Real Steel
- 2011
- Tous publics
- 2h 7min
Dans un futur proche, la boxe automatisée est un sport de haut niveau. Un promoteur en difficulté a l'impression d'avoir trouvé un champion dans un robot mis au rebut.Dans un futur proche, la boxe automatisée est un sport de haut niveau. Un promoteur en difficulté a l'impression d'avoir trouvé un champion dans un robot mis au rebut.Dans un futur proche, la boxe automatisée est un sport de haut niveau. Un promoteur en difficulté a l'impression d'avoir trouvé un champion dans un robot mis au rebut.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 victoires et 6 nominations au total
Avis à la une
Most of the time, if a film director hits the big time, it's usually that one of his films, early on in his career, has made a huge smash and given him status and power. This is the case for people like Spielberg, Lucas, Coppola, Shyamalan, Cameron, etc... However, if there's one director that has been steadily moving up the ranks of the Hollywood over the past ten years or so, starting out small and tackling on bigger, more ambitious and more prestigious projects as he goes on, it's definitely Canadian filmmaker Shawn Levy.
The man started out directing episodes of Nickelodeon and Disney Channel shows such as Animorphs or The Famous Jett Jackson in the late nineties, moved on to directing kids from those types of shows in their big screen efforts, such as Big Fat Liar and Cheaper By The Dozen and used the success of these films to bag ever more prestigious comedies, from The Pink Panther remake to Night At The Museum to Date Night. And while critics have mocked him and dismissed him, calling him an untalented hack, he has now graduated to a big, science-fiction blockbuster produced by Steven Spielberg himself, Real Steel.
Like a couple of other recent sci-fi releases, I Am Legend and The Box, Real Steel is based on a story by celebrated genre writer Richard Matheson. Well it is actually loosely based, or as the credits put it "partly based" on it. Indeed, Real Steel basically only retains the fact that robot boxers have replaced human boxers in the future from Matheson's story, which is probably a good thing as its twist ending is now so widely known.
Real Steel takes place in the very near future, barely ten years from now. Not much is different other than the fact that robot boxing is one of the most popular sports in the world and the phones, computers & co are much more advanced. Charlie Kenton, played by Hugh Jackman, is a former boxer turned small-time "robot trainer". Constantly in debt, he tours the US in his truck, looking for fairs where he can have his robot fight for cash. Things get complicated for him when the son he never cared about enters his life, finds an old robot in a scrap-heap and decides to have him fight.
Earlier this year, media outlets all over made a big fuss about the fact that Steven Spielberg had produced Super 8, which in their mind made Super 8 as much a Spielberg film as a JJ Abrams film. For some reason no such fuss has been made about the three other films Spielberg personally produced this year, be it Transformers 3, Cowboys & Aliens or Real Steel. Interestingly though, Real Steel is just as Spielbergian as Super 8, if not more. At the world premiere of the film in Paris, Hugh Jackman told us how the film was about a son and his father, and how the young Dakota Goyo is the heart of this film. I initially scoffed at this but when the film ended a couple of hours later I knew he was speaking the truth. The science-fiction robot ass-kicking element of the film is just a sheen under which the real subject shines through: the relationship between a father and his son.
Real Steel is actually a sports movie. The fact that it is about boxing robots is essentially irrelevant and simply serves to give it an identity and a cool factor. It could have been about human boxing, football, baseball, car racing, whatever, and the story wouldn't have changed, which is in my mind one of the film's big strengths. The story of Real Steel isn't particularly original, but it is instead a classic story, that speaks to our primal emotions as human beings. It is a David vs Goliath story that had the packed theater cheering, clapping and reacting like I've seldom seen a movie audience react.
The film is beautiful to look at, the fights are cool and the acting is of high caliber. Danny Elfman's music is effective but not particularly original and will remind you partly of his "emotion theme" for The Kingdom and partly of every sports movie music ever made. The rest of the music is mostly comprised of Eminem songs, apparently the most popular singer in the future. Contrarily to what another reviewer here said, I found the ending to be realistic and hugely satisfying.
The big difference between Super 8 and Real Steel is that while Super 8 is perhaps more enjoyable "in the moment" due to it being more high concept and having more stuff going on all the time, like everything JJ Abrams does it seems to lack in something and is somewhat forgettable. Real Steel, despite featuring many cold, metal robots, as a warm, beating heart at its core and for that I say: well done, Shawn Levy, well done.
The man started out directing episodes of Nickelodeon and Disney Channel shows such as Animorphs or The Famous Jett Jackson in the late nineties, moved on to directing kids from those types of shows in their big screen efforts, such as Big Fat Liar and Cheaper By The Dozen and used the success of these films to bag ever more prestigious comedies, from The Pink Panther remake to Night At The Museum to Date Night. And while critics have mocked him and dismissed him, calling him an untalented hack, he has now graduated to a big, science-fiction blockbuster produced by Steven Spielberg himself, Real Steel.
Like a couple of other recent sci-fi releases, I Am Legend and The Box, Real Steel is based on a story by celebrated genre writer Richard Matheson. Well it is actually loosely based, or as the credits put it "partly based" on it. Indeed, Real Steel basically only retains the fact that robot boxers have replaced human boxers in the future from Matheson's story, which is probably a good thing as its twist ending is now so widely known.
Real Steel takes place in the very near future, barely ten years from now. Not much is different other than the fact that robot boxing is one of the most popular sports in the world and the phones, computers & co are much more advanced. Charlie Kenton, played by Hugh Jackman, is a former boxer turned small-time "robot trainer". Constantly in debt, he tours the US in his truck, looking for fairs where he can have his robot fight for cash. Things get complicated for him when the son he never cared about enters his life, finds an old robot in a scrap-heap and decides to have him fight.
Earlier this year, media outlets all over made a big fuss about the fact that Steven Spielberg had produced Super 8, which in their mind made Super 8 as much a Spielberg film as a JJ Abrams film. For some reason no such fuss has been made about the three other films Spielberg personally produced this year, be it Transformers 3, Cowboys & Aliens or Real Steel. Interestingly though, Real Steel is just as Spielbergian as Super 8, if not more. At the world premiere of the film in Paris, Hugh Jackman told us how the film was about a son and his father, and how the young Dakota Goyo is the heart of this film. I initially scoffed at this but when the film ended a couple of hours later I knew he was speaking the truth. The science-fiction robot ass-kicking element of the film is just a sheen under which the real subject shines through: the relationship between a father and his son.
Real Steel is actually a sports movie. The fact that it is about boxing robots is essentially irrelevant and simply serves to give it an identity and a cool factor. It could have been about human boxing, football, baseball, car racing, whatever, and the story wouldn't have changed, which is in my mind one of the film's big strengths. The story of Real Steel isn't particularly original, but it is instead a classic story, that speaks to our primal emotions as human beings. It is a David vs Goliath story that had the packed theater cheering, clapping and reacting like I've seldom seen a movie audience react.
The film is beautiful to look at, the fights are cool and the acting is of high caliber. Danny Elfman's music is effective but not particularly original and will remind you partly of his "emotion theme" for The Kingdom and partly of every sports movie music ever made. The rest of the music is mostly comprised of Eminem songs, apparently the most popular singer in the future. Contrarily to what another reviewer here said, I found the ending to be realistic and hugely satisfying.
The big difference between Super 8 and Real Steel is that while Super 8 is perhaps more enjoyable "in the moment" due to it being more high concept and having more stuff going on all the time, like everything JJ Abrams does it seems to lack in something and is somewhat forgettable. Real Steel, despite featuring many cold, metal robots, as a warm, beating heart at its core and for that I say: well done, Shawn Levy, well done.
Real Steel is directed by Shawn Levy and collectively adapted to the screen by John Gatins, Dan Gilroy and Jeremy Leven from a Richard Matheson short story called Steel. It stars Hugh Jackman, Dakota Goyo, Evangeline Lilly, Anthony Mackie, Kevin Durand, Hope Davis and James Rebhorn. Music is scored by Danny Elfman and cinematography by Mauro Fiore.
Set in the near future, robot boxing is a big crowd pulling sport. After a struggling robot operator is introduced to an 11-year-old son he has never known, they stumble upon a discarded robot at a junk yard....
We can all moan about the mimicry of an idea and the clichés that dominate Real Steel, but you really got to hand it to the makers for what they have achieved. They have crafted a family film that's very much perfect in this day and age. The story is one that any adult Sylvester Stallone fan can acknowledge and appreciate, the human heartbeat pleasingly steady, while the premise of big colourful robots beating the crap out of each other delights youngsters and us adults who are still young at heart. Film pretty much does what any other film of this type does, lays on the syrup in the last quarter where second chances and family strife come thundering through the plotting. Undeniably it's hugely derivative, events are joystick operated to get an emotional response from a family audience, while product placement reins and the script often sags under the weight of unoriginality. But it does uplift the spirit and getting to the end is easy since it's so much berserker fun. Yes it's the robot Atom, the people's champion, yes it's David vS Goliath and yes! It's Balboa vS Creed. Nothing wrong with that really.
The cast don't really have to offer up much beyond being adequate within the context of the material, though a muscular Jackman finds good paternal chemistry with young Goyo. In fact Goyo is pleasingly not annoying, always a bonus is that. Inevitably the robots are the stars, they're a triumph of design and visual effects and a sight for sore eyes, while Levy has a good handle on staging the fight sequences - even when cribbing from Balboa. The near future look is terrific as well, with Fiore's colour photography very appealing. Coining in over $290 million at the worldwide box office (over £180 million in profit), Real Steel found the family audience it was looking for, proving once again that there is a market for simple and effective popcorn carnage. It's not high art or intelligently scripted, but was anyone seriously thinking that was going to be the case here? If you want brains with this premise then seek out Twilight Zone episode "Steel", starring the excellent Lee Marvin, otherwise just sit back and enjoy the ride and let the botty bots and human interest raise the pulse and gladden the heart respectively. 7/10
Home format release is a sparkling print, extras are annoyingly short but the blooper reel is fun, we get a stunt deconstruction, and we learn about the influence a certain Mr. Spielberg had on the production.
Set in the near future, robot boxing is a big crowd pulling sport. After a struggling robot operator is introduced to an 11-year-old son he has never known, they stumble upon a discarded robot at a junk yard....
We can all moan about the mimicry of an idea and the clichés that dominate Real Steel, but you really got to hand it to the makers for what they have achieved. They have crafted a family film that's very much perfect in this day and age. The story is one that any adult Sylvester Stallone fan can acknowledge and appreciate, the human heartbeat pleasingly steady, while the premise of big colourful robots beating the crap out of each other delights youngsters and us adults who are still young at heart. Film pretty much does what any other film of this type does, lays on the syrup in the last quarter where second chances and family strife come thundering through the plotting. Undeniably it's hugely derivative, events are joystick operated to get an emotional response from a family audience, while product placement reins and the script often sags under the weight of unoriginality. But it does uplift the spirit and getting to the end is easy since it's so much berserker fun. Yes it's the robot Atom, the people's champion, yes it's David vS Goliath and yes! It's Balboa vS Creed. Nothing wrong with that really.
The cast don't really have to offer up much beyond being adequate within the context of the material, though a muscular Jackman finds good paternal chemistry with young Goyo. In fact Goyo is pleasingly not annoying, always a bonus is that. Inevitably the robots are the stars, they're a triumph of design and visual effects and a sight for sore eyes, while Levy has a good handle on staging the fight sequences - even when cribbing from Balboa. The near future look is terrific as well, with Fiore's colour photography very appealing. Coining in over $290 million at the worldwide box office (over £180 million in profit), Real Steel found the family audience it was looking for, proving once again that there is a market for simple and effective popcorn carnage. It's not high art or intelligently scripted, but was anyone seriously thinking that was going to be the case here? If you want brains with this premise then seek out Twilight Zone episode "Steel", starring the excellent Lee Marvin, otherwise just sit back and enjoy the ride and let the botty bots and human interest raise the pulse and gladden the heart respectively. 7/10
Home format release is a sparkling print, extras are annoyingly short but the blooper reel is fun, we get a stunt deconstruction, and we learn about the influence a certain Mr. Spielberg had on the production.
#3 on Netflix! Well deserved! I've watched this movie at least 3 times every year since it came out in 2011. Saw it pop up on Netflix & had tears in my eyes in the same parts I always do. This movie is full of heart & I will always love it. Fighters, fathers, underdogs will feel this movie to their core. ATOM!
This movie was quite entertaining. It's a bit strange because of the fact that robots fight instead of humans. With that said, the robots are perfectly anthropomorphized so you feel like they are men.
But the special effects are robot fighting are only worth about a 6/10. Hugh Jackman's struggle to be a good father is actually well-acted out, both by him and the kid. The heroine role is also acted out well by a very beautiful woman.
This is not a perfect movie, but it captures many human emotions and seems to be a good movie for family-oriented people to flock around for an emotional, Rocky-like romp.
But the special effects are robot fighting are only worth about a 6/10. Hugh Jackman's struggle to be a good father is actually well-acted out, both by him and the kid. The heroine role is also acted out well by a very beautiful woman.
This is not a perfect movie, but it captures many human emotions and seems to be a good movie for family-oriented people to flock around for an emotional, Rocky-like romp.
I love watching Real steel whenever possible, delightful scenes especially with the kid and Hugh Jackman is awesome throughout! VFX are incredible and well polished; I'm glad it was nominated. Shawn Levy has done many projects under his belt that I have absolutely loved or even just consider a guilty pleasure which is nice too. I like the cuteness in many parts, definitely one of the better robot movies made in last couple decades!
Le saviez-vous
- AnecdotesEach of the robots were built both in real life and CGI. For certain shots with animatronics, they were controlled by more than twenty puppeteers.
- GaffesGiven that Hugh Jackman is left-handed, Atom is seen at times mirroring Charlie rather than mimicking him. In many scenes, especially in the fight between Atom and Zeus, Atom is clearly fighting right-handed while Charlie is shadow boxing left-handed. This is perhaps the reason why Atom is seen to be alternating between mimicking and mirroring even though according to how shadow boxing is explained in the film he should be only mimicking. This is also easily seen, though, when you notice the person running the shadow function either facing Atom or not. The shadow apparently mirrors when the operator is facing him and in mimic when not.
- Citations
Max Kenton: The People's Champion? Sounds pretty good to me.
- ConnexionsFeatured in Trailer Failure: Conan, Real Steel, and Final Destination 5 (2011)
- Bandes originalesAll My Days
Written and Performed by Alexi Murdoch
Courtesy of Zero Summer Records
By arrangement with Nettwerk Music Group
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Gigantes de acero
- Lieux de tournage
- Mason, Michigan, États-Unis(Ingham County Courthouse)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 85 468 508 $US
- Week-end de sortie aux États-Unis et au Canada
- 27 319 677 $US
- 9 oct. 2011
- Montant brut mondial
- 299 268 508 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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