Un homme pense avoir fait table rase de son passé mystérieux et se prépare à entamer une nouvelle vie tranquille. Mais lorsqu'il rencontre une jeune fille sous le contrôle de gangsters russe... Tout lireUn homme pense avoir fait table rase de son passé mystérieux et se prépare à entamer une nouvelle vie tranquille. Mais lorsqu'il rencontre une jeune fille sous le contrôle de gangsters russes violents, il ne parvient pas à rester les bras croisés: il doit l'aider.Un homme pense avoir fait table rase de son passé mystérieux et se prépare à entamer une nouvelle vie tranquille. Mais lorsqu'il rencontre une jeune fille sous le contrôle de gangsters russes violents, il ne parvient pas à rester les bras croisés: il doit l'aider.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 9 nominations au total
- Remar
- (as Mike P. O'Dea)
- Jenny
- (as Anastasia Mousis)
Avis à la une
Reunited after their collaboration in Training Day, Washington (received his first Academy Award in a leading role) and director Antoine Fuqua are back in this simple yet deadly effective action film. Using a Mark Twain quote about people who find their true purpose late in life, Washington plays Robert McCall, a loner and tragic widower with a mysterious past. On the surface, he is an amiable home depot worker who keeps to himself, indulging in conversations only when spoken too, and slave to some sort of OCD while remaining invisible to people around him. After befriending a Russian teen escort called Alina, (Chloe Grace Moretz all grownup), and discovering she is the victim of sexual abuse, McCall's nice-guy demeanor melts away to expose an aura reverberating layers of darkening complexity. There's a tightly restrained compassion in McCall's eyes, fighting a father-figure compulsion to do what he must, while Alina's is a muted plea for deliverance. This scene takes place in a diner they frequent in Boston, and it's the first of two powerful moments in the film. What follows is the film's first action sequence in a Tarantino-styled dialogue first, and blood splatter later, McCall dispatches Alina's Russian pimp and his goons. When news reaches Moscow, mob kingpin Pushkin sends Teddy (Marton Csokas), to clean up the mess. Covered with satanic tattoos, Teddy is anything but the moniker he goes by and with half the Boston PD on his payroll, it's just a matter of when and where McCall is eliminated. Or so they think.
Having previously scripted The Expendables 2, Richard Wenk's story here is nothing new when considering McCall's proverbial 'set of skills', a comparison if you must, to certain characters Liam Neeson has played. On the other hand, there is a mechanism in place, partly due to the aforementioned OCD, allowing McCall a brief study of the situation before striking with lethal accuracy. While that sounds like a knock-off version of combat tactics employed by Guy Ritchie's titular hero in Sherlock Homes (2009), the payoff is watching McCall take out bad guys with improvised weaponry. It gets a bit hokey towards the end, with McCall using all manner of booby traps to slice, dice and blow up Teddy's dumber-by-the-minute henchmen. Having said that, it is still rewarding to watch Washington demolish enemy after enemy and this is largely due to Csokas' terrific portrayal of Teddy's loathsome nature. To that effect, the best scenes in the film are when Teddy and McCall are face-to-face and denting each other's armour with nothing but well written dialogues. One such scene is a powerful dinner table battering-of-wits, a taut reimagining of that iconic scene in Heat (1995).
While humour and drama throw some light on Boston's mob controlled dirty cops, McCall's relationships with his colleagues, and even a short segment that suggests his origins as a trained killer, The Equalizer really shines with Fuqua's deft handling of action scenes. But topping it off is Washington in a vigilante role that is the best we've seen in years. Fans of Man on Fire (Washington opposite Dakota Fanning) and Léon: The Professional (Jean Reno opposite Natalie Portman), both films about male heroism influenced by female protégés, are in for a visual treat. Heck, who needs improbable superheroes when you have an average Joe with extraordinary capabilities and all without hiding behind a mask or costume? Although compelled to use the N-word, I'll just say – Ma man Denzel. . .doesn't disappoint and neither does The Equalizer.
Let's be honest here: the plotting in THE EQUALIZER is nothing special, and the Russian mob make for clichéd villains. It's the execution where this film excels. It's not an action filled movie, but when the action hits it's hard and heavy, not shying away from crowd-pleasing violence meted out to the villains. The extended set-piece ending might be described as 'DIE HARD in B&Q' and loses the realism a little but, but until that point this is tough and gritty film-making.
Aside from the excellent Washington, we get a fine bad guy performance from Martin Csokas, equally intense and the finest I've seen from him, and Chloe Grace Moretz is wisely kept off-screen for most of the running time, which I was fine with. The final shout-out goes to director Antoine Fuqua, whose effortless style makes this a graceful and thoroughly entertaining viewing experience.
What struck me straight away was that first 20 mins or so. I'm sold. It tells us the characters you can see where it's heading and it fished me in quickly. From then on it was just an insane and tense ride. What was great was that every scene had a purpose, there was no messing about, no filler scenes with no point. Everything meant something and that's a rarity in this day and age. The suspense by the way, wow. Had me on strings the entire time, never knew which was it was heading.
I really enjoyed the characters as well. Denzel wasn't just this stereotypical action guy that went round shooting people. There was so more more to him, more complexity if you will and with that there was more to delve into. You definitely get a John Wick vibe to this movie and with the main character, so if you like that. You'll like this.
Just a quick mention, I would have liked to have seen Elena/Teri more, I felt she had a lot of depth that could have been explored. I think my only I guess negative was that the villains "evilness" wasn't explained. Or explained well. Not sure if I missed it, but I didn't truly get why he was so "evil".
But yeah, overall I really enjoyed my time watching this and I'll be jumping on the Equaliser 2 asap. Definitely recommend if you like an action. A very strong 8/10 from me today.
Le saviez-vous
- AnecdotesThe script originally had no back story about Robert, so Denzel Washington contributed much to the character's background and back story, including McCall having obsessive-compulsive disorder (OCD). In addition to his daily physical and fight training before filming, Washington interviewed several real-life OCD sufferers in order to gain insights on how to play that disorder correctly.
- GaffesThe quote shown at the start of the movie, "The two most important days of your life are the day you're born and the day you find out why", is attributed to Mark Twain whereas the source of this quote is actually unknown.
- Citations
Robert McCall: When you pray for rain, you gotta deal with the mud too.
- Crédits fousThe two most important days in your life are the day you were born and the day you find out why. -- Mark Twain
- Versions alternativesThe UK cinema, DVD and Blu-ray versions are cut for violence to secure a 15 rating, removing or reducing the following:
- The closeup of the corkscrew being pushed further into Tevi's mouth, and the final shot of his face right before it's withdrawn.
- The first shot of the mercenary bleeding and choking on the barbed wire noose.
- A closeup of Teddy beating Little John's bloodied face twice, and a shot from behind that shows him readying another punch.
- The gangster being impaled through the neck was shortened at the start and end.
- ConnexionsFeatured in The Equalizer: A Villain's Psychosis (2014)
- Bandes originalesSixteen
Written by Screamin' Jay Hawkins (as Jay Hawkins), Chris Ellul, Kelvin Swaby, Daniel Taylor (as Dan Taylor) and Spencer Page
Performed by The Heavy
Courtesy of Counter Records
By arrangement with Zync Music Group LLC
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El justiciero
- Lieux de tournage
- Haverhill, Massachusetts, États-Unis(Home Mart)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 101 530 738 $US
- Week-end de sortie aux États-Unis et au Canada
- 34 137 828 $US
- 28 sept. 2014
- Montant brut mondial
- 192 330 738 $US
- Durée2 heures 12 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1