Secrets de famille

I thoroughly enjoyed this gentle comedy which as other reviews have mentioned is in the best traditions of British film comedy, pre "Carry On". The action is gentle paced and contains no surprises, as the plot opener spells out the likely twists and turns. The characters are stock British parts, almost "off the peg". It is not a film for belly laughs but the comedy is there, but not from Rowan Atkinson who plays the role of vicar with as straight a bat as one could wish. The other well knows actors all ham it up beautifully and the Isle of Man looks wonderful and, like the film, twenty years out of date. I particularly liked Patrick Swayze's reptilian lothario and Maggie Smith was her usual immaculate self.

I saw this film recently and I was pleasantly surprised. It reminded me of the old Ealing Comedies as it was charming but had a definite sense of delicious wickedness running through it. All of the main characters are funny in their own way particularly Rowan Atkinson and Maggie Smith. It reminded me so much of and Ealing Comedy that after a while I could only see Alec Guinness in drag when Maggie Smith was on screen. Kristin Scott Thomas started out as being being a bit of a female Hugh Grant in Four Weddings and a Funeral and showed that she can be quite funny but towards the end she gets a little unconvincing once some revelations unfold. All in all it has it's minor misgivings and gets a little too silly and unbelievable in places but I'd give it a go.

I went to this movie looking forward to a mindless comedy. I was very pleasantly surprised. Very! I was first introduced to Rowan Atkinson in the 70's and have only seen him in silly, caricature ( a caricature of himself) type roles and I love him in these roles. But he did an amazing job as a serious, thoughtful (bordering on glum) Vicar, and was absolutely believable as his journey and his attitude changed ... I would never have put him in such a role, but he really pulled it off. I was also surprised, pleasantly, at the intense spiritual undertones (okay, at times overtones) woven throughout this most enjoyable film. It was interesting to see a movie use religion as a backdrop for such a deep look into what (in my humble opinion) is clearly a non-religious aspect of human spirituality.

Gloria (Kristin Scott Thomas) is a woman with problems. Her clergyman husband seems not to notice that she's there, and she resents his job, her daughter is sex-mad and her son is being bullied, and she is deprived of sleep by the incessant yapping of the neighbour's dog. Then into her life walks an angel in the form of a new housekeeper, Grace.

Thomas does very well with the central role in the film, Rowan Atkinson is absolutely brilliant as the mild-mannered clergyman Walter, and Maggie Smith is amazing as always as Grace.

This is not a side-splitter comedy but it is certainly a comedy, as it deals with a number of serious issues of religion and morality with a light touch. Primary among these issues is the age old question of "whether tis nobler in the mind to suffer the slings of arrows of outrageous fortune or to take arms against a sea of troubles and by opposing, end them." Gloria's approach to her "sea of troubles" is the approach of Job, and sure enough we hear echoes of this as Walter composes a sermon referring to the Book of Job. Grace has another approach.

Having a character who is a vicar enables the filmmakers to slip such Biblical references naturally into the script. It is a definite treat to hear Atkinson read the Bible (and in circumstances which make the viewer actually listen to what is being said!). Even with the Bible-reading, though, do not make the mistake of thinking that this is a film for young kiddies or prudes.

The film is so deftly made that there is always a lighthearted tone no matter how dark the subject matter, and the acting ranges from solid to exceptional. It's not the greatest film ever made but it is engaging and enjoyable.

You could drive a horse and cart through the plot holes in this movie. It doesn't matter, just splash about in the humour. It has the predictability of a Stan and Ollie routine, Morecambe & Wise or any other such comedians who mix story telling with visual and verbal humour. Rowan Atkinson is of course the comedian cast in the straight part trying to regain a sense of humour. Maggie Smith is absolutely superb as the straight actress playing the clowning criminal. A bit of sound effect filched from Reeves and Mortimer's frying pan sketch would have heightened the humour even more. Never mind, this is harmless, charming, and engaging entertainment. Entertainment - now we don't get much of that to the pound usually.