Maradona par Kusturica

INMORTAL LEFT LEG AND GOLDEN HEART.

An excellent opportunity to take a closer view of a man who above all things loves the ball, loves his family, y loves his country. Mens like him give their life away, making a better society, as a gift for Argentinian people, people who needs spiritual encouragement to keep on defending their mother country.

An excellent opportunity to take a closer view of a man who above all things loves the ball, loves his family, y loves his country. Mens like him give their life away, making a better society, as a gift for Argentinian people, people who needs spiritual encouragement to keep on defending their mother country.

Story of the legendary footballer. The director himself narrates the different shades of the man behind the figure, especially the political one. Towards the end we see two street guitarists singing a song about him.. surprisingly the star becomes one among them, joins the duo spreading his respect towards mankind to the viewer's heart and the film becomes iconic.

A documentary about the biggest artist of football. You have to see it

Emir Kusturica's films are often wild, inventive but ill-disciplined affairs; and his documentary about (the often wild and ill-disciplined) Diego Maradona is no exception. Maradona was of course famous as a brilliant footballer who has nearly killed himself through drug abuse and over-eating; Kusturica intersperses film of time he has spent with the star together with interviews with his fans, excerpts of his own films, comic animations, and ruminations one what Maradona represents. It's the latter which is the problem: Maradona may dislike George Bush, but that hardly makes him a revolutionary; indeed, he comes across more as a spoilt child who still can't take responsibility for his own actions. And the worship he inspires makes his physical condition seem tragic - not just old and fat, but genuinely not well (in fact, he looked far healthier recently managing his country at the recent world cup). Ultimately, the film seems determined to adore its subject, even when it's not so clear he deserves such adoration. But there are few footballers whose game or life has been nearly so interesting.

Maradona by Kusturica isn't a film about soccer. It is not really a film about sport. It is a film about hope, glory, divine talent and the shortcomings and greatness of human beings. It's about love, despair and eternal matters.

At one point Kusturica asks Maradona which movie star he would want to be, and Maradona immediately answers De Niro in "Raging Bull". "He wanted to knock down everything", Maradona says "I wanted to score goal".

Music plays an important role in this film, as in all of Kusturica's work. Both Argentinian tango and the punk rock of the Sex Pistols seem to contain some of the mysterious energy that whirls around Maradona.

Maradona's football is irresistible. It compels the audience. When this magical and spiritual force is expressed through the classic story of the underdog fighting his way to the top just to fall down again, we are moved, and cannot help it. It is our own story.

Our hero is a martian, a revolutionary, a cocaine addict and a guilt- ridden father and husband. He is not shamed by the fact that he cheated in a world cup match while being watched by hundreds of millions. His regret is that he got high at his daughter's birthday party.

This is not only the story of the greatest football player the world has ever seen, it is also the story of USA vs Latin America, of NATO vs Yugoslavia, of the prince of Wales vs the poor boy from the slums.

Kusturica manages to capture all this in his film, and in doing so he makes us consider grace.

Truly a great film.