Bahia, ville basse

The performances in the Lower City were quite good. All three of the leads are given an opportunity to make an impression. The script however, leaves a bit to be desired. The motives and motivations seem about as clear as mud. Why does this triangle exist? What does she see in each of the men that makes them indispensable to her? When one walks away, why does she pursue him to keep him in the fold and in the game? And finally, and most importantly, why .do men that seem to have no problem with her plying her trade of prostitution with other men, suddenly want to beat hell out of each other when one or the other of them sleeps with her? "Because the script says so" is the only answer I can come up with. That is the weakness of this film. If these questions had been answered we would have had better film and I would have been able to rate it higher. Even some hinted at answers would have been appreciated. Maybe next time....

Three complex and damaged characters on a journey together in a sexually intense film which makes LOWER CITY such an interesting story to watch unfold. The location of Salvador De Bahia's lower city and the interior and exterior shots add a background which is perfect for the love story to take place and you can feel the heat jump off the screen.

The three actors are tremendous in their roles-Lazaro Ramos, Wagner Moura and the gorgeous, breathtaking young actress, Alice Braga. Their sex scenes add to the development of their characters and of course set the film on its course. Alice Braga is a young "Sharon Stone" in the making and her sexuality, intelligence and sense of herself, what is right for her, make each scene she is in an electrifying demonstration of beauty and talent. Braga should go far.

The final scene was a bit of a let down, but then, what else really could have happened to the three caught in a triangle in the slums and heat of LOWER CITY. One hopes for a sequel of this intense story.

Penned as the next City of God/ Amores Perros/ Y Tu Mama Tambien simply because it is the next good film to come out of South America, is to be expected. However, Lower City doesn't quite live up to its comparative brothers but does manage to create a feel of its own. I empathised with each of the characters and felt they were played brilliantly by the actors involved. There was a real sense of passion with the helplessness of the poverty/ crime lifestyle they find themselves in.

One problem with the narrative that I felt was the rather instant impact the female love interest has on this supposed solid friendship. The film doesn't really know what it wants to express: is it an incite into the underbelly of south American society or an erotic platform for the characters and their drama. The pace dips in the middle but the end delivers excitement and resolution.

As a whole, I enjoyed this film but was far from blown away

Reading the IMDb comments from non-Brazilian reviewers, I get the impression "Cidade Baixa" has been mismarketed internationally -- it's far from the ambition, impact, range or scope of "City of God" or "Central Station". It's rather a modest chamber movie about a love triangle setting apart lifelong friends Deco (the incredibly overrated Lázaro Ramos, here in a one-note-so-minimalist-it's-really-lifeless performance) and Naldinho (intense, charismatic Wagner Moura) over the sexual attention and ultimately the "true" love of stripper Karinna (newcomer Alice Braga, sexy, lovely, inexperienced and unconvincing).

Director Sérgio Machado's only previous solo feature effort was "Onde a Terra Acaba", a well-researched documentary on Brazilian legendary filmmaker Mário Peixoto and his single finished film, the 1931 classic "Limite". Like many directors who cross the bridge from documentaries to fiction, Machado here is completely taken over by "the magic of acting". While Machado's undisguised fascination with his three lead stars is overwhelming, the characters in "Cidade Baixa" lack real essence -- the emotional outbursts are there, but the motivations are never clear. The great performance and best designed character comes from veteran José Dumont: he creates a multi-layered, throbbing character in five minutes and has more truth and energy than the three stars combined.

The plot is painfully predictable, it has been told before (and better) countless times. The film's ultimate point -- that a threesome is as good an arrangement as any -- is only shyly hinted at, and probably won't come across for many viewers, but the sexual tension is tangible the whole time. The film is professionally accomplished, but I'm not sure the director's choice for claustrophobic settings and overuse of close-up shots is helpful to the story-- indeed it's a shame that we hardly get to see the open spaces and the entrancing population of Cidade Baixa (the lower part of the city of Salvador, capital of Bahia), which, after all, is the title of the movie! If you blink, you'll miss the falling-to-pieces but still impressive colonial architecture, and you may not see the low-life poverty and fight-for-life vibrancy typical of that neighborhood, because the camera only has eyes for the three stars. Even the Lacerda elevator (the architectural landmark that divides the Lower from Upper City) is seen but for a few seconds. And, for those of us who know and love Salvador for its magical spiritual and carnal energy, the life-affirming music, the irrepressible live-and-let-live savoir-vivre, it's really hard to believe how grim, bleak and sullen all these characters are.

Anyway, the film is never boring, has some good scenes and it's thankfully unpretentious, but the loose ending can be a letdown for many viewers. Maybe next time the talented but still unimposing Sérgio Machado will find a finer balance to his elements, adding a thicker, less tired plot and widening his framings to fully explore his locations, all of which deserves his attention as much as his cast.

Lower City has several problems, the primary being that the story is a tired retread. We've seen it all before..the financial desperation causing people to do anything to survive, and an old fashioned love triangle. Director Sergio Machado brings nothing fresh to these well-worn story threads. Another complaint is although the film was shot in Salvador Brazil, we barely see any of the CITY in Lower City. Most of the film takes place on a boat or within the interiors of clubs, hotel rooms, and apartments. Another major fault lies in the fact that there is little to like about the three main characters. The men practice misogyny, rob, steal, and enjoy watching a good cock fight in their down time. The woman is a career prostitute. I felt quite detached from these characters rather early in the film. The ending was one that most could clearly see coming up Quinta Avenida (Fifth Avenue).

What DID work was the sexual chemistry between the three leads. The love scenes were passionate and convincing. I only wish the rest of the film had the same energy.

5/10