Ajouter une intrigue dans votre langueChinese-Canadian Eve Eng was born in 1966, in the year of the fire horse. In Chinese culture, fire horse children are notorious for being troublesome. In 1975, nine year old Eve is looking f... Tout lireChinese-Canadian Eve Eng was born in 1966, in the year of the fire horse. In Chinese culture, fire horse children are notorious for being troublesome. In 1975, nine year old Eve is looking for some meaning for her life, especially after her mother, May-Lin Eng, miscarries, and he... Tout lireChinese-Canadian Eve Eng was born in 1966, in the year of the fire horse. In Chinese culture, fire horse children are notorious for being troublesome. In 1975, nine year old Eve is looking for some meaning for her life, especially after her mother, May-Lin Eng, miscarries, and her paternal grandmother passes away, the latter event particularly concerning not so much f... Tout lire
- Récompenses
- 11 victoires et 9 nominations au total
- Uncle #8
- (as Joseph Siu Kin Hing)
- Goddess
- (as Jennifer Cheon)
Avis à la une
eve and the fire horse is beautiful, funny, touching, and thoughtful. julie kwan gently and poetically illuminates difficult truths.
affection, death, racism, camaraderie, longing, evangelism across cultural lines and religious fervour are all touched on.
a very enjoyable film whether you are ten or 90. behind me in the theatre sat a family ranging almost that far and the laughter was spread equally across the row.
three thumbs up!
It's a typical coming-of-age film with an Asian bent, nonetheless. It's buoyed by two fine performances by Kut and Lo. There's nothing unexpected or unpredictable about it, but it delves into a culture that is alien to most Americans. And it deals very well with the clash of cultures - or, in this case, religions - and the confusion that arises as these young kids try to deal with life.
Writer-director Kwan takes her time to set up her story and then unravel it. We get to know these characters and appreciate their motivations. The humor is nothing outrageous; this is the sort of film that brings a smile to one's face rather than, say, a loud guffaw or two.
What works in the film is the relationship between the two sisters. From the opening scene of them on the wall, we believe these two are not only related, but very close.
There are some fine supporting performances. Vivian Wu is brilliantly understated as the children's mother, and Chit Chan Man Lester brings the right amount of pathos and humor to his role as their father.
One of the film's failings is a rather obvious narration. I'm not averse to voice-over narrations in films such as this. But many of the moments in the narration could have been shown and not told.
"Eve & the Fire Horse" is a pleasant film, one that could've been better, but works nonetheless. Its charm comes from its two young actors who seem so natural that we're drawn into their colorful worlds and imagination. It says a lot about families; it also says a lot about religion. I'm not sure if Kwan endorses proselytizing, but the film does seem to make a statement about the commonality among religions. And that's certainly not a bad thing. It's a sweet, tender film that makes for a nice afternoon at the movies.
Mom figures that it can't hurt to have both in the same house. Double protection, you know. I can understand that; having been baptized a Catholic as a child and a Baptist as an adult. I have both sides covered, even though I now claim neither. You know, once saved, always saved.
One daughter becomes a Catholic, while the younger one goes along with her, but clings to the Buddhist beliefs. It is funny and touching and will make you think about both religions and how they are similar in their superstitions.
Check it out.
Le saviez-vous
- AnecdotesFeature film debut of Alexander Ludwig and Jennifer Cheon Garcia.
- GaffesIn one of the classroom scenes, the capital of Ontario, Canada is marked as "Ottawa". Ottawa is the capital of Canada, but Toronto is the capital of Ontario.
- Bandes originalesThe Red Chamber Dream
From the recording "The Red Chamber Dream"
Songs belong to the Chinese People
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Csodavilág
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 $CA (estimé)
- Durée
- 1h 32min(92 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1