Ajouter une intrigue dans votre langueA young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker... Tout lireA young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house...A young Italian woman inherits from her deceased lover an enigmatic modern house in the New York country side, and goes to see it for the first time. When she arrives she meets the caretaker of the house...
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- Scénario
- Casting principal
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Such very low ratings on IMDB! Willem DaFoe is Leslie, caretaker on a farm in new york. and the italian woman Eleonora (Giada Colagrande) arrives on the scene to see what exactly she has inherited. Colagrande's acting is terrible..this was only her second role, and it's very over-done. and there's a loud clock ticking for the first half of the film.. it's out of place, and we don't know why it's ticking, so we don't really care. we see some dirty photos, but nothing is explained, and it's shown so briefly, that we aren't sure what's going on. bad directing. now we know why it's rated so low on IMDB. big giant yawn. is there a marx brothers movie on somewhere? skip this one! Written and directed by Giada Colagrande, this one is also known as Black Widow. Filmed in various locations in New York.
Italian-born Eleonora has inherited from her deceased lover Karl, an ultra-modern and isolated house in the middle of the woods. It's winter and she meets the mysterious caretaker Leslie, who eventually ends up not only just looking after the house, but also that of Eleonora, as she tries to adapt to her new surroundings and a growing attraction between the pair.
What was I expecting? A thriller indeed, but it wasn't quite so. That's just the advertising on the package for ya! I'm quite perplex about everything. The title, the story and the motivation. So how to classify it? Well, this wooden character drama is more a enigmatically moody romance bound-story of alienation, possession and dependence twisted into a complicatedly passionate relationship of two masked individuals. Co-writer (along with William Dafoe) and director Giada Colagrande's art-house film is just too clinical, distant and calculated with its mysteriously metaphoric story, which it leaves you questioning what does it all really mean although when its sudden conclusion materialises, you'll thinking why should I actually care. What we go through feels aimless with ponderous exposition of dead air that focuses of insignificant details and images. Sterile dialogues can contributed to many awkward developments, but more so make for an leaden experience, as it never delves deep enough. Like it believes it does. The sexually salty activities filtered in just never convince and are far from erotic. They are kind of a bump in the already sluggish flow. The base of the plot makes for something interesting and fresh, but it's never fulfilling and I thought there'll be more to it then all of this dreary lingering. Colagrande's direction is professionally stylish and suitably gloomy to want she imagines, but everything feels like it's in slow motion and can get caught up admiring the same views. Most of the action stays at the one location the house. Camera-work is potently taut, but the sullen musical score can get a bit ridiculous when it goes for some dramatically stabbing music cues that served little sense and purpose to the scenes. Giada Colagrande plays it sensually and William Dafoe sleep walks the part. He looks dog tired! While Seymour Cassel, pokes his head in now and then.
Just where is it heading, is anyone's guess. Well, that's if you can wait around for it. I think I'll give it the benefit of the doubt, as it's definitely not what I was expecting from this Indie film.
What was I expecting? A thriller indeed, but it wasn't quite so. That's just the advertising on the package for ya! I'm quite perplex about everything. The title, the story and the motivation. So how to classify it? Well, this wooden character drama is more a enigmatically moody romance bound-story of alienation, possession and dependence twisted into a complicatedly passionate relationship of two masked individuals. Co-writer (along with William Dafoe) and director Giada Colagrande's art-house film is just too clinical, distant and calculated with its mysteriously metaphoric story, which it leaves you questioning what does it all really mean although when its sudden conclusion materialises, you'll thinking why should I actually care. What we go through feels aimless with ponderous exposition of dead air that focuses of insignificant details and images. Sterile dialogues can contributed to many awkward developments, but more so make for an leaden experience, as it never delves deep enough. Like it believes it does. The sexually salty activities filtered in just never convince and are far from erotic. They are kind of a bump in the already sluggish flow. The base of the plot makes for something interesting and fresh, but it's never fulfilling and I thought there'll be more to it then all of this dreary lingering. Colagrande's direction is professionally stylish and suitably gloomy to want she imagines, but everything feels like it's in slow motion and can get caught up admiring the same views. Most of the action stays at the one location the house. Camera-work is potently taut, but the sullen musical score can get a bit ridiculous when it goes for some dramatically stabbing music cues that served little sense and purpose to the scenes. Giada Colagrande plays it sensually and William Dafoe sleep walks the part. He looks dog tired! While Seymour Cassel, pokes his head in now and then.
Just where is it heading, is anyone's guess. Well, that's if you can wait around for it. I think I'll give it the benefit of the doubt, as it's definitely not what I was expecting from this Indie film.
I am a huge Willem Dafoe fan, and really sought out this film (I had to get a Region 5 Chinese DVD of it!). But, it is truly one of the worst that I've seen in quite a while.
The acting (except for Dafoe) is horrible. Dafoe and Colagrande BOTH wrote and directed this ( though he isn't credited as a director), and they have NO discernible talents for writing or directing. (Stick to acting Willem; Giada get out of the business, PLEASE!)
Absolutely nothing happens. Except a series of completely unconvincing, totally without believable motivation, acts by these two people (that just met) in this house. Colagrande's sleepy, I couldn't care less expression practically NEVER changes. And the sex scenes are downright lame. I actually cringed twice at one of them. Yuck! They're definitely not the least bit erotic, and yet are the only time the film isn't putting you to sleep. Then, it's busy repulsing you.
Just awful.
The acting (except for Dafoe) is horrible. Dafoe and Colagrande BOTH wrote and directed this ( though he isn't credited as a director), and they have NO discernible talents for writing or directing. (Stick to acting Willem; Giada get out of the business, PLEASE!)
Absolutely nothing happens. Except a series of completely unconvincing, totally without believable motivation, acts by these two people (that just met) in this house. Colagrande's sleepy, I couldn't care less expression practically NEVER changes. And the sex scenes are downright lame. I actually cringed twice at one of them. Yuck! They're definitely not the least bit erotic, and yet are the only time the film isn't putting you to sleep. Then, it's busy repulsing you.
Just awful.
Predictable, told a thousand times story with the usual drama in between, a couple of pretty raunchy sex scenes intermingled with some character paranoia, 70's style incidental violin horror music that is comical at times, i couldn't help chuckling to myself.
I usually like Defoe, and it has to be said that the acting is not all that bad, the "plot" develops at a reasonable pace and does keep you guessing from time to time. Its just that it's all too predictable, i felt like i was watching a made for TV drama instead of a new movie. Maybe thats the style the directors wanted, but it has to be said that the review i read on here before i saw the movie could only have been written by someone involved in its production.
Don't expect too much, and if i could wind the clock back i wouldn't have gone to see it at the cinema. I would wait for the bargain bins at your video shop, I'm sure it wont take long.
I usually like Defoe, and it has to be said that the acting is not all that bad, the "plot" develops at a reasonable pace and does keep you guessing from time to time. Its just that it's all too predictable, i felt like i was watching a made for TV drama instead of a new movie. Maybe thats the style the directors wanted, but it has to be said that the review i read on here before i saw the movie could only have been written by someone involved in its production.
Don't expect too much, and if i could wind the clock back i wouldn't have gone to see it at the cinema. I would wait for the bargain bins at your video shop, I'm sure it wont take long.
I too like Dafoe as an actor but i wasted a few hours of my life actually watching this film, I still cant believe i managed to watch it in its entirety. Was there actually a point to the film?, and the ending, well, Im glad i never paid to see this awful pointless piece of pathetic excuse of a film!
Im not sure without hunting the facts out but is Dafoe married or seeing the awful actress in this film in real life, if so was it an attempt to kick start her career?, if so im afraid it must have failed..
I post this in the hope i can actually put someone off watching this film, even if 1 person takes heed of my comments and decides they would much rather watch paint drying i will feel i have made some good in the world, if only i had had the same advice...
Im not sure without hunting the facts out but is Dafoe married or seeing the awful actress in this film in real life, if so was it an attempt to kick start her career?, if so im afraid it must have failed..
I post this in the hope i can actually put someone off watching this film, even if 1 person takes heed of my comments and decides they would much rather watch paint drying i will feel i have made some good in the world, if only i had had the same advice...
Le saviez-vous
- AnecdotesBen Van Hoei wrote: "With its narrow focus on two people in a passionate relationship and its abundant use of metaphors, the film certainly has more in common with the intimate auteur dramas of the old continent than with new American cinema . . . Whatever the reaction of American audiences will be, Black Widow (2005) is certainly amongst the most pleasing --- and decidedly auteur --- surprises of the Venice Days."
- ConnexionsFeatures This American Life (1995)
- Bandes originalesDomani e un Altro Giorno (The Wonders you Perform)
Written by Jerry Chesnut (as Jerry Chesnut)
Performed by Ornella Vanoni
Published by Sony/ATV Tree Publishing (BMI)
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Détails
Box-office
- Budget
- 450 000 $US (estimé)
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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