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The Silence

  • Téléfilm
  • 2006
  • R
  • 3h 3min
NOTE IMDb
6,2/10
304
MA NOTE
Essie Davis, Richard Roxburgh, Alice McConnell, and Emily Barclay in The Silence (2006)
Police ProceduralCrimeDramaMystery

Ajouter une intrigue dans votre langueA former police detective working as a curator becomes obsessed with a victim in one of the crime scene photos in his exhibition from the 1960s. Delving into the mystery, he must confront th... Tout lireA former police detective working as a curator becomes obsessed with a victim in one of the crime scene photos in his exhibition from the 1960s. Delving into the mystery, he must confront the truth about this dead woman and his own life.A former police detective working as a curator becomes obsessed with a victim in one of the crime scene photos in his exhibition from the 1960s. Delving into the mystery, he must confront the truth about this dead woman and his own life.

  • Réalisation
    • Cate Shortland
  • Scénario
    • Alice Addison
    • Mary Walsh
  • Casting principal
    • Richard Roxburgh
    • Essie Davis
    • Alice McConnell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    304
    MA NOTE
    • Réalisation
      • Cate Shortland
    • Scénario
      • Alice Addison
      • Mary Walsh
    • Casting principal
      • Richard Roxburgh
      • Essie Davis
      • Alice McConnell
    • 8avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 6 nominations au total

    Photos10

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 7
    Voir l'affiche

    Rôles principaux48

    Modifier
    Richard Roxburgh
    Richard Roxburgh
    • Richard Treloar
    Essie Davis
    Essie Davis
    • Juliet Moore
    Alice McConnell
    • Helen Wilson
    Emily Barclay
    Emily Barclay
    • Evelyn Hutchison
    Damian de Montemas
    • Michael Hanlon
    Tony Barry
    Tony Barry
    • Riordan, Dennis
    Jennifer Hagan
    • Olive Eton
    Joel Tobeck
    Joel Tobeck
    • Ross Moss
    Skye Wansey
    Skye Wansey
    • Fleur
    Ellouise Rothwell
    • May
    Les Dayman
    Les Dayman
    • Edwin Hall
    • (as Leslie Dayman)
    Olivia Stambouliah
    Olivia Stambouliah
    • Denise Tilbury
    Daniel Roberts
    • David Dawkins
    Firass Dirani
    • Anthony Vassalio
    Bruce Sacre
    • Kocovski
    Michael Dorman
    Michael Dorman
    • Eddison
    Will Ward
    • Chris Robinson
    Derrick Siu
    • Glen
    • Réalisation
      • Cate Shortland
    • Scénario
      • Alice Addison
      • Mary Walsh
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    6,2304
    1
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    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    1suescatlady

    Don't waste your time.

    I can usually find something to like about a movie. Not this time. After 20 minutes, I knew I hated this movie. Boring, boring, boring. Even the love making scenes were boring. I continued to watch thinking something has to happen. I had his obsession with the photos figured out early on but watched on as they peeled layers away ever so slowly. Watching paint dry would have been more exciting. Just don't torture yourself.
    1cheetat

    "Okay" for home TV...... (yawn~)

    This definitely is not a movie for a film festival - shows how lousy the board at the Singapore International Film Festival (SIFF) are. The synopsis for this film is very luring, but you'd be very disappointed if you're watching this at a film festival. The Australian High Commissioner made an opening speech before the screening of this show, stressing that the Australian shows picked for the SIFF are all iconic (of Australia). But this is not at all a special show, it's a CSI kind of drama, few rhetorical devices used, no artistic cinematography involved, no meaningful theme involved, therefore not a show for a film festival. I would also not recommend it for a mainstream cinema screening. This film is not exciting enough for entertainment, neither is it intellectual enough for any academically critical review, that's why the low number of reviews here. However, this is an "okay" show for home TV, if you've got nothing to do......
    8Felix-28

    Excellent

    I've now seen this twice, and the second viewing confirmed my first impression that this is an outstanding piece of work.

    Cop mysteries are so common that they need to be truly special to stand out from the dross, and this one is. Its merit probably comes primarily from the script, which is excellent. The basic plot is complex, and it is revealed very slowly, but it keeps moving steadily enough to remain comprehensible and maintain the desire to concentrate so as not to miss a vital point. The direction, editing and general production bring out the quality of the script and are excellent in themselves. The music deserves a separate pat on the back.

    It's enjoyable because it makes you think. The crucial points of the plot are revealed in such a way as to make the viewer understand how the character must have felt; the situations seem real and immediate.

    I can't understand why, at the time I write this, it has a rating of only 6. It's far, far better than that.
    7lhwallerich

    Does no one have a comb??

    I've seen hundreds of movies in my life. As films go, this one had an interesting plot that unwound very slowly. Very. But there was also a peculiarity that once I noticed it, I couldn't unnotice it. No one, and I mean no one, in this movie ever made use of a comb or hairbrush. Every character's hair, male and female, looked like they just rolled out of bed. It was so weird, that I found myself distracted from the plot. Indifference to one's appearance can tell you something about a person. Not in this movie. Cop, killer, victim, doctor, et al, were all apparently caught in the same never ending windstorm.
    10stewartchristopher

    Beautifully haunting detective thriller

    One of those Aussie gems directed by no other than Cate Shortland (Somersault, Lore, Marvel's Black Widow), whose nuance and underlying psychological drama creates a thrilling and raw experience for the audience to delve deeply into the characters journey. Produced by Jan Chapman, one of Australia's finest, and beautifully performed all round, led by the wonderful Richard Roxburgh. Highly recommended. Ten stars.

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      References Deux flics à Miami (1984)

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    Détails

    Modifier
    • Date de sortie
      • 2 avril 2006 (Australie)
    • Pays d’origine
      • Australie
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • A némaság ára
    • Lieux de tournage
      • Milsons Point, Sydney, Nouvelle-Galles du Sud, Australie
    • Sociétés de production
      • Australian Broadcasting Corporation (ABC)
      • Australian Film Finance Corporation (AFFC)
      • Film Finance
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      3 heures 3 minutes
    • Couleur
      • Color

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    Essie Davis, Richard Roxburgh, Alice McConnell, and Emily Barclay in The Silence (2006)
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