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The Ground Truth: After the Killing Ends

  • 2006
  • R
  • 1h 12min
NOTE IMDb
7,5/10
769
MA NOTE
The Ground Truth: After the Killing Ends (2006)
Home Video Trailer from Universal Studios Home Entertainment
Lire trailer2:14
1 Video
21 photos
Documentaire militaireDocumentaireGuerre

Ajouter une intrigue dans votre langueThis powerful film shows how the Iraq War's ground conflicts are only a prelude to the challenging and grueling battles heroic veterans face when they return home from duty.This powerful film shows how the Iraq War's ground conflicts are only a prelude to the challenging and grueling battles heroic veterans face when they return home from duty.This powerful film shows how the Iraq War's ground conflicts are only a prelude to the challenging and grueling battles heroic veterans face when they return home from duty.

  • Réalisation
    • Patricia Foulkrod
  • Scénario
    • Patricia Foulkrod
  • Casting principal
    • Herold Noel Jr.
    • Robert Acosta
    • Sean Huze
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    769
    MA NOTE
    • Réalisation
      • Patricia Foulkrod
    • Scénario
      • Patricia Foulkrod
    • Casting principal
      • Herold Noel Jr.
      • Robert Acosta
      • Sean Huze
    • 18avis d'utilisateurs
    • 30avis des critiques
    • 74Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Vidéos1

    The Ground Truth: After the Killing Ends
    Trailer 2:14
    The Ground Truth: After the Killing Ends

    Photos21

    Voir l'affiche
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    + 16
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    Rôles principaux17

    Modifier
    Herold Noel Jr.
    • Self
    • (as Herold Noel)
    Robert Acosta
    • Self
    Sean Huze
    Sean Huze
    • Self
    Kelly Dougherty
    • Self
    Patricia Foulkrod
    • Host…
    Nicole Huze
    • Self
    • (as Nickie Huze)
    Denver Jones
    • Self
    Joyce Lucey
    • Self
    Kevin Lucey
    • Self
    Jackie Massey
    • Self
    Jimmy Massey
    • Self
    Demond Mullins
    • Self
    Chad Reiber
    • Self
    Paul Rieckhoff
    Paul Rieckhoff
    • Self
    Steve Robinson
    • Self
    Robert Scaer
    • Self
    Andrew Huze
    • Self
    • (non crédité)
    • Réalisation
      • Patricia Foulkrod
    • Scénario
      • Patricia Foulkrod
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    7,5769
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    Avis à la une

    10star2be-1

    A must see for both hawks & doves

    I saw this film premiere Friday (1/19) night in Park City for Sundance and was incredibly moved. Sitting in a theater and hearing first-hand the anguish soldiers go through was almost more than I could bear. Others in the audience were equally moved and while we wanted to turn away, the least we could do was bear witness as these men and women shared their experience with us. Robert Acosta, Paul Rieckhoff, Sean Huze, and Herold Noel, all veterans of the war in Iraq and featured in the film, were present. While they may be home now, you can tell this war is still inside them and probably always will be. Whether you support the war or not, it is OUR duty to support the troops with something other than a bumper sticker. See this film!
    7deanmasters

    Unfortunately it was like watching a sequel...

    That is no criticism of the film, but rather a comment on how blind we are to our own past.

    I recently watched Winter Soldier, and The Ground Truth was like watching a remake or sequel-- except it was about Iraq rather than Vietnam. Similar to Winter Soldier because of it's one-sided message, both films illustrate how gleefully we rush to engage in conflicts based on false pretenses, and allow our young and brave (and often naive) to bear the brunt of this greedy war profiteering. Both films effectively show that the mentality forced into the minds of the young and willing make them efficient killing machines, but the training falls woefully short of teaching the diplomatic and policing skills necessary to effectively win the hearts and minds of the people they're supposedly fighting for. This is ultimately what lost the war in Vietnam, and will likely lose the war in Iraq as well.

    My only negative comment is that the film is so one-sided it could be easily passed off as left- wing propaganda. Not by me, mind you, but by those aiming to discredit the film and message. A more balanced point of view would speak to a larger audience.
    8mmckelley

    War is never over until the last person who can remember it is gone.

    This film illustrates the worst part of surviving war, the memories. For many soldiers, men and women alike, returning home can be the beginning of real problems. I am reminded of my father and his brothers returning from WWII. For one of my uncles the war was never over. He survived the D-Day invasion, something akin to the first 20 minutes of Saving Private Ryan. For him the memories not only lingered but tortured him. He became an alcoholic as did several of my cousins, his sons. Jump ahead 60 years and place the soldiers in a different war, in a different country, the result is the same. When I saw this at the KC FilmFest, I was reminded that there are somethings about war that never change. The idealistic young men and women are not spared the emotional torment of what happened in Iraq, and especially if you are against the war you will come away with more compassion for the soldiers there trying to do what they believe or have been told is right.

    The tag line from the Vietnam war film Platoon says it all. "The First Casualty of War is Innocence."
    8tomhbrand

    A powerful examination of the effects of war beyond the politics

    There is an episode of The Simpsons which has a joke news report referring to an army training base as a "Killbot Factory". Here the comment is simply part of a throwaway joke, but what Patricia Foulkrod's documentary does is show us, scarily, that it is not that far from the truth. After World War Two the US Army decided to tackle a problem they faced throughout the war; that many soldiers got into battle and found themselves totally unable to kill another human being unless it was a matter of 'me or them'. Since then the training process of the US army has been to remove all moral scruples and turn recruits into killing machines who don't think of combatants as people. To develop in them a most unnatural state: "The sustainable urge to kill".

    First off, this isn't an antiwar movie as such. Whilst it certainly paints war in a very bad light, Foulkrod focuses rather on an aspect that doesn't get as much media attention as, say, the debate over the legality of a war or it's physical successes or failures; the affect the process of turning a man into a soldier has on that person as a human being. It's the paradox that to train someone to be a soldier to defend society makes them totally unsuitable to live as part of that society themselves, and whilst most of the examples and interviewees are from the current Middle East conflict Foulkrod makes the links to past conflicts, especially Vietnam, painfully clear. This isn't about any particular war, it's about the problems caused by war in general.

    Structurally the film seems to be split into three sections; how recruits are drawn into the army and the training they receive, how they are treated once they are in combat, and what happens once they leave the army. Once this point is reached you realise that the main target of this film is actually the policies that are inherent in the armed forced, policies that are put into place to make soldiers into an affective combat force but removing all humanity from the individuals. Those interviewed tell the camera how the recruiting process seems so clean and simple, how word like "democracy" and "freedom" are banded around, but once the training begins they become "enemy" and "kill" and "destroy". How once in action soldiers don't care what they are ordered to do, as they are ingrained with the idea that as soon as they carry out an order, whatever it may be, they are one step closer to going home. They have no political or social ideals to fight for but fight and kill as that's what they've been trained to do.

    But The Ground Truth's main goal is to highlight the way the US Army discards those who have fought for their country once they return home. There is no real rehabilitation given to soldiers returning, and many are forced to go home unable to cope with what they have seen and done, and most policies in place seem to be to make sure the army has no legal responsibility whatsoever for psychological affects their soldiers pick up. This is the final indignity, that once they are used they are cast away.

    If there is a flaw in the film it is that Foulkrod doesn't attempt to show another side to the argument. You would get the impression that every single soldier who ever went to war would come back with Post Traumatic Stress Syndrome. It would have been interesting to see those of a… less liberal upbringing give their opinions of how the army handles training and policies. There is never a chance for the other side of the argument to make itself known.

    But other than that this is an expertly crafted documentary, and Foulkrod's use of stock footage and music is perfectly utilised to get across a side of war that too often get s passed by when discussing the fallout of war.
    10willden21

    The Best Film About The Military and Iraq to DATE!!!

    I caught this at a screening at the Sundance Film Festival and was in Awe over the absolute power this film has. It is an examination of the psychological effects on our brave soldiers who join the military with hopes that they will protect and serve our country with honor as well as be taken care of by our government for it. The film details the psychological changes that takes place in boot camp as the soldiers are turned into "killers for their country" and put into the war and the after effects once they return home. It also portrays the effect that killing has on the human psyche. It pays homage to the Soldiers and never ever criticizes the soldiers unlike other films, instead criticizes a system that is not prepared to and does not take care of all the physical and psychological needs of the returned Vets.

    This film is powerful, moving, emotional and thought provoking. It stands as a call to arms to support our troops not only by buying stickers and going to parades but by actually listening to them, and helping to support a change in the way their health and well being is taken care of after the killing ends.

    The best film of the Festival so far, ****/****

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    Histoire

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    Le saviez-vous

    Modifier
    • Connexions
      References Top Gun (1986)
    • Bandes originales
      Somebody's Gotta Do It
      Written by Tajir Jamal, Floyd Carson, Tsidi Ibrahim, Carl Jenkins, and Tariq Trotter

      Performed by The Roots

      Courtesy of Geffen Records under license from Universal Music Enterprises

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    Détails

    Modifier
    • Date de sortie
      • 19 janvier 2006 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Ground Truth
    • Lieux de tournage
      • Asheville, Caroline du Nord, États-Unis
    • Sociétés de production
      • Plum Pictures
      • Radioaktive Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 20 013 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 12 207 $US
      • 17 sept. 2006
    • Montant brut mondial
      • 20 013 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 12min(72 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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