Ajouter une intrigue dans votre langueA dance teacher offers to conduct detention for a group of misfit students by teaching them ballroom dancing. He overcomes their insecurities and prejudices, to enter them in a dance competi... Tout lireA dance teacher offers to conduct detention for a group of misfit students by teaching them ballroom dancing. He overcomes their insecurities and prejudices, to enter them in a dance competition.A dance teacher offers to conduct detention for a group of misfit students by teaching them ballroom dancing. He overcomes their insecurities and prejudices, to enter them in a dance competition.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Avis à la une
My recommendation is for you to go and experience this film. Don't expect to see the finest film ever made. Just go in and let it wash over you. You'll be surprised.
This film was much better than I had expected. The story brings to mind movies such as Mad Hot Ballroom or Dangerous Minds, but is different enough that it is able to stand on its own.
Overall I thought the acting was well done. The dancing was great (both the hip hop dancing and the ballroom). And while I am not a huge Antonio Banderas fan, I thought he was excellent, and I really liked him. He was able to be the star of the movie, but not the center of attention at all times. He looked good and seemed to provide a different element to what could have been the same old "help the inner city kids find hope" story.
The script and dialogue had nothing too cheesy or corny, which is usually found in "feel good" films, or movies about highschool students. There are plenty of funny parts, as well as enough drama and interesting character conflicts to keep everything interesting.
My only complaint was that the ending didn't seem to wrap up everything - there were some back story lines and issues that weren't resolved. But a few unanswered questions can sometimes be better than a cheesy, unbelievable ending where suddenly all is right in the world. I'll be curious to see if they make any changes before it is released in theatres.
I give it an 8 out of 10, because I was genuinely entertained.
The entire film depends on Benderas' energy and wit.He fills the film with energy and wit and excites everyone in the film.I really enjoyed the superbly choreographed dance sequences as it brings about different cultures together and shows how much fun it could be.It's really enthralling.
A finely made entertaining film with a different treatment to an old formula.Surprise is on their side.
But what is probably a very interesting story is tossed out in favor of a very shallow Hollywoodization.
This is not to say the movie isn't watchable. The cast is engaging and there are some nice dance numbers in it, and of course Hollywood clichés can have a certain manipulative power. But the problem is, every new ridiculous event in the movie pushed me further from enjoyment and towards irritation.
When people complain about Hollywood movies, this is exactly what they're complaining about.
Altho based on a true story, one has to wonder how much was added for dramatic effect. Some of the relationships/developments seem just too trite and stereotyped -- and yet the portrayals are enjoyable enough that ultimately you don't care. After the number of times audience members laughed or exclaimed over scenes or lines in the movie, I was surprised that they didn't clap at the end -- it's that kind of movie. It reminded me of both Strictly Ballroom and Stand and Deliver. You won't be sorry you've seen it.
Le saviez-vous
- AnecdotesThe youthful members of cast worked with the real Pierre Dulaine to get their dance moves correct for the movie.
- GaffesWhen Morgan comes to the school to dance with Pierre for the students, she descends the steps to the room fully costumed, including her shoes. Ballroom dance shoes have soft suede soles that are are easily damaged by wet or dirty floors, so most dancers, especially serious ones like Morgan, will not put risk their shoes by putting them on at a non-competition venue until they are ready to step onto the dancing surface.
- Citations
Pierre Dulaine: To do something, anything, is hard. It's much easier to blame your father, your mother, the environment, the government, the lack of money, but even if you find a place to assign the blame,it doesn't make the problems go away.
- ConnexionsFeatured in HBO First Look: Take the Lead (2006)
- Bandes originalesI Got Rhythm (Take the Lead Remix)
Written by George Gershwin and Ira Gershwin
Performed by Lena Horne
Additional vocals performed by Q-Tip
Remixed by Swizz Beatz and Aaron Zigman
Courtesy of RCA Victor Group by arrangement with Sony BMG Music Entertainment
Q-Tip appears courtesy of Motown Records a division of UMG Recordings, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Take the Lead
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 34 742 066 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 775 000 $US
- 9 avr. 2006
- Montant brut mondial
- 66 500 090 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1