Rag Tale

Set during the momentous U.S. election week of 2004, this satirical story follows the editor of The Rag (Graves) – a London newspaper - as he embarks upon an affair with the Chairman's wife (Leigh) and follows him as he tries to save his job over the course of the week.

With subtle side-swipes at the establishment, this film delves into the seedy underworld of tabloid journalism. Improvised performances from an established ensemble cast helps RAG TALE create a realistic world inhabited by ruthless, back-stabbing hacks, intent on their own advancement.

The frantic pace of a news room is conveyed by the editing style, which features many more cuts than usual, and with hardly a still moment, the camera flits effortlessly between HD and mini-DV, creating the type of realism you would associate with a fly-on-the-wall documentary. The stunning visuals of the film are complimented by an energetic score and exploratory sound-design. This is heightened by the improvised dialogue and sense of inter-character relationships that build from the start to their shocking conclusion.

More cutting and experimental than television shows which attempt to cover similar ground, RAG TALE convinces us that what we read in the newspapers is very often manufactured by an elite group of people who care more about themselves than correctly reporting the news.

A film for the younger audience, this is one that will leave you thinking.

Here is an all star UK, USA cast all at sea with a great fun idea ruined due to the fact that the camera can't keep still and a director who does not rely on a witty script and the good actors she has.The other problem is that films that deal with that days new's forget that very shortly afterwards or in my case 5 years later, it was bought in a boot sale, very few will remember any of the names and news of that time. A subplot of the editor screwing the chairman's wife is fun but does not go anywhere so one is left with very little. This, despite it's star cast, failed to do any box office here in the UK and most of it would be lost on a USA audience. An all round sad flop that could of been really fun.

I felt ill after 5 minutes.

I have no idea if the storyline is good or not.

What genius decided to use that cool-jerky-docu-style camera work for the entire movie ????

I have homemovies that are easier to view than this.

The opening scene in the office was a little amusing and I wondered whether the character would brazen it out when he received the call from his boss.

It's a pity really because based on the opening scene(s) I would have viewed the entire movie.

This had to be turned off after about 15 minutes. It is easily the worst shot thing ever. If you want a masterclass in generation tension without moving the camera, check out The Collingswood Story. If you want a masterclass in HOW NOT TO MAKE A FILM, watch this sh*t. Rupert Graves is pathetic as some sort of Pier Morgan character - about as intimidating as a dead moth. Truly poor, feeble effort. The director should be shot, and so should everyone else involved for not telling her this was a bad style to adopt. I purchased this dung from Blockbutser for 1.99. It wasn't worth 0.01p. You want to see this sort of thing done well - improvised script, floating camera, and so on - see Festival or One for the Road. This joins Confetti in the 'bin' list. Get lost, the lot of you

As a newspaper journalist myself, seeing this film was almost a duty. By the end of it, I wished that I enjoyed a different vocation.

The script is unremarkable, slightly below average with all of the clichés surrounding journalism pandered to. The plot is almost non-existent, it was difficult to fathom what the film was actually about other than ticking the boxes on how the man in the street views journalists.

What really grated, and which actually gave me a headache, was the way the film was shot. Jaunty angles and quick-cut editing abound. This made the remake of 'Rollerball' look sedate by comparison. One can only assume that the editor or director has recently been dumped by someone with photo-sensitive epilepsy.

Jennifer Jason Lee, Malcolm McDowell, Kerry Fox - what were you thinking of? A terrible, terrible movie. Avoid at all costs.