stick Insects" are credited as Cheech and Chong, after which it says "MAY THEY REST IN PEACE".
- Versions alternativesThere are three different versions. Runtimes are: "1h 58m (118 min), 2h (120 min) (Finland)" and "1h 52m (112 min) (Toronto International) (Canada).
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2006 (2006)
- Bandes originalesLong, Long Time Ago/Hace mucho, mucho tiempo
Written by Javier Navarrete
Produced by Emmanuel Chamboredon Ian P. Hierons
Courtesy of Milan Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El laberinto del fauno
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 19 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 37 646 380 $US
- Week-end de sortie aux États-Unis et au Canada
- 568 641 $US
- 31 déc. 2006
- Montant brut mondial
- 83 863 565 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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