Lassie

This is a near-perfect film for what it is--a richly imagined, finely-acted, lavishly produced family film, and one faithful to the source; this Lassie is not a dumbed-down version where the dog does stupid pet tricks, but instead the film stresses the importance of the relationship between the dog and her pal, a young lad living in a coal town.

Lassie, by the way is amazingly expressive and simply beautiful. The essential story is probably familiar to anyone over twenty who speaks English, but the film is enriched with cameos from major actors, including Peter O'Toole, James Fox, and Peter Dinklage, and with the lush, verdant vistas of Ireland standing in for Scotland.

While not as emotionally elemental as the classic Roddy McDowell version, this modern retelling also has a strong underlying foundation; the implied criticism of the class system will not be an obvious statement to young eyes, but adults will easily pick-up the points made concerning the privilege of the rich; children of all ages should enjoy this sweet, universal fable.

OK so am I the only one who never realized Lassie was set firstly in 1939 and secondly in Yorkshire? I grew up believing in gingham tablecloths, dusty gold mines, skunks in prairies and dangerous rattle snakes all of which our furry heroine, pined at, climbed from, lifted to safety and made friends with, yes and all without being stung, bitten

or even pooped on. Well move aside Nantucket because the real bitch is back and Charles Sturridge has done Eric Knight's beautiful story proud.

The film looks beautiful, set very convincingly in the 1930s English depression. The sets, camera work and locations provide us a time that makes much more sense of a dog returning home to his young master than 1960's America. Lassie's impossible journey deals with issues of loyalty, generosity, determination and good old Britishness all of which must have been useful propaganda tools for a country heading into war in 1939. So that's why it was written back then, so why remake it now? Because, those same basic issues and emotions are just as useful to remind ourselves of now as then but unfortunately for us modern family films have become lost in a sea of CGI and comuterized, sickly nothingness that has no relevance to anything but thrill. Truthfully? It's just plain nice to sit with your family in a cinema, cry your heart out and remember what's important in life. (And it doesn't have to be 40 feet tall and eat bananas!)

The boy is wonderful as indeed is the dog(s). The support from Morton, Lynch, O Toole, Drinkage is perfectly judged and I defy you not to blub a dub during the emotional Christmas homecoming. This is a beautiful film, a joy to watch and a credit to its makers.

Go Lass go.....

Lassie is just a wonderful movie. It has a sweet, engaging story, and everything works so well that you completely forget any areas that fall on the predictable side. Lassie's greatest strength is that it is never afraid to explore deeper and present some mature themes.

The film also looks beautiful. The photography is just marvellous and wonderfully evergreen, while I loved the scenery just as much as it was stunning and quite picturesque. The script is also a strength; it is a very poignant one that cleverly avoids falling into mawkish sentimentality and also balances subtle humour social tension adeptly.

The cast are just excellent. It also helps that the characters are well fleshed out and easy to relate to. Jonathan Mason brings the right amount of pathos to his character, while Peter O'Toole is a warm and charismatic presence and John Lynch, Peter Dinklage and Samantha Morton are also impressive. Lassie though makes the picture endearing, what a cute and talented dog and it makes it easier for the audience to sympathise with Lassie's predicament too.

All in all, a very beautiful and moving film. 9/10 Bethany Cox

I haven't seen the Liz Taylor version but I'm guessing that this one is a bit grittier. There are some nasty scenes of cruelty to dogs, although you never actually see one getting hit (they wouldn't be allowed to, would they!) so don't take a child if they're exceptionally sensitive. There are some great supporting roles from legendary actors such as Peter O'Toole and Gregor Fisher (Rab C Nesbitt), with cameos from the likes of Robert Hardy, Edward Fox and Angela Thorne (To The Manner Born, Maggie Thatcher impersonator) and the kids are cute but not too saccharine. But the scene is definitely stolen by the dog. Just as it should be, and a Christmassy ending to boot. Great family entertainment for kids over eight.

This wonderful adaptation of Eric Knight's "Lassie Come Home" is not only the best film version but also the best British Family film since the early seventies (Lionel Jefferies' wonderful duo of "The Railway Children" (1970) and "The Amazing Mr Blunden" (1972)). It is blessed with a great cast without a dud performance between them. Particularly worthy of mention are the two wonderful child actors Jonathan Mason and Hester Odgers as well as a charming performance from Peter O'Toole as the crusty Duke who thankfully does not turn out to be the cliché villain that he initially appears. Along with gorgeous photography by Howard Atherton and a script by director Charles Sturridge that mixes enough grit into the story to stop it from becoming too twee, this truly great family film should have become better known than it is. For those of us that have been lucky to discover it, it is an instant classic.