Un jeune veuf retourne dans sa ville natale pour chercher des réponses au meurtre de sa femme, qui pourrait être lié au fantôme d'une ventriloque décédée.Un jeune veuf retourne dans sa ville natale pour chercher des réponses au meurtre de sa femme, qui pourrait être lié au fantôme d'une ventriloque décédée.Un jeune veuf retourne dans sa ville natale pour chercher des réponses au meurtre de sa femme, qui pourrait être lié au fantôme d'une ventriloque décédée.
- Réalisation
- Scénario
- Casting principal
Enn Reitel
- Billy
- (voix)
Fred Tatasciore
- Clown
- (voix)
Austin Majors
- Michael Ashen
- (voix)
- (non crédité)
Julian Richings
- Bos
- (non crédité)
Avis à la une
After watching the first few Saw movies, I kept thinking to myself that doll was creepy enough to have a horror movie based on itself and a few years later I found this gem and I have been revisiting it over the years since. Its 2019, and I just rewatched it again a few nights back with a friend and it was an entertaining ride.
The movie itself isn't any kind of a masterpiece. The acting, writing and plot are all rather average but there is some effective horror atmosphere and effects packed in and while the plot is nothing original or fresh its played straight in way that will keep you interested. Its a breezy movie that you can watch and enjoy with a roommate late night.
The movie itself isn't any kind of a masterpiece. The acting, writing and plot are all rather average but there is some effective horror atmosphere and effects packed in and while the plot is nothing original or fresh its played straight in way that will keep you interested. Its a breezy movie that you can watch and enjoy with a roommate late night.
Firstly, the story isn't bad at all, although it'll hardly win any awards. It's pretty difficult for horror movies to continually be original, and this certainly has some moments in it. The villain seems to have some originality; it's not some Chucky imitation. The story lacks depth, and the characters aren't fleshed out at all. The real point of this movie is to be a horror film and nothing more. After the first few (poor) scenes, this movie does one of two things: keep you waiting to jump or trying to make you jump. From the rest of the audience's reactions, I'd say it did a pretty good job at that.
The acting was nothing to write home about, but for this genre, it's more good than bad.
Overall, I would say this a horror movie that deserves a trip to the theater. Compared to many of the sad horror attempts that come out, this isn't too terrible. And it doesn't rely on an abundance of gore like many others do.
The acting was nothing to write home about, but for this genre, it's more good than bad.
Overall, I would say this a horror movie that deserves a trip to the theater. Compared to many of the sad horror attempts that come out, this isn't too terrible. And it doesn't rely on an abundance of gore like many others do.
Dead Silence (2007) is a movie that I recently rewatched on Tubi. The storyline follows a woman who turns up dead in her hometown. The hometown has a history of a ventriloquist who was blamed for the murder of a little boy and killed by the local townspeople. Back in present time, when the husband of the murdered lady begins investigating the death of his wife, he finds the doll of the ventriloquist. Could the ventriloquist be back and why was his wife targeted?
This picture is directed by James Wan (Saw) and stars Ryan Kwanten (True Blood), Amber Valletta (Hitch), Donnie Wahlberg (Saw II), Michael Fairman (Mulholland Drive), Bob Gunton (Shawshank Redemption) and Julian Richings (Urban Legend).
This is a very well done movie. The storyline is fairly straightforward but fun to watch unfold. The opening kill and demise of the ventriloquist was a great way to set the tone for the picture. The cast is well selected and portray their characters to perfection. Donnie Wahlberg was perfect as the cop and his demise was tremendous. The twist at the end was clever and set itself up for a worthwhile sequel. I will say some of the CGI was better than others.
Overall, this is a tremendous addition to the horror genre with enough unique elements to make it an absolute must see. I would score this a 7.5/10 and strongly recommend it.
This picture is directed by James Wan (Saw) and stars Ryan Kwanten (True Blood), Amber Valletta (Hitch), Donnie Wahlberg (Saw II), Michael Fairman (Mulholland Drive), Bob Gunton (Shawshank Redemption) and Julian Richings (Urban Legend).
This is a very well done movie. The storyline is fairly straightforward but fun to watch unfold. The opening kill and demise of the ventriloquist was a great way to set the tone for the picture. The cast is well selected and portray their characters to perfection. Donnie Wahlberg was perfect as the cop and his demise was tremendous. The twist at the end was clever and set itself up for a worthwhile sequel. I will say some of the CGI was better than others.
Overall, this is a tremendous addition to the horror genre with enough unique elements to make it an absolute must see. I would score this a 7.5/10 and strongly recommend it.
After a villainous ventriloquist's dummy is delivered to the home of handsome Jamie Ashen (Ryan Kwanten), and his pretty wife Lisa (Laura Regen), this perfidious puppet very soon belies its inert demeanour, as 'Billy' utilizing murderous means most macabre dispatches Kwanten's pale Mia Farrow Lookalike wife in an especially jaw-droppingly diabolical manner! Thusly burdened with grief, our dishy widower high-tails it to his gloomily dilapidated Silent Hill-esque home-town in his ubiquitous Hollywood hero's muscle car in order to discover the possibility of there being some monstrous truth behind the childhood rhyme extolling the evil exploits of malevolent Mary Shaw and her supremely sinister 101 Dollnation had anything to do with his sinuous spouse's savage snuffing out! A goodly number of noughties 'horror' films are based on creepy urban legends, and James Wan's predictably jump-scare laden 'Dead Silence' rigorously maintains the zeitgeist. The sleekly fashioned fright-flick reeks of Hollywood artifice, from the screamingly obvious polystyrene tombs, plentiful usage of Fright Night fog, and delightfully hokey, hunchback-less Guignol theatre, wherein the grim-faced Mary Shaw's infamous legend was so menacingly born!
While the shocks are somewhat muted, perhaps in an attempt to avoid the boggle-eyed wrath of hissy missy Mary, the film's more endearing qualities are the delicious comedy stylings of a deadpan Donnie Wahlberg as the wryly disdainful cop Detective Lipton, his colourful performance increasing the faux-Gothic campery herein. For me, as a horror film-maker, Wan is a somewhat pallid practitioner, but the dude has legit comedy chops, to whit, the blackly funny, wickedly witty 'Tales From The Crypt' twist, and if all noughties horror titles were replete with a similarly cartoonish cynical cop like Donnie I'd be more of a fan! While 'Dead Silence' is about as scary as a mislaid till receipt, it proved to be all so fabulously absurd I couldn't help but dig it! Usually I relish the dire misfortune that descends so fatally upon the expensively coiffed heads of Hollywood's perfectly plastic protagonists, but in this rare instance I had enormous empathy for the dotty old dear gibbering benignly away in the mortician's cobwebbed cellar, this truly darling, whimsical white-haired octogenarian Marion Walker (Joan Heney), and dynamic cop Donnie got me rooting for 'em right till the final curtain, mayte! One of the more aesthetically pleasing aspects of 'Dead Silence' is the splendidly evocative chiaroscuro photography of talented DP John R. Lionetti, this gifted fellow also lensed the deliciously skewed, greatly underappreciated Lindsay Lohan oddity 'I Know Who Killed Me'.
While the shocks are somewhat muted, perhaps in an attempt to avoid the boggle-eyed wrath of hissy missy Mary, the film's more endearing qualities are the delicious comedy stylings of a deadpan Donnie Wahlberg as the wryly disdainful cop Detective Lipton, his colourful performance increasing the faux-Gothic campery herein. For me, as a horror film-maker, Wan is a somewhat pallid practitioner, but the dude has legit comedy chops, to whit, the blackly funny, wickedly witty 'Tales From The Crypt' twist, and if all noughties horror titles were replete with a similarly cartoonish cynical cop like Donnie I'd be more of a fan! While 'Dead Silence' is about as scary as a mislaid till receipt, it proved to be all so fabulously absurd I couldn't help but dig it! Usually I relish the dire misfortune that descends so fatally upon the expensively coiffed heads of Hollywood's perfectly plastic protagonists, but in this rare instance I had enormous empathy for the dotty old dear gibbering benignly away in the mortician's cobwebbed cellar, this truly darling, whimsical white-haired octogenarian Marion Walker (Joan Heney), and dynamic cop Donnie got me rooting for 'em right till the final curtain, mayte! One of the more aesthetically pleasing aspects of 'Dead Silence' is the splendidly evocative chiaroscuro photography of talented DP John R. Lionetti, this gifted fellow also lensed the deliciously skewed, greatly underappreciated Lindsay Lohan oddity 'I Know Who Killed Me'.
I thought the age of the horror movie was coming to an end. Occasionally there are a few gems (The Descent was excellent)but for the most part horror has been replaced by torture porn (saw, saw 2, saw 3, The Hills Have Eyes, and especially Hostel). Dead Silence has thankfully come to show us that Hollywood can still make a scary picture.
This movie is a throwback to the golden age of horror films. This is a Williams Castle sort of movie... a Vincent Price sort of movie. The filmmakers realized that all a horror movie actually has to do is be scary... and that is exactly what this movie is.
Atmosphere, jumps, startles, and eerie dolls. This movie is creepy as hell.
A little note though... don't go into this film with the attitude that it will suck... and don't pick it apart bit by bit. Just sit back and enjoy. The movie wants to to take you on a ride. You should just strap in and feel the terror that is Dead Silence.
This movie is a throwback to the golden age of horror films. This is a Williams Castle sort of movie... a Vincent Price sort of movie. The filmmakers realized that all a horror movie actually has to do is be scary... and that is exactly what this movie is.
Atmosphere, jumps, startles, and eerie dolls. This movie is creepy as hell.
A little note though... don't go into this film with the attitude that it will suck... and don't pick it apart bit by bit. Just sit back and enjoy. The movie wants to to take you on a ride. You should just strap in and feel the terror that is Dead Silence.
Le saviez-vous
- Anecdotes(at around 1h 10 mins) During the climax, in the storage area with all 101 dolls, you can see Jigsaw's doll from the "Saw" films sitting on the floor, and Edgar Bergen's doll Charlie McCarthy on one of the shelves. The doll that Detective Lipton throws over his shoulder in this scene is a replica of ventriloquist Jimmy Nelson's doll, Danny O'Day.
- GaffesJamie states that in his hometown, receiving a ventriloquist dummy out of nowhere is a bad omen. If so then why didn't he get rid of it when it arrived at his doorstep?
- Citations
Children's Rhyme: Beware the stare of Mary Shaw / She had no children only dolls / And if you see her in your dreams / Be sure to never ever scream.
- Crédits fousThe 1930s Universal Pictures logo is used in the opening credits.
- Versions alternativesUnrated DVD contains the following extended shots which were omitted from the "R" rated version.
- Mary Shaw has a creepy, disgusting, long tongue.
- A gorier death for Henry, as Mary Shaw is shown eating Henry's tongue and saying "I now have your voice, Henry."
- The tongue comes out and licks Jamie after the clown admits the "secret" to him about his wife.
- ConnexionsFeatured in Oh, We Review!: Dead Silence (2012)
- Bandes originalesLet It Go
Written by Bob Mair, Dino Soldo
Performed by Bob Mair, Dino Soldo
Courtesy of Black Toast Music
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 809 076 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 842 725 $US
- 18 mars 2007
- Montant brut mondial
- 22 382 047 $US
- Durée
- 1h 29min(89 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant