Monsieur Flynn

If you're looking for a light drama or comedy, don't choose Being Flynn. But if you want to see the masterful acting of Robert DeNiro and Paul Dano, and you're up for serious subject matter, this is an outstanding film. The script does not sugar-coat any aspects of addiction or homelessness. It tells it like it is. The key characters are multi-dimensional, and I found myself rooting for them at times and wanting to kick their butts at other times. Besides the obvious subject matter of addiction and homelessness, the film also address the challenges we all have dealing with whether we are or are not our parents -- or at least looking at parts of ourselves we don't like that we also don't like in our parents. And the feelings of guilt and shame experience by Nick over the death of his mother are palpable.

The only thing I found disconcerting was that fact that it was supposed to be set in Boston and, with the exception of one recognizable Boston location, it was so obviously filmed in New York.

I really liked this film… a lot. As with a lot of movies based on life the story weaves about a bit. But I particularly like the way the narrative kept switching between son and farther, giving insights and snippets of past and present life. Very character driven storyline and this movie is a good antidote against the high budget, high gloss, special effect driven Hollywood movies… which I also like, don't get me wrong. But in the words of REM, "sometimes you need something more sub sub sub substantial." Both Robert De Niro and Paul Dano give strong performances, but I do slightly worry that Paul Dano might keep being typecast as the lost creative sensitive type. It was nice to see De Niro in a non-comedic role, which he seems to play recently. And it's a good reminder of here is an actor that can act.

Well worth watching in my opinion. Don't expect the movie to be wrapped up nice and neat at the end. I couldn't see how they would be able to do that without resorting to Hollywood cliché's. I'm still astounded this is by the same director (Paul Weitz), who directed the frighteningly bad Little Fockers.

This is like a realistic portrayal of father and son bonding movie. Except it goes a bit too realistic to make it moving or touching for that matter. I mean it's difficult to see how the bonding can be difficult if the father leaves the family for 18yr without any good reason. But there just wasn't enough intimate moments between the father and the son, maybe just one scene that stood out. And the father Jonathan Flynn(Rober De Niro) is a conceited and detestable guy, he is also a racist. Not a extreme one but still a racist. Anyways he is a failed writer that is fool of himself and has nothing else to do but look down upon society and the people. While his son(Paul Dano) who also wants to be a writer has his life spiraling downward because he feels like nothing and because of his past scars. So he decides to work in a homeless shelter where he meets his father. The movie however lacked the bonding elements and just has the two characters having different perspectives and living different lifestyles although they are both struggling. Like how one is a alcoholic and the other a drug addict. Despite their differences there is one intimate moment between them that really stands out. And it's a shame there isn't more of those scenes in this movie. Paul Dano is good but Robert De Niro is magnificent and he pulls off a character that is detestable but you can't have that much hatred for the guy. It's nice to see De Niro at the top of his game again but the movie as a whole just isn't all that good nor does it pull on the heartstrings all that much.

6/10

Based on the memoirs of poet Nick Flynn entitled Another Bullshit Night in Suck City, Being Flynn works thanks to the performances put in by Robert De Niro and Paul Dano, playing the father and son Jonathan and Nick Flynn, estranged for many years no thanks to Jonathan's life of a con artist catching up with him, communicating with his son through letters for the most parts of his life, never meeting up. Growing up alone with his mom (Julianne Moore), one might think this is yet another dysfunctional family story, but Nick has a lot more to tell, baring his soul to recount the painful absence and hard fought reaching out to the only close relative he's got, and this journey is one that reminds us on blood being thicker than water, or alcohol for that matter here.

Under the direction of Paul Weisz, whose filmography included vulgar flicks like American Pie and The Little Fockers, which of course also starred De Niro, it was great that this film gets more closely aligned with his other narratively powerful films like About a Boy and In Good Company. While the book by Nick Flynn had a whole host of styles adopted in its various chapters, Weisz tried to capture the same essence in adopting different points of views in this film, as well as to lightly touch it with some comedy. But what it had set its sights on, is to bring out the pain of having to not grow up with a dad present and to be brought up by a single mom, and the struggles one has to experience as an aimless drifter until something clicked, and one puts the foot down to embark on a determined change of lifestyle.

There were elements that I enjoyed in this film, one of which is the parallels drawn between the father and son's lives, both seemingly getting from bad to worse with nary a roof over their heads, and the dependence on substance abuse as a vice, be it the bottle or drugs, in the hope that these will help alleviate the severe discomfort brought on by not being able to have ambitions developed and met. Like father, like son, each of them dreams of making it big one day as a successful writer, but like the chip off the old block, this potential rarely got realized when their lives continue to be at the doldrums.

It provides an inspiration to those of us who deem it impossible to pursue our dreams for a variety of reasons, and while it delivers that awkward feeling of having to reconnect with someone related to by blood, especially if that's a mom or a dad, it pushes anyone caught in similar dilemmas into the same direction of reconciliation, for bygones to be bygones, and that there's nothing more powerful than having to rediscover relations that once was, or even never had begun. Weisz adopted a rather fractured narrative, that tells of the present day with Nick and Jonathan's crossing of paths when the latter gets kicked out of his apartment, and having to live on and off in the homeless shelter his son volunteers in, and interspersed that with Nick's memories of the days being brought up by mom through a series of flashbacks, seen through a relatively innocent prism of a young boy growing up in harsh times.

Subplots came and went without much fanfare, such as Nick's on-off romantic relationship with Denise (Olivia Thirlby), a co-worker at the shelter, and we don't really get to know the other co-workers with any depth other than they each come with issues but are volunteering time at the shelter. But there are moments that sneak in, to make you pause and take stock about whether similar situations with the homeless do exist in our own country, and wonder just what is being done, by others as well as ourselves, in contributing to make some change for the better, whether donation in terms of time, or in kind. And not to mention how bullies often target those without support that will make one seethe at the senseless violence dished out.

Robert De Niro continues to prove to be a dramatic tour de force in putting up another fine performance as the cranky, and what I thought to be proud, man who thinks rather highly of his non-existent talent, and subtly shows how Jonathan is actually very proud of the son he should have made contact with many years ago. Paul Dano may have perfected playing laid back characters, but perhaps having to act opposite a veteran such as De Niro forced him to up his game as well, resulting in a natural chemistry between the two that carried the film from start to end. Recommended, with an eclectic soundtrack serving as a bonus.

"Being Flynn" is an awkward, semi-detached autobiographical movie based on the memoirs of Nick Flynn written down in his acclaimed book "Another Bullshit Night in Suck City". Nick Flynn (played with true zest by rising quality actor Paul Dano) recaps a period of his life, when still uncertain of having any publishing future encourages him to take up a temporary post at a homeless shelter in Boston. Once there he comes across his estranged and increasingly manic father (a masterful return by Robert De Niro), a self-proclaimed classic writer, who approaches the facility after losing his apartment and livelihood in the form of a taxi business. Left during childhood Nick feels a need for attachment, but simultaneously cannot garner to trust the unfatherly figure. Instead this enhances memories of his mother (played by Julianne Moore), who worked two jobs in an attempt to raise him as a single mother, until finally committing suicide. The situation forces a collision in an extreme situation, as Flynn's father falls from grace with Nick reluctant to help pick up the pieces.

A somewhat surprising entry by Paul Weitz, probably best known for being the culprit behind the "American Pie" franchise. Rarely comedic, instead it dabbles in the underbelly of both society and family life, engaging throughout mostly due to the terrific performances by its lead cast. The drama lingers creating atmospheric tension between the two main characters, so even if the movie fails to convey a powerful story and has its moments of prolonged lack of direction, the end result brings about a realistic dark portrait. Somewhat depressing in tone "Being Flynn" above all marks a return to greatness by De Niro and a further marked rise as a future great actor by Paul Dano. Despite some script frailties and occasional incapability for dramatic direction by Weitz, it is still a worthwhile watch and at least a very intriguing character study about generational relations.