Une nuit à Mongkok

yeah i watch a lot of foreign films here in Canada and this one caught my eye, the beginning was slow and boring but it really got the suspense and had a lot of scary truth to it... i loved this movie and i wish i could own it...i think i would die if i could. Too bad Kong Kong can't make more of these awesome movies. It starts off in Black in white, they could of done this better because the lighting was atrocious. The Camera angles were what got me going , they were gritty and down to earth and not a lot of directors know how to use a camera besides point and shoot. Cecilia's performance was breathtaking and well done, but she doesn't sound like she is from south china. Her naivety does well as the good hearted prostitute. I wish i could see this movie again well done... one actually has sympathy for the bad guys...well sometimes.

ONE NITE IN MONGKOK (Wong Jiao Hei Ye)

Aspect ratio: 2.39:1 (Panavision)

Sound format: Dolby Digital

(Color & black and white)

A frazzled police squad searches the Mongkok district of Kowloon for a hired killer (Daniel Wu) whose latest assignment - the targeting of a drug lord responsible for another criminal's death - could ignite a horrendous Triad turf war.

Terrific crime drama, filmed in near-documentary style by director Derek Yee (PEOPLE'S HERO, LOST IN TIME), and featuring Alex Fong (FULL THROTTLE) and Wu (ENTER THE PHOENIX) as characters on opposite sides of the law, each drawn in shades of grey by Yee's gritty script. In something of an ironic twist, Yee paints a remarkably humane picture of villains and good guys alike, using Wu's sympathetic character (and his fraught relationship with Cecilia Cheung's unlikely 'tart with a heart') to portray a world in which people are driven to dark acts by circumstances beyond their control, an approach which serves to highlight the thin veneer of 'respectability' separating the police from those they pursue on a daily basis. This being a HK film, however, tragedy is never far away: Fong pursues his quarry with relentless dedication and Wu flees for his life, but Fate throws them together for one of the most devastating finales in recent memory.

Combining action, drama and character development in equal measure, the narrative moves at a rapid clip (except for a brief lag in the middle) and explodes into frenzied activity at regular intervals. Production values are immaculate, and there's a stunning transition from black and white to color during the first ten minutes. Yee draws strong performances from a superb supporting cast, including Chin Kar-lok (the film's action director) as Fong's right-hand man, and Anson Leung (AB-NORMAL BEAUTY) as a trigger-happy rookie whose inexperience leads to a terrible disaster.

(Cantonese and Mandarin dialogue)

When I placed 'One Nite in Mongkok' in my DVD player, I was pretty sure that the film would be an above average cat and mouse thriller. However, like my 2005 Oscar ballot, I was far from hitting the nail on the head. The film is a very effective film that succeeds in doing what very few films can: keep you guessing.

Daniel Wu is very convincing as a rookie assassin from Mainland China looking to reunite with his long lost love and help in raising her grandmother. His journey in the film mirrors that of Tom Cruise in 'Collateral', yet in this instance, we are rooting for Wu's character to succeed in goals as he decides not to go through with his assignment. Cecilia Cheung is very good as the prostitute/guide/conscience, although she is too gorgeous for me to fully accept her in the role. When the two characters meet, it starts a chain of events that have ironically tragic undertones. Alex Fong is excellent as the cop who is the common link to every character in the film. The supporting cast is very appealing, most notably Lam Suet as the seedy handler Liu and Anson Leung as the trigger-happy and tragically compulsive cop Ben.

The film, overall, is a study into what happens when people don't think twice about their actions. I recommend it to anyone looking for a film that doesn't subject the audience to unbelievable circumstances and entertains and as well as informs.

Asian cinema does it again. Whilst the rest of the world simple gasps at the quality of films the far east is churning out, they continue to let the stream of quality films continue, with this being near the top. The film follows the hunt by a set of policemen chasing a hit-man, who unbeknown to them is a young inexperienced hit-man. If he is not stopped it could lead to all out gang warfare, as he is hired to kill after gang tensions lead to the death of the son of a head gangster.

The hit-man is though the main character ultimately, and he is tagged with a prostitute who by coincidence also comes from a poor region in China. Both contrast each other, but are two sides of the same coin with respect to their current roles. Film builds up using the surroundings of the congested dog-eat-dog world of Mongkok, and takes us on a blind tour of the district and its world where anything and everything is for sale.

Its a film that will intrigue and disturb in equal measures, but don't let that put you off. The film is brilliantly acted, and it is hard to know at times who is on the side of right and wrong, reminiscent of Heat in that sense. Tense, twisting and intelligent, this is a must-see and surely must rank with some of the best that have come out of the HK stable this decade.

The tension building is quite successful. The direction is suspenseful, atmospheric, and assured. The audiences just keep wondering what would happen next from start to finish. There are four acts. The first act is a slow setup. There are three enthralling action sequences in the rest three acts, each of which has its buildup and climax.