10 000

I expected this movie to suck. I thought it would be an adrenaline ride with no plot that you can only fully appreciate if you see it in Imax 3-D - similar to (but worse than) Beowulf. Especially since it had gotten really terrible reviews and everyone who'd seen it told me not to waste the few bucks it would cost to rent it.

Well, I finally shelled out the money, and was pleasantly surprised to find that it was not only as exciting as the trailers promised, it did have a plot and was enjoyable. I will not pretend that it was a brilliant movie, because it just wasn't. It definitely had the premise of what could've been a triumph, but it just couldn't cut it.

There was some cheesy dialog, but mostly it was pretty original. The plot was something that could've been ripped off from any ancient folktale, but I think that the scriptwriters and directors did a decent job of making it their own. Seeing as it's supposed to be a legend, and proves itself to be more of a fantasy than historical epic, the historical inaccuracies can be forgiven.

All in all, it was a fairly good movie that was both thrilling and enjoyable. I can see why people didn't like it, but, honestly, they're being much too tough on it.

first off, let me say i am a fan of Roland Emmerich's films like Independence Day,The Patriot etc. but this film is beyond a doubt the most grueling and awful test of patience i have ever endured . time stopped and i got a serious headache after watching this garbage. a $75,000,000 budget and you get poor actors and cgi from TV's "charmed". the "tiger" in Ice Age looked more real and even more menacing than the kitten that was in this movie no longer than 3 minutes. i thought the trailer looked good and went in the theater with an open mind . i am amazed by how bad it was . AMAZED! Come to think of it, i remember being more entertained watching paint dry!

You know how when you go to a cafeteria style restaurant and you see something you usually enjoy like lasagna. You get the lasagna and take a bite with the fond memories of the last time you ate it in a real restaurant. When the first taste hits your tongue and all hopes of future meal enjoyment are flushed down the toilet. 10,000BC is the cafeteria lasagna. It looks goods, has the potential to be great, you have fond memories of other movies in the same genre that were good, and then you watch it. It's edible but just barely. The movie had pretty good special effects and wasn't boring which is why I gave it a five. The dialog and acting were for the most part sub-par. The story didn't even make an attempt to suspend your disbelief. Forget historically inaccurate, it was ridiculous. If I were you I would catch the matinée or wait for someone else to pay for the cafeteria lasagna

Normally I'm not a fan of Roland Emmerich's movies plainly because they're lacking (1998's Godzilla, Independence Day, The day after tomorrow) but this once is above average and many will find it quite watchable. The story takes place 10,000 years ago in prehistoric Africa where a mammoth hunter D'leh (pronounced delyay) chases after a more advanced civilization who has captured his lover evolet and many other members of his tribe. Though there are quite a number of historical inaccuracies, it makes up for it in CGI, great acting. I must say it was really put together nicely.

PROS Amazing CGI Acting Great pacing Action packed

CONS A little boring at some parts (Near the end) Inaccuracies

Overall rating: 6 out of 10

this movie is a decent rent in my book. Check it out.

To anyone who has ever yearned to see woolly mammoths in full stampede across the Alps, 10,000 BC can be heartily recommended. There's also a flock of "terror birds"--lethal ostriches on steroids--in a steaming jungle only a splice away from the heroes' snow-dusted alpine habitat. And lo, somewhere in the vastness of the North African desert lies a city whose slave inhabitants alternately teem like the crowds in Quo Vadis during the burning of Rome and trudge in hieratic ally menacing formations like the workers in Metropolis. That's pretty much it for the cool stuff. Setting movies in prehistoric times is dicey. Apart from the "Dawn of Man" sequence in 2001: A Space Odyssey, only Quest for Fire makes the grade, and its creators had the good sense to limit the duologue to grunts and moans. 10,000 BC boasts a quasi-biblical narrator (Omar Sharif) and characters who speak in formed, albeit uninteresting, sentences--including a New Age–y "I understand your pain." But let no one say the storytelling isn't primitive. The narrator speaks of "the legend of the child with the blue eyes" and bingo, here's the kid now. When, grown up to be Camilla Belle, she's carried off by "four-legged demons"--guys on horseback to you--the neighbor boy (Steven Strait) who hankers to make myth with her leads a rescue mission into the great unknown world beyond their mountaintop. His name is D'Leh, which is Held, the German for "knight," spelled backward. So yes, there is some hidden meaning after all. 10,000 BC is the latest triumph of the ersatz from writer-director Roland Emmerich. Like Stargate (1994), Independence Day (1996), and The Day After Tomorrow (2004) before it, it's shamelessly cobbled together out of every movie Emmerich can remember to pilfer from (though to be fair, the section in per-ancient Egypt harks back to his own Stargate). Emmerich's saving grace is that his films' cheesiness is so flagrant, his narratives so geared for instant gratification, he can seem like a kid simultaneously improvising and acting out a story in his backyard: "P'tend there's this alien ... p'tend maybe he came from Atlantis or something...." Just don't p'tend it has anything to do with real movie-making.

Starring: Steven Strait, Camilla Belle, Cliff Cirtus, Joel Virgel. Director: Roland Emmerich.