Monsieur Flynn

Being a bio, i must definitely say that it's a very interesting film about really interesting characters. Yeah, some will claim that a film without interesting characters is not an interesting film, which is true anyways. But fine: back to the main subject, 'Being Flynn' is an above average bio in my opinion.

The story about characters without any hope and saddened by the life and the consequences of it, is a thing that happens everyday with . The situation and the why people turns to be homeless is a subject explored and showed in a clever and entertaining way, without any distortions to make it look more 'interesting' for the viewer.

The editing, though very inconsistent in simple scenes, played a big part in the film's conception. The film wouldn't be as half as interesting without the good job done in that aspect.

I loved Paul Dano and Deniro's performances. Both were very good. Deniro as the grumpy old man and Dano as the character without direction in his life.

Overall, a flawed film, specifically the last twenty minutes or so, that really prejudiced a then fine film. Still, a solid 7.0/10

Being Flynn (2012)

*** 1/2 (out of 4)

Touching and mostly depressing film about a young man (Paul Dano) trying to make his way into life but things change when he sees his father (Robert DeNiro) staying at the homeless shelter he's working in. The father and son haven't seen each other in nearly twenty-years but soon the son starts to realize that this might have been a good thing. I really wasn't sure what to expect going into BEING FLYNN but I came out extremely impressed and I honestly can't remember the last time I watched a current movie and felt more for the characters involved. Not only do we have the father and son relationship but there's also the flashbacks with the mother (Julianne Moore), the son's relationship with a co-worker (Olivia Thirlby) and other small characters that we meet. The amazing thing is that the screenplay makes you feel for each of them with all their problems. I think one of the greatest assets is of course the performances with DeNiro leading the way. It seems over the past decade "film buffs" have complained about the type of roles that the actor has been taken. Of course, whenever he does turn in quality work like here or in EVERYBODY'S FINE, no one goes and sees the film, which is a real shame as both offer the actor at the top of his game. The character he plays here is at times funny, at times hateful and there are times where you don't want to see him again. The character is a racist, sexist and there's no question that he's a drunk, a deadbeat father and a crazy person. The way DeNiro plays all of this is pure perfection and shows that the actor still has that magic. The way DeNiro not only delivers the lines but also watch the small things he does with the look of the character, the way he moves and even the expressions he gives. Dano stands right up there with him and the two characters are so different that they're both able to stand strong against each other. I was also impressed with Moore, although she doesn't appear in too many scenes. Thirlby is also lovely in her part of the girlfriend and I thought she nearly stole every scene in which she appeared. The appeal of BEING FLYNN is going to be small, I mean, after all this is a depressing, raw and open look at relationships and bad ones at that. The film isn't always easy to watch but the characters are so full and you want to love them so much that it's easy to be drawn into the story. BEING FLYNN is certainly a special little gem and best of all is that it features DeNiro at the top of his game.

"Being Flynn" is an awkward, semi-detached autobiographical movie based on the memoirs of Nick Flynn written down in his acclaimed book "Another Bullshit Night in Suck City". Nick Flynn (played with true zest by rising quality actor Paul Dano) recaps a period of his life, when still uncertain of having any publishing future encourages him to take up a temporary post at a homeless shelter in Boston. Once there he comes across his estranged and increasingly manic father (a masterful return by Robert De Niro), a self-proclaimed classic writer, who approaches the facility after losing his apartment and livelihood in the form of a taxi business. Left during childhood Nick feels a need for attachment, but simultaneously cannot garner to trust the unfatherly figure. Instead this enhances memories of his mother (played by Julianne Moore), who worked two jobs in an attempt to raise him as a single mother, until finally committing suicide. The situation forces a collision in an extreme situation, as Flynn's father falls from grace with Nick reluctant to help pick up the pieces.

A somewhat surprising entry by Paul Weitz, probably best known for being the culprit behind the "American Pie" franchise. Rarely comedic, instead it dabbles in the underbelly of both society and family life, engaging throughout mostly due to the terrific performances by its lead cast. The drama lingers creating atmospheric tension between the two main characters, so even if the movie fails to convey a powerful story and has its moments of prolonged lack of direction, the end result brings about a realistic dark portrait. Somewhat depressing in tone "Being Flynn" above all marks a return to greatness by De Niro and a further marked rise as a future great actor by Paul Dano. Despite some script frailties and occasional incapability for dramatic direction by Weitz, it is still a worthwhile watch and at least a very intriguing character study about generational relations.

Based on the memoirs of poet Nick Flynn entitled Another Bullshit Night in Suck City, Being Flynn works thanks to the performances put in by Robert De Niro and Paul Dano, playing the father and son Jonathan and Nick Flynn, estranged for many years no thanks to Jonathan's life of a con artist catching up with him, communicating with his son through letters for the most parts of his life, never meeting up. Growing up alone with his mom (Julianne Moore), one might think this is yet another dysfunctional family story, but Nick has a lot more to tell, baring his soul to recount the painful absence and hard fought reaching out to the only close relative he's got, and this journey is one that reminds us on blood being thicker than water, or alcohol for that matter here.

Under the direction of Paul Weisz, whose filmography included vulgar flicks like American Pie and The Little Fockers, which of course also starred De Niro, it was great that this film gets more closely aligned with his other narratively powerful films like About a Boy and In Good Company. While the book by Nick Flynn had a whole host of styles adopted in its various chapters, Weisz tried to capture the same essence in adopting different points of views in this film, as well as to lightly touch it with some comedy. But what it had set its sights on, is to bring out the pain of having to not grow up with a dad present and to be brought up by a single mom, and the struggles one has to experience as an aimless drifter until something clicked, and one puts the foot down to embark on a determined change of lifestyle.

There were elements that I enjoyed in this film, one of which is the parallels drawn between the father and son's lives, both seemingly getting from bad to worse with nary a roof over their heads, and the dependence on substance abuse as a vice, be it the bottle or drugs, in the hope that these will help alleviate the severe discomfort brought on by not being able to have ambitions developed and met. Like father, like son, each of them dreams of making it big one day as a successful writer, but like the chip off the old block, this potential rarely got realized when their lives continue to be at the doldrums.

It provides an inspiration to those of us who deem it impossible to pursue our dreams for a variety of reasons, and while it delivers that awkward feeling of having to reconnect with someone related to by blood, especially if that's a mom or a dad, it pushes anyone caught in similar dilemmas into the same direction of reconciliation, for bygones to be bygones, and that there's nothing more powerful than having to rediscover relations that once was, or even never had begun. Weisz adopted a rather fractured narrative, that tells of the present day with Nick and Jonathan's crossing of paths when the latter gets kicked out of his apartment, and having to live on and off in the homeless shelter his son volunteers in, and interspersed that with Nick's memories of the days being brought up by mom through a series of flashbacks, seen through a relatively innocent prism of a young boy growing up in harsh times.

Subplots came and went without much fanfare, such as Nick's on-off romantic relationship with Denise (Olivia Thirlby), a co-worker at the shelter, and we don't really get to know the other co-workers with any depth other than they each come with issues but are volunteering time at the shelter. But there are moments that sneak in, to make you pause and take stock about whether similar situations with the homeless do exist in our own country, and wonder just what is being done, by others as well as ourselves, in contributing to make some change for the better, whether donation in terms of time, or in kind. And not to mention how bullies often target those without support that will make one seethe at the senseless violence dished out.

Robert De Niro continues to prove to be a dramatic tour de force in putting up another fine performance as the cranky, and what I thought to be proud, man who thinks rather highly of his non-existent talent, and subtly shows how Jonathan is actually very proud of the son he should have made contact with many years ago. Paul Dano may have perfected playing laid back characters, but perhaps having to act opposite a veteran such as De Niro forced him to up his game as well, resulting in a natural chemistry between the two that carried the film from start to end. Recommended, with an eclectic soundtrack serving as a bonus.

If you're looking for a light drama or comedy, don't choose Being Flynn. But if you want to see the masterful acting of Robert DeNiro and Paul Dano, and you're up for serious subject matter, this is an outstanding film. The script does not sugar-coat any aspects of addiction or homelessness. It tells it like it is. The key characters are multi-dimensional, and I found myself rooting for them at times and wanting to kick their butts at other times. Besides the obvious subject matter of addiction and homelessness, the film also address the challenges we all have dealing with whether we are or are not our parents -- or at least looking at parts of ourselves we don't like that we also don't like in our parents. And the feelings of guilt and shame experience by Nick over the death of his mother are palpable.

The only thing I found disconcerting was that fact that it was supposed to be set in Boston and, with the exception of one recognizable Boston location, it was so obviously filmed in New York.