Lassie

The worst thing that can be said about this excellent film is that it is a "family movie" as that term may turn off many cinema buffs from seeing a film that is first rate from practically all aspects. It is brilliantly directed by Charles Sturridge ("Brideshead Revisited") and features several cream of the crop actors starting with the marvelous Peter O'Toole. It is also a superb adaptation of Eric Knight's wartime novel, "Lassie Come Home." (Unfortunately, the viewer would not know this until the end of the credits.) The photography is absolutely breathtaking with scenes of the Scottish Highlands that I haven't seen equaled. There is also a grittiness and realism to the film that was impossible to capture in a 1943 version filmed on the back lots of MGM. Rather than a mere remake, this film is classic in its own right and deserves a wider audience than I suspect it has found thus far. High fives all the way.

It is so refreshing to watch a family film that doesn't have to rely only on special effects to tell the story. This film is just how they used to make films with great acting, beautiful photography and of course a lovely story. It's full of emotion and soul and it's just a good all round film the whole family will enjoy. It's about a boy and his parents who fall on hard times and have to sell their beloved dog, which gets taken hundreds of miles away. But his love for his dog never falters and the dogs love for its owners makes it determined to escape and travel the vast distance to get home. We have watched a few blockbusters lately but this film deserves praise. It might have a lower budget, but it has something that we all deep down want out of a film.

This wonderful adaptation of Eric Knight's "Lassie Come Home" is not only the best film version but also the best British Family film since the early seventies (Lionel Jefferies' wonderful duo of "The Railway Children" (1970) and "The Amazing Mr Blunden" (1972)). It is blessed with a great cast without a dud performance between them. Particularly worthy of mention are the two wonderful child actors Jonathan Mason and Hester Odgers as well as a charming performance from Peter O'Toole as the crusty Duke who thankfully does not turn out to be the cliché villain that he initially appears. Along with gorgeous photography by Howard Atherton and a script by director Charles Sturridge that mixes enough grit into the story to stop it from becoming too twee, this truly great family film should have become better known than it is. For those of us that have been lucky to discover it, it is an instant classic.

I haven't seen the Liz Taylor version but I'm guessing that this one is a bit grittier. There are some nasty scenes of cruelty to dogs, although you never actually see one getting hit (they wouldn't be allowed to, would they!) so don't take a child if they're exceptionally sensitive. There are some great supporting roles from legendary actors such as Peter O'Toole and Gregor Fisher (Rab C Nesbitt), with cameos from the likes of Robert Hardy, Edward Fox and Angela Thorne (To The Manner Born, Maggie Thatcher impersonator) and the kids are cute but not too saccharine. But the scene is definitely stolen by the dog. Just as it should be, and a Christmassy ending to boot. Great family entertainment for kids over eight.

This is a near-perfect film for what it is--a richly imagined, finely-acted, lavishly produced family film, and one faithful to the source; this Lassie is not a dumbed-down version where the dog does stupid pet tricks, but instead the film stresses the importance of the relationship between the dog and her pal, a young lad living in a coal town.

Lassie, by the way is amazingly expressive and simply beautiful. The essential story is probably familiar to anyone over twenty who speaks English, but the film is enriched with cameos from major actors, including Peter O'Toole, James Fox, and Peter Dinklage, and with the lush, verdant vistas of Ireland standing in for Scotland.

While not as emotionally elemental as the classic Roddy McDowell version, this modern retelling also has a strong underlying foundation; the implied criticism of the class system will not be an obvious statement to young eyes, but adults will easily pick-up the points made concerning the privilege of the rich; children of all ages should enjoy this sweet, universal fable.