Le silence de la mer

'I like the sea because of its tranquility', 'I am very happy to meet a dignified old man and a silent girl here'. For the German officer, silence is the highest appreciation. All the emotions flow violently in silence and restraint, so beautiful to watch.

This is coming from a lover of horror movies. Don't like sappy romances but I happened across this movie last night and while it was in French (no parle vous) I totally got the gist of the movie. I watched the entire film, beginning to end and LOVED it!!! If you can get past the subtitles or lack there of you'll feel the same. Great but sad ending as usual.

HIGHLY RECOMMEND

"Le silence de la mer" is based on the book de Vercors , a French writer and member of the French Résistance that tells an impossible love story between a young French piano teacher and an German officer of the Wehrmacht. It's really a great and touching story: she plays German classic music . He is fully francofile and tries to have a conversation, but the only answer is always silence !! The performance of Thomas Jouannet, Julie Delarme and Michel Galabru are extraordinary.

I regret to admit that I know very little about Director Pierre Boutron, having only seen one of his works before - LES ANNÉES SANDWICHES, which I so enjoyed that I eagerly pounced on the opportunity to watch this 2004 effort, a reprise of the debut of one of my all-time favorite French directors: Jean-Pierre Melville.

I am no fan of remakes, so I approached Boutron's film with some misgiving and uncertainty, promising myself that I would stop the moment I found it clearly the inferior of the famous original.

I am happy to say that I did not. In fact, I found it an improvement on the Melville effort. It flows better and acting is definitely more polished. Julie Delarme, who was 26 at the time but plays a young woman in her late teens, carries a great deal of feeling, conveyed mainly through glances, silences, and repressed emotions. Galabru also deserves plaudits, although his is a much smaller and less demanding part. Thomas Jouannet, portraying Werner, the respectful, well-mannered, music- and art-loving German officer who occupies one of the rooms in the house owned by Galabru, emerges as a honest, civilized figure as France sinks deeper and deeper under the grip of German occupation. Unlike Vernon Howard in the 1949 original, he does not try to atone for his fatherland's faults, he does not wander through the streets of Paris admiring the architecture and what it expresses about the French "soul" that Germany purportedly sought to eradicate through occupation and brainwashing. Jouannet sensitively tunes in to the human beings whose house he occupies against his own will. Marie Bunel also delivers a fine performance as the woman who places geraniums on her window sill when she receives Resistance fighters.

Effective, simple, well done cinematography by Alain Levent. Great script by Anne Giaferi, keeping dialogue to short sentences. Through looks, tears, and silence, Boutron fills in the viewer on emotions and deeper states of mind.

Definitely worth more than one viewing. 9/10.

Not your average Nazi bad guy here. The approach is totally different. Few films have moved me as much as this one. With a lump on my throat for the last 30 minutes. Despite the title, (classical) music plays a key role in this made for TV masterpiece. Emotional rollercoaster. A must see. (2 thumbs up).