Ajouter une intrigue dans votre langueAn ordinary man is struggling with the onset of Alzheimer's. His daughter fights to save her father from a descent into dementia, and to tries to understand the strange guilt that haunts him... Tout lireAn ordinary man is struggling with the onset of Alzheimer's. His daughter fights to save her father from a descent into dementia, and to tries to understand the strange guilt that haunts him - that he is responsible for Gandhi's death.An ordinary man is struggling with the onset of Alzheimer's. His daughter fights to save her father from a descent into dementia, and to tries to understand the strange guilt that haunts him - that he is responsible for Gandhi's death.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 5 nominations au total
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Anupam Kher & Urmila Matondkar totally pull their respective characters together. It is because of them, accompanied by a good plot, that I rate it a 7.8/10.
Directly getting to the point in less than 10 minutes keeps the viewer hooked on to what might be the cause of happenings in the screen. A sense of suspense grows and even though the screenplay feeds us constantly, another revelation towards the end does make sense. The courtroom drama at the end is worth a watch.
What the makers fail here is to keep away from boring sequences wherein the characters are speaking/enacting something, while the actual plot is narrated. It does turn off the experience. Dialogs are just fine, while the character building is very good. Not going astray, Maine Gandhi Ko Nahin Maara is a engaging watch.
BOTTOM LINE: Cinema aficionados & critic will love it alike. Once again, great performances, I have to mention.
Can be watched with a typical Indian family? YES
Profanity/Nudity/Sex: No | Violence: Mediocre | Gore: No | Smoking: Very Mild | Alcohol/Drugs: No
Directly getting to the point in less than 10 minutes keeps the viewer hooked on to what might be the cause of happenings in the screen. A sense of suspense grows and even though the screenplay feeds us constantly, another revelation towards the end does make sense. The courtroom drama at the end is worth a watch.
What the makers fail here is to keep away from boring sequences wherein the characters are speaking/enacting something, while the actual plot is narrated. It does turn off the experience. Dialogs are just fine, while the character building is very good. Not going astray, Maine Gandhi Ko Nahin Maara is a engaging watch.
BOTTOM LINE: Cinema aficionados & critic will love it alike. Once again, great performances, I have to mention.
Can be watched with a typical Indian family? YES
Profanity/Nudity/Sex: No | Violence: Mediocre | Gore: No | Smoking: Very Mild | Alcohol/Drugs: No
Once an English film director was reported expressing surprise why so many Bollywood films come out every year and almost none of them carries a story except filmy romance and skin-show. Here is the answer- Maine Gandhi Ko Nahin Mara, a film by renowned director Jahnu Barua. With Anupam Kher and Urmila's superb acting and Barua's excellent direction the film deserves to be a must see. Bollywood industry should produce much more films of this kind instead of its tradition of producing rubbish films. Direction: 10/10; Acting- Anupam Kher: 10/10, Urmila: 9/10; Story: 9/10; Photography: 10/10; Dialogue: 9/10; Music(Background): 10/10.
In "Maine Gandhi Ko Nahin Mara", Jahnu Barua has presented a different subject -- Alzheimer's and possibly the associated dementia -- which is itself a deviation from the trashy theme-of-the-decade stuff turned out by Bollywood.
Barua has shown how at least some doctors (usually the young guys fresh out of med school) will try experimental, unproven and risky therapies, while going against the mainstream. Also, the universal tendency among medical personnel, especially the mental health community, to 'keep the status quo' until SOME result is obtained, be it positive or negative, good or bad for the patient, has been very well-documented.
While it may be true that the late-onset dementia was triggered by long-suppressed childhood memories based on some incident related to Gandhi, the 'Speechifying' at the end was totally unnecessary. The court drama could've been edited for greater effect.
Both Anupam and Urmila come across as somewhat high-strung and a tad one dimensional. The professor is retired but has absolutely no neighbors, friends or colleagues that drop in or visit once in awhile. That is highly unlikely even in modern urban India.
Anupam Kher produced this movie (that is also a trend nowadays), as the fine folks at NFDC either turned down Barua's request for financing or were too busy cavorting at Cannes.
Somewhat slow-paced at times, it is nonetheless a well-made drama about human relationships. 7 out of 10.
Barua has shown how at least some doctors (usually the young guys fresh out of med school) will try experimental, unproven and risky therapies, while going against the mainstream. Also, the universal tendency among medical personnel, especially the mental health community, to 'keep the status quo' until SOME result is obtained, be it positive or negative, good or bad for the patient, has been very well-documented.
While it may be true that the late-onset dementia was triggered by long-suppressed childhood memories based on some incident related to Gandhi, the 'Speechifying' at the end was totally unnecessary. The court drama could've been edited for greater effect.
Both Anupam and Urmila come across as somewhat high-strung and a tad one dimensional. The professor is retired but has absolutely no neighbors, friends or colleagues that drop in or visit once in awhile. That is highly unlikely even in modern urban India.
Anupam Kher produced this movie (that is also a trend nowadays), as the fine folks at NFDC either turned down Barua's request for financing or were too busy cavorting at Cannes.
Somewhat slow-paced at times, it is nonetheless a well-made drama about human relationships. 7 out of 10.
I've never seen Mr. Bahru movie before, neither Mr kher's saanrch. but one thing that really struck me is that if u combine the finest people from Bellwood you definitely something spellbinding. this movie is surely one of the best in performances/story/screenplay and even background music. kher is disturbingly fantastic and we cud compare him with amitabh's performance in black. he played his character with utmost perfection leaving us shocked and shattered in the end. Urmila, on the other hand, is the most underrated actress of Bellwood. i don't want to describe how amazingly she performed because we all know that her performance is always 10 by 10 right from Pinjar, bhoot or Ek hasina thi. this year i sincerely hope she gets her long delayed national award as she acted on the level of shabana azmi & smita Patel. MGKNM succeeds in capturing father/daughter relationship which an over hyped movie called YAADEIN miserably failed to do so. even the kavita is like satisfying your soul.
What happened to our mainstream Hindi cinema at last? One after other it is coming out with excellent and diverse themes never dealt before. Wow ! When FTII-alumni, internationally renowned Assamese film maker Jahnu Barua and Anupam P. Kher as producer-lead actor comes together, you expect a result to be of very high value. Yes, it is, as what starts off as a touching tale about a Retd. College lecturer (Anupam Kher) who falls prey to Alzheimer disease and how the lives of everybody around him get affected ends on a very topical note of ignorance of values in today's world, very subtly. This is the second feature film in Hindi of Jahnu Barua who directed another one called Apekshaa (1984) though almost all his films are in Assamese and also based in soil there. There are some amazing performances viz. Anupam Kher and also Urmila Matondkar who is quite restrained here. More than anything this film succeeds in making any layman realize and empathize to deal with somebody close whom this disease affects. This film qualifies for select audience, as it is devoid of any of those rubbish commercial elements of forced romance and songs, hero-heroine track or inconsequential sub-plots but come across as very honest film with more substance than style. Bappi Lahiri surprised with his background score. The film has no political overtones as the title suggests but a human story. The problem? Well the story is too simplistically told so much so that to pack it in duration of 1.45 hr, the pace slows down, as the events are not too many. Also, it would be better if it covered more of the disease part and treatment part but of course that was not the focus of the film. The drama in the staged part of the courtroom also lacks that required punch. Nonetheless it put across the message very clearly and aptly and thus succeeds without taking a road to melodramatic Indian ethos or art house cinema. Also, distributor Yashraj Films deserves a pat on their shoulders for bringing a quality product, which is so contemporary, and a must especially for youth audience. A sooner Tax-free status is demanded.
Le saviez-vous
- AnecdotesThe film caused Anil Kapoor and Anupam Kher's relationship to go sour. Anil Kapoor had intended on casting Anupam Kher in his film "Gandhi My Father" as Mahatma Gandhi. Anupam agreed to the film, then started his own film "Maine Gandhi Ko Nahin Maara". This angered Anil as he thought Anupam was playing the role of Gandhi in the film and he did not inform Anil he was going to make a film on Gandhi. Anupam reasoned that he was not playing Gandhi in his home production, but it was too late. Anil felt betrayed by Anupam.
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Détails
- Durée
- 1h 40min(100 min)
- Couleur
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