NOTE IMDb
5,4/10
47 k
MA NOTE
Un jeune Viking se retrouve abandonné suite à un combat de clan contre une tribu amérindienne. Elevé au sein de la tribu, il devient finalement leur sauveur dans un combat contre les Norvégi... Tout lireUn jeune Viking se retrouve abandonné suite à un combat de clan contre une tribu amérindienne. Elevé au sein de la tribu, il devient finalement leur sauveur dans un combat contre les Norvégiens.Un jeune Viking se retrouve abandonné suite à un combat de clan contre une tribu amérindienne. Elevé au sein de la tribu, il devient finalement leur sauveur dans un combat contre les Norvégiens.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Wayne Charles Baker
- Indian Father
- (as Wayne C. Baker)
Avis à la une
This movie was gorgeous and everything I ever wanted in a "Viking" lands on North America film. I thought this film was very underrated and with the Judd Apatow dreck that gets called film-making these days this really stands up in beauty and depth of story. The cinematography of the Northwest coast was amazing and incorporating the dense forests and lush environments into the shooting process was simply amazing.
The acting was perfect and at times understated in wonderfully blocked scenes between the characters. I thought the action is unmatched by many films pretending to be the action blockbusters they are often sold as. I often marveled at the length in which the filmmakers brought the setting to us no matter how difficult the set-ups seemed.
I hope he keeps making films for years to come! Beautiful!
The acting was perfect and at times understated in wonderfully blocked scenes between the characters. I thought the action is unmatched by many films pretending to be the action blockbusters they are often sold as. I often marveled at the length in which the filmmakers brought the setting to us no matter how difficult the set-ups seemed.
I hope he keeps making films for years to come! Beautiful!
Nipsel and company basically hybridized the structure of Dances with Wolves with a not-quite-historical fiction (more like radical speculation) plot about interactions between Norsemen and Native Americans during the 12th century A.D.
Ghost (Karl Urban) is a Norse boy left behind aboard a wrecked ship. He is adopted by the Clan of the Dog (the dogs who cohabitate with this tribe are historically inaccurate, but that's just one of many historical transgressions). As he grows up, Ghost's obvious difference and his history become something of a stumbling block for him, but he works hard to overcome them in order to be accepted by his adoptive people. Eventually, it seems, he must confront the demons of his past, and unfortunately, so must the Clan of the Dog.
Pathfinder is played well by Russell Means, and Ghost's love interest - Starfire - is nicely portrayed by Moon Bloodgood. Urban has great physical talent, but this story did not lend itself to testing his ability to create drama and mood, so there isn't much to say about his performance. Likewise, most of the Norse characters were so under-developed and one-dimensional that it is impossible to comment on the performances involved.
Although the story relies on stereotypes to develop both its Norse and Native American characters, since so little is actually known about the Norse colonies, this seems forgivable. What is not really forgivable, in my opinion, is the reiteration of the trope established in Dances with Wolves and other similar works which suggests that it takes a European to effectively fight off Europeans. Although the characterizations of the protagonists in both films are adequate to explain their behavior, the character and behavior of the Native Americans attached to them is less well developed, and there is a lingering, inaccurate and disturbing shadow of inferiority implied in their apparent inability to strategize and effectively lead in combat.
However, Pathfinder refuses to touch reality with any length of pole, so, sit back and enjoy the action, costumes and sets.
The film contains a lot of violence, most of which is convincingly shot. The costuming is excellent, and the sets are lovely. if you can get past the problems - which are several - you may just enjoy it.
Ghost (Karl Urban) is a Norse boy left behind aboard a wrecked ship. He is adopted by the Clan of the Dog (the dogs who cohabitate with this tribe are historically inaccurate, but that's just one of many historical transgressions). As he grows up, Ghost's obvious difference and his history become something of a stumbling block for him, but he works hard to overcome them in order to be accepted by his adoptive people. Eventually, it seems, he must confront the demons of his past, and unfortunately, so must the Clan of the Dog.
Pathfinder is played well by Russell Means, and Ghost's love interest - Starfire - is nicely portrayed by Moon Bloodgood. Urban has great physical talent, but this story did not lend itself to testing his ability to create drama and mood, so there isn't much to say about his performance. Likewise, most of the Norse characters were so under-developed and one-dimensional that it is impossible to comment on the performances involved.
Although the story relies on stereotypes to develop both its Norse and Native American characters, since so little is actually known about the Norse colonies, this seems forgivable. What is not really forgivable, in my opinion, is the reiteration of the trope established in Dances with Wolves and other similar works which suggests that it takes a European to effectively fight off Europeans. Although the characterizations of the protagonists in both films are adequate to explain their behavior, the character and behavior of the Native Americans attached to them is less well developed, and there is a lingering, inaccurate and disturbing shadow of inferiority implied in their apparent inability to strategize and effectively lead in combat.
However, Pathfinder refuses to touch reality with any length of pole, so, sit back and enjoy the action, costumes and sets.
The film contains a lot of violence, most of which is convincingly shot. The costuming is excellent, and the sets are lovely. if you can get past the problems - which are several - you may just enjoy it.
This is pretty good B-movie. If you want subtle plot and dialog then you should have figured out from the trailer and the poster that this show is not for you.
Yes, it appears to be inspired by a Frazetta painting (see Death Dealer) and is surely derivative of Conan and Tarzan. But how long has it been since a good Conan or Tarzan movie.
Lots of gore, lots of decapitations (but as Joe Bob would say, all necessary for the plot) lots of low key lighting to make the special effects easier to pull off but then again, it's not a chick flick.
If only we still had drive in movies.
Yes, it appears to be inspired by a Frazetta painting (see Death Dealer) and is surely derivative of Conan and Tarzan. But how long has it been since a good Conan or Tarzan movie.
Lots of gore, lots of decapitations (but as Joe Bob would say, all necessary for the plot) lots of low key lighting to make the special effects easier to pull off but then again, it's not a chick flick.
If only we still had drive in movies.
If you went to see the movie expecting something like Mel Gibson's Apocalypto, you will be disappointed obviously. But why would you expect it to be Apocalypto if you've seen the trailer? It tells a mythical tale of a legendary Norseman who was raised by native Americans. They called him ghost. And it's this ghost who ended up protecting the tribes from the destruction of the Viking Clang who shared the same lineage with him. The plot line is just that simple. What kept me entertained was the action sequence, absolutely stunning cinematography and the overall presentation and atmosphere. The overall tune of the movie is dark, mythical and menacing, fit perfectly well for the theme. Vikings are presented more like beast than man, with giant statue and equally ghastly giant armors and weapons.
Some may argue that the vikings in this movie kill senselessly without any purpose. Does having a purpose makes evil more sensible? I have good news for people who are looking for reasons behind evil: they all have purposes and reasons, so don't waste time seeking one for them. Bad news for you: it absolutely makes no difference! Throughout human history, all aggressors had plenty of reasons to invade, ravish and destroy other culture and lives, the list goes from Vikings to Hitler... and it will probably go on forever. But does having reasons and purposes to kill make the killing more sensible? Absolutely not.
In this movie, Vikings are symbolic evil. Giving it a reason to kill doesn't make any differences as I stated above: they all have reasons, pick one and get over with it. On the other hand, the movie was trying to suggest that not only there's this battle of good and evil going on in the physical world, there's also a battle of hate and love in one's heart. When asked: who would won, Ghost was given the answer: the one you feed the most. It's a very interesting theme that I wish the director would explore a little bit deeper. But in the end, violence prevailed the screen time. The thought of inner struggle and loftier redemption was lost in the midst of killing and vengeance. No sin was forgiven and no bad deeds went unpunished. Though it's a more satisfying end, but a shallow one.
Overall, I enjoyed the movie for what it is. I'm not looking for complicated plot nor deeper character development. For an action movie, its visually stunning, fast paced and immersing. It kept me interested throughout the 90 minutes and left me pondering about some unfulfilled premises. It's not as bad as some have painted it to be.
Some may argue that the vikings in this movie kill senselessly without any purpose. Does having a purpose makes evil more sensible? I have good news for people who are looking for reasons behind evil: they all have purposes and reasons, so don't waste time seeking one for them. Bad news for you: it absolutely makes no difference! Throughout human history, all aggressors had plenty of reasons to invade, ravish and destroy other culture and lives, the list goes from Vikings to Hitler... and it will probably go on forever. But does having reasons and purposes to kill make the killing more sensible? Absolutely not.
In this movie, Vikings are symbolic evil. Giving it a reason to kill doesn't make any differences as I stated above: they all have reasons, pick one and get over with it. On the other hand, the movie was trying to suggest that not only there's this battle of good and evil going on in the physical world, there's also a battle of hate and love in one's heart. When asked: who would won, Ghost was given the answer: the one you feed the most. It's a very interesting theme that I wish the director would explore a little bit deeper. But in the end, violence prevailed the screen time. The thought of inner struggle and loftier redemption was lost in the midst of killing and vengeance. No sin was forgiven and no bad deeds went unpunished. Though it's a more satisfying end, but a shallow one.
Overall, I enjoyed the movie for what it is. I'm not looking for complicated plot nor deeper character development. For an action movie, its visually stunning, fast paced and immersing. It kept me interested throughout the 90 minutes and left me pondering about some unfulfilled premises. It's not as bad as some have painted it to be.
What a waste.
The only redeeming feature of this movie were the well made action scenes (not all were good, but overall there were more enjoyable fight sequences than boring ones).
The story is clichéd and predictable. The acting is terrible (the main role is so horribly sketched out that you can barely blame the actor, the supporting roles all make a mark for their blandness). The main couple have no chemistry, the dialog is UN-enjoyably bad and the editing looks like it was done by a blind man. Scenes start and end with absolutely no flow. One scene was particularly bad (I wont spoil it for you, suffice to say its the one where the Indians charge into battle against the hero's wishes). That is the only scene when I laughed in the movie, and its supposed to be a sad/rousing scene.
The trailer of this film looked really pretty, but then again the consisted of mostly the fight scenes so I'm not surprised at all. The director seems to have had a good eye for visuals, but his effort has ended there.
Pathfinder = 5/10 Five for the fight scenes.
I was trying to find a path out of the theater at many times during the movie.
The only redeeming feature of this movie were the well made action scenes (not all were good, but overall there were more enjoyable fight sequences than boring ones).
The story is clichéd and predictable. The acting is terrible (the main role is so horribly sketched out that you can barely blame the actor, the supporting roles all make a mark for their blandness). The main couple have no chemistry, the dialog is UN-enjoyably bad and the editing looks like it was done by a blind man. Scenes start and end with absolutely no flow. One scene was particularly bad (I wont spoil it for you, suffice to say its the one where the Indians charge into battle against the hero's wishes). That is the only scene when I laughed in the movie, and its supposed to be a sad/rousing scene.
The trailer of this film looked really pretty, but then again the consisted of mostly the fight scenes so I'm not surprised at all. The director seems to have had a good eye for visuals, but his effort has ended there.
Pathfinder = 5/10 Five for the fight scenes.
I was trying to find a path out of the theater at many times during the movie.
Le saviez-vous
- AnecdotesThe Native Americans the Vikings encounter historically were the Beothuk people of Newfoundland in Canada. There is a large historical site around the Viking settlements in Newfoundland for tourists to visit.
- GaffesWhen Ghost is shown as a child in the flashback, his back is severely cut from his whipping, yet, when the film moves ahead to him as a adult, there is no scarring of any type on his back, yet, the amount of trauma his back suffered would have left some degree of obvious scarring.
- ConnexionsEdited into Pathfinder: Deleted Scenes (2007)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Pathfinder
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 232 081 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 001 214 $US
- 15 avr. 2007
- Montant brut mondial
- 30 984 583 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Pathfinder : Le Sang du guerrier (2007) officially released in India in Hindi?
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