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Black Christmas

  • 2006
  • 16
  • 1h 35min
NOTE IMDb
4,7/10
32 k
MA NOTE
Lacey Chabert and Kristen Cloke in Black Christmas (2006)
Theatrical Trailer from Weinstein Co.
Lire trailer2:06
1 Video
99+ photos
Dark ComedySlasher HorrorTeen HorrorHolidayHorror

Un maniaque évadé retourne dans sa maison d'enfance la veille de Noël, qui est maintenant une maison de sororité, et commence à tuer les soeurs de la sororité une par une.Un maniaque évadé retourne dans sa maison d'enfance la veille de Noël, qui est maintenant une maison de sororité, et commence à tuer les soeurs de la sororité une par une.Un maniaque évadé retourne dans sa maison d'enfance la veille de Noël, qui est maintenant une maison de sororité, et commence à tuer les soeurs de la sororité une par une.

  • Réalisation
    • Glen Morgan
  • Scénario
    • Glen Morgan
    • Roy Moore
  • Casting principal
    • Michelle Trachtenberg
    • Mary Elizabeth Winstead
    • Lacey Chabert
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,7/10
    32 k
    MA NOTE
    • Réalisation
      • Glen Morgan
    • Scénario
      • Glen Morgan
      • Roy Moore
    • Casting principal
      • Michelle Trachtenberg
      • Mary Elizabeth Winstead
      • Lacey Chabert
    • 371avis d'utilisateurs
    • 204avis des critiques
    • 22Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Black Christmas
    Trailer 2:06
    Black Christmas

    Photos232

    Voir l'affiche
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    + 225
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    Rôles principaux36

    Modifier
    Michelle Trachtenberg
    Michelle Trachtenberg
    • Melissa
    Mary Elizabeth Winstead
    Mary Elizabeth Winstead
    • Heather Fitzgerald
    Lacey Chabert
    Lacey Chabert
    • Dana
    Katie Cassidy
    Katie Cassidy
    • Kelli Presley
    • (as Katie Cassidy)
    Kristen Cloke
    Kristen Cloke
    • Leigh Colvin
    Andrea Martin
    Andrea Martin
    • Barbara 'Ms. Mac' MacHenry
    Yan-Kay Crystal Lowe
    Yan-Kay Crystal Lowe
    • Lauren Hannon
    • (as Crystal Lowe)
    Oliver Hudson
    Oliver Hudson
    • Kyle Autry
    Karin Konoval
    Karin Konoval
    • Billy's Mother
    Dean Friss
    • Agnes - 16 & 22 Years
    Robert Mann
    Robert Mann
    • Billy Lenz - 20 & 35 Years
    Jessica Harmon
    Jessica Harmon
    • Megan Helms
    Leela Savasta
    Leela Savasta
    • Clair Crosby
    Kathleen Kole
    • Eve Agnew
    Cainan Wiebe
    Cainan Wiebe
    • Billy Lenz - 5 & 12 Years
    Christina Crivici
    Christina Crivici
    • Agnes - 8 Years
    Howard Siegel
    • Lover…
    Peter Wilds
    • Frank Lenz
    • Réalisation
      • Glen Morgan
    • Scénario
      • Glen Morgan
      • Roy Moore
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs371

    4,732.1K
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    Avis à la une

    6reeceicy

    Put On Your Safety Glasses!

    Whoa. This is one of the gnarliest, nastiest, most gratuitous displays of violence I have ever seen! And I loved every minute of it! Going into this I was expecting very little due to the piss poor ratings, but the original is one of my favorite slashers of all time so I had to watch it. They absolutely nailed the Christmas vibe with the glowing lights, the booze, and the constant downpour of fake snow. As messed up as it is, I've always found the houses in both movies to be very cozy/comforting. The mid 2000's are on full display here as the blood and guts are amped up to highest degree. This movie has some of the most brutal, bloodiest, gruesome deaths put to screen. Unfortunately the ambiguity element is absent from this version and everyone involved knows who's on the other end of the killings. Did the backstory of billy need to be explained? Did he need to be yellow? Can we chill on the eye gouging? No, but I thought they did a decent job for what they were working with. From a film standpoint there are obvious gripes, but from a slasher perspective what's not to love?!
    7kevin_crighton

    enjoy, but don't take seriously!

    Earlier this year, I tore the re-make of When A Stranger Calls apart, and said at the time, that if Hollywood won't bother making new horror movies, but instead simply re-make old or foreign ones, then just stop. I stand by that.

    However...

    Black Christmas actually surprised me. First, it was actually a lot more brutal and violent than I was expecting, considering it's 15 rating (UK). The other, was the way it re-worked the original.

    The original, which I haven't seen for awhile was as much a whodunit as anything else. Here we're spared that. We know pretty much from the start who is killing here.

    What the makers have done, is simply turn the story into a stalk and slash movie, which as I said is quite brutal in areas. For me a movie of this type stands or falls not on the killer or how they kill, but on the potential victims in the story. If you care about them, then you feel bad they are killed. If you don't, then give me an axe, I'll do it myself!! Black Christmas does enough to make you care about each character, by making each one a little different, but yet, having enough in character to make you believe they could get along normally. So when the killing starts, you do care about them, and begin to wonder who, or how many will make it to the end alive.

    The death scenes are well set up and done, which isn't surprising considering the makers also did Final Destination 1 & 3. If I have a problem with them is that the film is maybe a little over-edited so at times, you aren't sure if certain characters have been killed or not.

    This movie has been getting a critical mauling in certain areas. But I found on watching it, that it's fun, enjoyable, with a black(!) sense of humour, some very nice looking actresses in it!, and for it's (admittedly short) running time very entertaining. And when I go to see a movie like this, that's what I want.

    Enjoyable late-night fun.
    Michael_Elliott

    Violence and Gore

    Black Christmas (2006) uncut U.S. version

    *** (out of 4)

    Incredibly violent and rather trashy remake of Bob Clark's 1974 classic does what any remake should do; it offers us something new. The basic storyline is still in place but this remake goes for a totally different approach to the subject matter and with all the insane violence in this film it's really no wonder there was so much protest when this was released last Christmas. The story is pretty simply as a group of college girls are in their house and are eventually picked off one by one. There's no doubt that the 1974 version is a better made movie that features better director and better acting but style is not what this remake went for. Instead of style and atmosphere this remake gives us non-stop violence, which is so gory and over the top that you can help enjoy it on that level. Yes, there are many plot holes here as new characters are introduced by for a slasher film this pretty much delivers all the goods. The one interesting change to this film is that we see flashbacks of what happened to the killer when he was a child. At first I didn't know what these scenes were trying to do but they add to a few plot twists that make them worth watching. There are several references to the first film including the rocking chair and the attic as well as references to various other early slashers. The film also takes a very strong hatred feel towards religion and Christmas as there are several scenes talking bad about the two and other scenes where statues of Jesus are shown falling and various other things. I'm not sure how much of the violence made it into the theatrical version but this uncut version is pretty damn brutal with some incredibly graphic violence (including some to kids) and a sexual situation that I won't spoil since it's part of a plot change. Again, if you want a classy horror film then stick with the original. If you just want an old fashioned slasher with a pinch of a Euro giallo then this film is right up your alley.
    5Jonny_Numb

    "I'm not dreaming of a Black Christmas..."

    Some movies are very confident in their ability to do many things right, thus ensuring an intriguing experience. A movie like "Black Christmas," however, is mostly confident in its ability to do many things wrong, yet still remain watchable on some bizarre level. Needless to say, it's an overhaul of the seminal 1974 slasher of the same name, in which a lonely sorority house is besieged by a killer making obscene phone-calls from the attic over the holidays. The 2006 version takes this premise and attempts to build a backstory around murderer Billy Lentz, who remained a shadowy specter throughout Bob Clark's film. I have to give writer-director Glen Morgan credit: while this bit of character development is wildly uneven (including giving Billy a sister-in-madness), it is consistent with the wildly inconsistent rest of the film. Morgan brought a strong sense of macabre humor and visual style (I dare call it "Burtonesuqe") to his exceptional remake of "Willard" (helped by Crispin Glover's delightfully wacky performance), but his stylistic leanings are simply the wrong match for a "Black Christmas" remake. There is not a single suspenseful scene to be found, and the violence is so exaggerated that it defuses any horrific effect (seriously, a killer who eats eyeballs?); additionally, the characters are so ill-defined that it's hard to keep track of who's who (had the number of girls been whittled down the point where they had actual personalities, we might have actually given a damn about them). And, for a slasher film coming in the wake of "Scream" and its kindred, "Black Christmas" just shows a general lack of common sense when an obvious threat is lurking (can you really feel sorry for a security guard who lingers in a maniac's room long enough to get knocked off?). But in an odd way, "Black Christmas" avoids the oblivion of crappy horror remakes due to Morgan's impassioned, assured sense of visual style–that being said, it's nowhere near as good as its predecessor.

    4.5 out of 10
    6gavin6942

    A Modestly Flawed Remake of the Bob Clark Classic

    Many years ago, a mistreated boy named Billy Lenz slaughtered his family in a one-house killing spree. Not surprisingly, this had him committed to an asylum. Since then, his house has been converted into a sorority house. And this Christmas, Billy wants to be home with his family to celebrate.

    Let me say a few nice things before I start venting. First, I have to say I must have been a very good boy this year because I can't recall such an attractive cast in the recent past. Three of my all-time favorite young ladies show up here: Michelle Trachtenberg ("Eurotrip"), Lacey Chabert ("Pleasure Drivers"), and Mary Elizabeth Winstead (numerous recent horror films, including "Final Destination 3"). It was quite the visual feast!

    I also enjoyed the inclusion of Andrea Martin as Ms. MacHenry, the house mother. Martin was one of the college girls from the original film and I think it's important to pay some sort of tribute like this (as well as the use of "Clark Sanitarium"). She was a good pick, better than Margot Kidder.

    And the use of incest and cannibalism is always a plus (both of which were absent in the original)... and the gore was decent (though not great) with the constant eye-gouging thanks to a glass unicorn. I do love unicorns, as my embroidered unicorn pillow might suggest. While I do not think it was intentional, I appreciate how the unicorn reminded me of another great classic, "The Abominable Dr. Phibes".

    But let's start the ripping: Glen Morgan was probably the wrong guy to direct this. He brought along cast members from his prior films (again, such as "Final Destination 3") which was fine, but seemed to put very little thought into any of this. And his films have more of a teenager quality to them, making even the gore, incest and cannibalism seem very youth-oriented, if that makes any sense. R-Rated or not, this was meant for teens to watch. He could have really stepped it up a dozen notches.

    The girls get little or no personalities. I don't think I learned half of their names and had difficulty keeping them straight. Maybe reduce the number by one or two so we could at least see them for ten minutes? On the flip side, the film focused almost entirely on Billy Lenz, providing his entire back story. The original never touched on this at all, which made him creepier and more mysterious. Here, there's nothing strange about him (besides the yellow skin and eyes, which play no importance). Obviously, Morgan never learned the secret of good horror: don't show the killer.

    Furthermore, they wasted the character of the boyfriend Kyle (who was named Peter in the original). Here, he is briefly thought by the girls to be the killer, but the audience knows the whole time that he's not. In the original, you never know whether or not Peter is the killer (in fact, many people who watched all the way to the end still aren't sure). If Kyle isn't a red herring, and his only purpose is to bring up some sex tape which was not important to the story (despite being shown again and again), then what the hell was he doing in the movie at all?

    Other great elements from the original were toned down: the police station scenes, the drunk girl (who now passes out right away). And a shower scene was added, but no explicit nudity, making it almost a complete waste of time.

    I'll stop before I start frothing at the mouth. Because, seriously, I was let down. Don't get me wrong, I really enjoyed this movie, but it was clearly the teen remake (not unlike the newer "When A Stranger Calls"). If you need a fix of girls getting strangled with a plastic bag and stabbed in the eye (and that's really all you'll see), check this out. Otherwise, you'll find plenty of great slashers out there on the video shelf. And, of course, you simply cannot beat the original "Black Christmas", one of the best horror films ever made.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Andrea Martin, who played Phyllis in Black Christmas (1974), said in an interview that she hadn't thought about "Black Christmas" for 32 years and it "came out of the blue" when Glen Morgan offered her the role as the house mother in the movie.
    • Gaffes
      Melissa explains to Heather that Billy is not a serial killer because he didn't murder for sexual thrill and is instead a spree killer because he lost his mind. She's not entirely correct, the only difference between a spree killer and a serial killer is the lack of a "cool-off" time. A spree killer is someone who kills multiple people at one time or in quick succession while a serial killer is someone who kills multiple people in distinct incidents. Although Melissa is right that Billy is a spree killer, she doesn't have the correct reasoning.
    • Citations

      Lauren Hanon: Christmas is more about warding off evil spirits than Halloween. What Christmas shit in this room resembles anything Christian, huh? It's all neo-pagan magic. Christmas tree, a magical rite ensuring the return of the crops. The mistletoe is nothing but a conception charm. Fifth century Christians jacked a Roman Winter Festival - twelve days in December when the nights were long and the Earth was ruled by the demons of chaos. And fucking Santa Claus? This fat voyeur that watches you all year long to make sure you live up to his standards of decency before breaking into your house. And that is different from what Billy did, how?

    • Crédits fous
      The final credits include the message "Goodbye, Shirley," in tribute to composer Shirley Walker, a frequent collaborator with director Glen Morgan. Walker passed away in November 2006, before "Black Christmas"' release.
    • Versions alternatives
      The European version features different and more violent kills and the complete hospital showdown has been re-cut completely.
      • In the European version Billy dies on an operating table as doctors try unsuccessfully to revive him.
      • Leigh (Kristen Cloke) is taken to the morgue to ID Agnes and finds Clair's (Leela Savasta's) remains in the body bag marked for Agnes. Leigh returns to Kelli's ('Katie Cassidy''s) room to find Agnes hiding in the bed pretending to be her. Agnes attacks Leigh and snaps her neck. Kelli returns from getting X-rays done, is attacked by Agnes and kills her by shocking her to death with a defibrillator.
      • Kelli is picked up by her parents and leaves the hospital and the camera zooms in on a PEACE ON EARTH sign hanging on a door.
      • In the US version Billy drops down through a ceiling tile after Agnes is killed and chases after Kelli. Kelli breaks the window to her room and runs out into the hallway with Billy close behind. He fights with her before ending up falling over a railing and being impaled on the star on top of a Christmas tree in the lobby below.
    • Connexions
      Edited into Black Christmas: Deleted Scenes (2006)
    • Bandes originales
      Dance of the Sugar Plum Fairy
      (from "The Nutcracker")

      Music by Pyotr Ilyich Tchaikovsky (as Pyotr I. Tchaikovsky)

      Courtesy of 5 Alarm Music

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    FAQ24

    • How long is Black Christmas?Alimenté par Alexa
    • Are there 2 versions?
    • Why are there scenes in the trailer that are not in the movie?
    • Were the girls named after famous singers?

    Détails

    Modifier
    • Date de sortie
      • 25 décembre 2006 (Canada)
    • Pays d’origine
      • Canada
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Gritos en la oscuridad
    • Lieux de tournage
      • Vancouver, Colombie-Britannique, Canada
    • Sociétés de production
      • Dimension Films
      • 2929 Productions
      • Adelstein-Parouse Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 9 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 16 273 581 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 723 364 $US
      • 31 déc. 2006
    • Montant brut mondial
      • 21 510 851 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 2.35 : 1

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