Friends & Crocodiles

This piece seems to have divided the audience and critics. We have seen and heard more negative reviews than positive ones.

We thought it was a very interesting and enjoyable piece. As so often with Poliakoff, he creates characters who don't behave as you expect them to. They infuriate and they surprise you.

In this epic piece, spanning some 20 years (early eighties to early naughties)Poliakoff examines themes of business, friendships and survival in a fast-changing world.

Crocodiles are an interesting metaphor for survival and coping with change/trauma.

So are friends, both the loyal and the relatively fair-weather variety. Both types are on display here.

Drama about business is usually horribly infuriating because the playwright has little or no insight into how business really works. Similarly technology. Poliakoff understands business and technology far better than most writers.

Of course the piece simplifies and takes positions on these issues - who wants a 20 parter on such subjects - but the piece works excellently well as a sub 2 hour film for TV.

Several critics said that they "just don't get it" with this piece. I feel sorry for them if that is really the case. Perhaps most critics, like most writers, have little understanding of business and/or technology.

The acting is excellent - Damien Lewis (everywhere these days) and Jodhi May predictably good. A few cameos for old favourites too.

The cinematography is just stunning - Poliakoff is probably now at the very top of his game in this aspect of his work.

It's big canvas stuff, it is truly beautiful to look at and it leaves you plenty to think about and talk about afterwards.

We need more of this quality of stuff on TV and cinema please!! And this piece will last. Some of those who "don't get it" just now will, in a few years time, be hailing it as a classic and repeating it for decades to come. It's that sort of piece.

I honestly thought that this was one of the greatest films I have ever had the pleasure of watching. Is it just me or are the general public getting less intelligent as I get older? It is true that in this film not everything is handed on a plate to the viewer, however, for me, this is what makes it a complete breath of fresh air. I'm quite bored with having every intricate detail of stories and characters in modern films served up to me as if I was completely mindless. This film leaves the viewer to do some thinking for a change and as part of the process it challenges their perspectives and values. We are then left with questions not only of the film but also of ourselves, which is exactly where we are supposed to be. It is is original, thought provoking and takes us back to the old art of story telling at its best.

Adam

One of Stephen Poliakoff's most interesting films, I was very glad to catch up with it recently (via Netflix DVD).

He manages to not only present a most unusual variation on screen love stories, this one about a deep but platonic relationship among co-workers but also encapsulates the key societal changes in recent decades in novel fashion.

Most impressive to me was how Poliakoff zeroed in on technological changes on society and the strange but made understandable social trends of late. The hippy era thinking that has since been replaced by right-wing emphasis on selfishness/materialism is beautifully shown in many of the characters, principally Damian Lewis's anarchic business whiz. The current turmoil of "creative destruction" and how it affects one's job security is brilliantly analyzed.

Even technological progress and fads are cleverly shown, as in the Shark Tank styled pitch session for "electric books", pre-Kindle. All that's missing in the auteur's prognostication is the smart-phone mania that has set in just a few years after shooting in 2004.

One side note is how Damian Lewis's madman in business character presages his current starring role in TV's "Billions" -quite a different character, yet this BBC TV Movie certainly could have served as his audition for the later role.

Though handsomely produced and fairly diverting, this is ultimately a rather silly movie. Characters rise and fall and undergo drastic transformations at the whim of its simple-minded plot. (Mike Leigh's two-hander "Career Girls" seemed similarly unrealistic, but its characters were so endearing that it didn't matter.)

The biggest problem with "Crocodiles" is that it has a high school freshman's idea of what the workaday business world is like. The heroine's ascent is never believable, nor are the emotional changes she goes through. The three bosses we see -- a fussy, posturing little fellow played by Allan Corduner, a ruthless corporate CEO played by Patrick Malahide, and some pushy, fault-finding fat guy at the beginning -- are all ridiculous caricatures. The office Corduner presides over resembles a kindergarten class. The Damian Lewis character is treated by everyone there with inexplicable deference and indulged for months in ways no real-life company would put up with. (In fact, his character's imperturbable smugness throughout the film is increasingly hard to take.) And in light of what's happened in the real world, his success in establishing a string of old-fashioned bookstores seems sadly ironic.

The movie also forces us to watch too many long, lavish parties, and it's a reminder that -- for me, at least -- there's nothing more boring (although they were probably fun to stage).

On the other hand, Jodhi May remains fairly breathtaking in just about anything; and considering all the closeups and screen time she gets, I have the impression that Poliakoff was as enamored of her as I am.

I enjoyed Friends and Crocodiles and strongly suggest viewing it more than once. More nuances are then perceptible which fleshes out the story line that otherwise is convoluted and can be confusing. Both Paul and Lizzie demonstrate an extreme level of self control, although each of a different nature and each exhibited in vastly different ways. Lewis and May are exceptionally well suited for those two roles and do an excellent job of keeping the viewer focused on their personalities and the theme, rather than have attention wander off on other characters or subplots. The interplay between the two of them can easily be viewed as signifying human interaction in areas other than the business world.