Oculto

Dismiss any low ratings given to this film. They must either come from people with a poor understanding of Spanish having a hard time with the subtitles, or from those that consider that good cinema that comes from Spain must be directed by Almodovar or about the miseries of Civil War, or about missing people under military governments, poverty, violence or any other kind of pretty dark stuff if it comes from Latin America.

This is a modern thriller, with suspense, drama, smart story, sharp script, excellent and unconventional camera management, steaming sensuality, and charismatic performances by top Latin American stars Leonardo Sbaraglia and Angie Cepeda.

The gorgeous Natalia (Cepeda) is obsessed with some repetitive dreams she catalogs as premonitions. She catches the interest of Alex (Sbaraglia) as it will happen with any healthy male exposed to this goddess. But she also catches the attention of the plain and shy Beatriz (Laia Marull) who will become the less fortunate character in the love triangle that she completes with her pretensions for Alex, but also the puppet-master in her Machiavellian manipulation of reality to drive Natalia deeply down in her oniric paranoia. Even the skeptic and pragmatic Alex will be dragged in the web of confusion that Beatriz coldly weaves.

I have to concede that the movie begins too sketchy: a lecture about dreams, a long and stiff post-lecture question in which Natalia relates rather plainly her issue some dreams turn premonitions, and Argentinian Sbaraglia faking a Spanish accent. Obviouslly the director was forced to give away too much information right away to allow him to develop all the good stuff that follows. So don't eject the disk too soon, give yourself the chance to enjoy what comes after those few initial minutes. Right after Natalia's boring monologue ends you will be trapped by this film and immediately forget Sbaraglia's faked accent or Cepeda's lame introduction to the story. Sbaraglia will perform smoothly delivering a correct performance as usual, but Cepeda will steal again the screen portraying this irresistible, gorgeous, capricious, fun and outrageous female used to get whatever she wants (I wonder how much of these matches Cepeda herself) but with that fatal (lethal?) obsession. Let me say Cepeda herself is taken from a dream, a contemporary Latin American Briggite Bardot, reassuring she is one of the hottest women alive. And before you complain about my obvious preference for the Colombian as an actress and more, let me round up stating that Spanish Marull delivers a correct performance too.

For those of you guys looking for some skin exposure you won't be disappointed, but be warned Cepeda's nudity may be dangerous for you heart (heart?). You will have something from Marull too. And you gals will have your dose of Sbaraglia too. But let me assure this is just a collateral bonus without which the movie won't lose a ounce of its interest. And let me underscore that none of comments about Angie Cepeda is based on her nude scenes. She is the kind of woman that naturally exudes sensuality even under a dirty overall and two thick coats, in the middle of a tough flu, makeup-free and a week with no shower.

In Madrid, the editor of the magazine Ziber-Arte, Alex Cuevas (Leonardo Sbaraglia), is invited by Beatriz Bravo (Laia Marull) to participate in a conference about interpretation of dreams.

After the lecture, the participant Natalia Hidalgo (Angie Cepeda) from Barcelona questions the lecturer about the meaning of her dreams with monoliths and symbols, believing that they are premonitions. Natalia is obsessed with her dreams and she tells them to the audience and immediately after, Beatriz faints. Alex feels attracted by the sexy Natalia and she gives her phone to him, since he is preparing a matter about dreams. Then he gives a ride to Beatriz to her home.

Fifteen days later, Beatriz calls Alex asking the phone number of Natalia. Alex promises to deliver her number to Beatriz, but he dates Natalia and forgets to meet Beatriz. However, Natalia asks him to meet Beatriz and she shows a tattoo that she made two years ago in Mexico with the symbols that Angelica mentioned in the lecture. Angelica feels that Beatriz is connected to her and might have the answer to her dreams, and her obsession increases. However, Beatriz goes to a tattoo artist in Madrid and shows that her tattoo is bleeding and he tells that it is normal in a tattoo with fifteen days only. Beatriz continues with her games affecting Angelica's obsession and her relationship with Alex.

The unknown "Oculto" is a sexy and engaging thriller with a good screenplay that combines drama, thriller and eroticism and supported by great performances of the trio of lead cast. The plot shows very soon that Beatriz is a liar but her secret is disclosed little by little, keeping a final surprise in the very end. But who makes this film work is the gorgeous and sexy Angie Cepeda, one of the hottest actresses that I have recently seen. And the best, she is an excellent actress! In the end, "Oculto" was a great surprise. My vote is seven.

Title (Brazil): "Oculto"

Spain these days has kind of replaced Italy and Britain in offering a European alternative to Hollywood-dominated genre films. These recent Spanish films are enough like Hollywood movies to be dismissed as "rip-offs" by the more ignorant viewers, but they nevertheless tend to have a distinctly European flavor to them as well (which was also true of the British and Italian genre films back in their heyday). However, if anything, it is Hollywood that seems to be ripping off i.e. "remaking" Spanish films these days rather than the reverse. This movie would probably be a good candidate for a Hollywood re-make, but a name cast of Hollywood actors would probably only serve to overwhelm this nifty, efficient little thriller as happened a few years back with "Abre los Ojos", later remade as "Vanilla Sky".

This starts out as a movie that seems to be about dreams and dream interpretation. A woman (the incredibly sexy Columbian actress Angela Cepeda) relates at a conference on dreams some allegedly prophetic dreams she had. This seems to stir something in another woman (Laia Murall, who in contrast to Cepeda, is merely really, really cute) and she faints. The Murall character approaches another attendee, a handsome young male, to get him to put in touch with the Cepeda character. The former seems to have some kind of strange hidden agenda, however (the title of this movie in English would be "Hidden"). At first, it seems she might faking the dream connection in order to have an excuse to stalk the guy, and indeed a love triangle does develop for awhile, but she actually has even more deeply hidden motives that aren't completely revealed until the final frames of the film. This isn't perhaps the most original film ever made, but it certainty keep the audience guessing for awhile.

The acting is very decent and Cepeda, who played "La Colombiana" in the Latin American movie "Pantaleon y los Visatadores" has yet another highly memorable nude sex scene. Check this out before Hollywood discovers it and makes their own bigger-budgeted, but no doubt inferior, remake of it.

Interpretation of dreams is the foundational idea of the plot at first, but as this subtle tale develops, it takes on more the dimension of a mystery thriller.

The movie's fulcrum is a passionate triangle with a fine Spanish cast. Two women and a man all become acquainted at convention regarding dream interpretation research. Natalia (a beautiful Angie Cepeda) publicly relates a recurring dream she has been having regarding a distinctive tattoo and a man repeatedly crying out her name. Beatriz (winsomely pretty Laia Marull) seeks out Natalia later to state she has been having identical visions, and thinks she may have insights as to what it's about. Alex, a Casanova lady's man type, becomes involved with both ladies.

What starts as an investigation of this dream mystery gradually evolves into a story of scheming deception, tragedy, revenge, and a woman scorned. As Natalia is tormented by her visions, her interaction with the others becomes obsessive and confused. The acting of the three principals is excellent, and the story is stronger for it.

As far as weaknesses to the movie, the actions of one character are inconsistently vindictive with their other actions. There are a few random gratuitous scenes, such as a pointless sequence showing a series of people using a toilet. It's just weird, and then they speed up the movement making it even sillier.

Overall, a well developed character driven plot line which unfolds with strategic precision. A fine film, worth a watch.

The acting in this film by Cepeda, Mullar and Sbaraglia are exemplary. They seem to have made the otherwise mundane plot seem like an actual life experience. One viewing will not allow the viewer to appreciate everything that's going on without missing key details. While very edgy on the suspense it is short on pretentiousness and gives the viewer the ability to relate.

An excellent movie to polish up ones Spanish on. While I don't claim to discern the differences in accents, the pronunciation (I would imagine of Spain) certainly lend an elegance and urgency to the conversations.

The women are exquisite in their appearance as in their acting without the need for excessively patronizing sexual innuendo. Mullars lack of obvious make-up application pronounces a sensuality rarely observed even in super-models. All those involved in this movie prove that there is no need for excessive or prolonged steamy scenes to capture the attention of its audience. Does that speak to the beholder?