Un maniaque évadé retourne dans sa maison d'enfance la veille de Noël, qui est maintenant une maison de sororité, et commence à tuer les soeurs de la sororité une par une.Un maniaque évadé retourne dans sa maison d'enfance la veille de Noël, qui est maintenant une maison de sororité, et commence à tuer les soeurs de la sororité une par une.Un maniaque évadé retourne dans sa maison d'enfance la veille de Noël, qui est maintenant une maison de sororité, et commence à tuer les soeurs de la sororité une par une.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Kelli Presley
- (as Katie Cassidy)
- Lauren Hannon
- (as Crystal Lowe)
Avis à la une
*** (out of 4)
Incredibly violent and rather trashy remake of Bob Clark's 1974 classic does what any remake should do; it offers us something new. The basic storyline is still in place but this remake goes for a totally different approach to the subject matter and with all the insane violence in this film it's really no wonder there was so much protest when this was released last Christmas. The story is pretty simply as a group of college girls are in their house and are eventually picked off one by one. There's no doubt that the 1974 version is a better made movie that features better director and better acting but style is not what this remake went for. Instead of style and atmosphere this remake gives us non-stop violence, which is so gory and over the top that you can help enjoy it on that level. Yes, there are many plot holes here as new characters are introduced by for a slasher film this pretty much delivers all the goods. The one interesting change to this film is that we see flashbacks of what happened to the killer when he was a child. At first I didn't know what these scenes were trying to do but they add to a few plot twists that make them worth watching. There are several references to the first film including the rocking chair and the attic as well as references to various other early slashers. The film also takes a very strong hatred feel towards religion and Christmas as there are several scenes talking bad about the two and other scenes where statues of Jesus are shown falling and various other things. I'm not sure how much of the violence made it into the theatrical version but this uncut version is pretty damn brutal with some incredibly graphic violence (including some to kids) and a sexual situation that I won't spoil since it's part of a plot change. Again, if you want a classy horror film then stick with the original. If you just want an old fashioned slasher with a pinch of a Euro giallo then this film is right up your alley.
However...
Black Christmas actually surprised me. First, it was actually a lot more brutal and violent than I was expecting, considering it's 15 rating (UK). The other, was the way it re-worked the original.
The original, which I haven't seen for awhile was as much a whodunit as anything else. Here we're spared that. We know pretty much from the start who is killing here.
What the makers have done, is simply turn the story into a stalk and slash movie, which as I said is quite brutal in areas. For me a movie of this type stands or falls not on the killer or how they kill, but on the potential victims in the story. If you care about them, then you feel bad they are killed. If you don't, then give me an axe, I'll do it myself!! Black Christmas does enough to make you care about each character, by making each one a little different, but yet, having enough in character to make you believe they could get along normally. So when the killing starts, you do care about them, and begin to wonder who, or how many will make it to the end alive.
The death scenes are well set up and done, which isn't surprising considering the makers also did Final Destination 1 & 3. If I have a problem with them is that the film is maybe a little over-edited so at times, you aren't sure if certain characters have been killed or not.
This movie has been getting a critical mauling in certain areas. But I found on watching it, that it's fun, enjoyable, with a black(!) sense of humour, some very nice looking actresses in it!, and for it's (admittedly short) running time very entertaining. And when I go to see a movie like this, that's what I want.
Enjoyable late-night fun.
Its very well worth a watvch, if you know what to expect.
Le saviez-vous
- AnecdotesAndrea Martin, who played Phyllis in Black Christmas (1974), said in an interview that she hadn't thought about "Black Christmas" for 32 years and it "came out of the blue" when Glen Morgan offered her the role as the house mother in the movie.
- GaffesMelissa explains to Heather that Billy is not a serial killer because he didn't murder for sexual thrill and is instead a spree killer because he lost his mind. She's not entirely correct, the only difference between a spree killer and a serial killer is the lack of a "cool-off" time. A spree killer is someone who kills multiple people at one time or in quick succession while a serial killer is someone who kills multiple people in distinct incidents. Although Melissa is right that Billy is a spree killer, she doesn't have the correct reasoning.
- Citations
Lauren Hanon: Christmas is more about warding off evil spirits than Halloween. What Christmas shit in this room resembles anything Christian, huh? It's all neo-pagan magic. Christmas tree, a magical rite ensuring the return of the crops. The mistletoe is nothing but a conception charm. Fifth century Christians jacked a Roman Winter Festival - twelve days in December when the nights were long and the Earth was ruled by the demons of chaos. And fucking Santa Claus? This fat voyeur that watches you all year long to make sure you live up to his standards of decency before breaking into your house. And that is different from what Billy did, how?
- Crédits fousThe final credits include the message "Goodbye, Shirley," in tribute to composer Shirley Walker, a frequent collaborator with director Glen Morgan. Walker passed away in November 2006, before "Black Christmas"' release.
- Versions alternativesThe European version features different and more violent kills and the complete hospital showdown has been re-cut completely.
- In the European version Billy dies on an operating table as doctors try unsuccessfully to revive him.
- Leigh (Kristen Cloke) is taken to the morgue to ID Agnes and finds Clair's (Leela Savasta's) remains in the body bag marked for Agnes. Leigh returns to Kelli's ('Katie Cassidy''s) room to find Agnes hiding in the bed pretending to be her. Agnes attacks Leigh and snaps her neck. Kelli returns from getting X-rays done, is attacked by Agnes and kills her by shocking her to death with a defibrillator.
- Kelli is picked up by her parents and leaves the hospital and the camera zooms in on a PEACE ON EARTH sign hanging on a door.
- In the US version Billy drops down through a ceiling tile after Agnes is killed and chases after Kelli. Kelli breaks the window to her room and runs out into the hallway with Billy close behind. He fights with her before ending up falling over a railing and being impaled on the star on top of a Christmas tree in the lobby below.
- ConnexionsEdited into Black Christmas: Deleted Scenes (2006)
- Bandes originalesDance of the Sugar Plum Fairy
(from "The Nutcracker")
Music by Pyotr Ilyich Tchaikovsky (as Pyotr I. Tchaikovsky)
Courtesy of 5 Alarm Music
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Gritos en la oscuridad
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 273 581 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 723 364 $US
- 31 déc. 2006
- Montant brut mondial
- 21 510 851 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1