Ajouter une intrigue dans votre langueA gay theater-obsessed Texan high school senior has his heart set on Broadway stardom with an eye out for love. With the help of his 300-pound best girl friend, he embarks on a winning journ... Tout lireA gay theater-obsessed Texan high school senior has his heart set on Broadway stardom with an eye out for love. With the help of his 300-pound best girl friend, he embarks on a winning journey of self discovery.A gay theater-obsessed Texan high school senior has his heart set on Broadway stardom with an eye out for love. With the help of his 300-pound best girl friend, he embarks on a winning journey of self discovery.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
- Christian Programming Pastor
- (as Ryan L. Sumner)
- Katie Chin
- (as Linda Park)
Avis à la une
It was written, directed, and starred 20-year-old Ash Christian, and it was obviously a school film project that was cultivated during his teen years, and was somehow granted a bigger budget than could be achieved in high school. The bigger budget wasn't really needed as it's nothing you and I couldn't do with our phones and friends. Though I'm sure renting prom props wasn't cheap.
This is a fairly entertaining movie if you like movies that rely only on the verbal exchanges of supposedly witty teen angsters. It's got no real plot, but the general idea is something about the slice of life revolving around the prom. People have compared it to Napoleon Dynamite, but there's a heavy dose of a Will & Grace inspiration, but if Grace was overweight instead of underweight, and Will got laid.
None of the 20-somethings who played the teens look young for their age. Ash doesn't look like a fresh teen, but a man in his 20s who has been sleep-deprived and stressed out from being a triple threat on his first real movie project.
However, if you do enjoy this movie, I recommend watching 29th and Gay. It almost seems like a sequel since they seem so similar.
However, there was enough that was amusing, that I stuck around to see how it finished, since there were hints that something special happens at the end. But it seems that either the film ran out of money or the writer ran out of ideas because the ending is extremely abrupt, almost skipping directly from what looked to be the key conflict in the film to the final credits.
Overall, it was very disappointing but not completely unwatchable...
The premise is promising: an average-looking gay teen is trapped in a repressive small TX town. His only kindred spirits are the other village HS misfits: the class 'fat girl', a naïve immigrant from Cuba, and the sensitive drama teacher. So far, interesting. In theory, this plot line creates a decent setup for an appealing coming of age story with a built-in audience---the thousands of gay men who grew up in small towns across America and experienced this adolescent anxiety first hand, peppered with a dose of self-deprecating humor.
Unfortunately, rather than a nuanced dramedy, Ash Christian approaches his autobiographical subject matter with a poorly executed attempt at irony and dark humor. The result is a cast of unlikeable, derivative, two-dimensional characters which the viewer cannot but help feel indifferent toward. Sabrina (Fink) is a quasi-Goth bitter navel-gazer. She is such a prickly, unsympathetic person; there is little doubt as to the reason for her friendless condition. The chemistry between her and Rodney (Christian) registers zero. This may have been bad casting, but is more likely due to a screenplay which is simply unsalvageable. Consequently, one is left wondering when there is such a non-existent bond, what could possibly warrant their near-constant companionship throughout the story.
Sabrina's newfound boyfriend, Rudy (de Jesus), and Rodney's mother Judy (Theaker) are among the most exaggerated of the clichéd stock characters ripped off from dozens of other films. Rudy is the horny undersexed immigrant/nerd lifted directly from every raunchy adolescent "comedy" ever made within the realm of TV or film. Judy is the born-again obsessed with Jesus- talk and big hair. Just when you thought the Tammy Faye thing had been done to death, Christian inserts a scene where Judy's mascara is running with her tears! Is there anyone in the civilized world that can possibly think this tired old stereotype gag is still funny after seeing it ad nauseum for 20 years?
In addition to the failed attempts at sardonic humor, there are many puzzling story inconsistencies. Rodney considers himself a "fat ugly" loser. However, he simultaneously manages to participate in casual and regular impromptu trysts with the ubiquitous school jock/hunk, Ted (Miller). Although these liaisons are devoid of emotional fulfillment, most gay teens (filled with raging testosterone, just like their hetero brethren) would find this to be a rather enviable arrangement given the more common alternative of involuntary celibacy.
Rodney finds an object for his affection in Bobby (Bruening), an exotic transplant from England. Against all believable odds, the lad not only happens to land in this tiny TX hamlet, but is conveniently openly gay to boot. Like Sabrina, Bobby is an icy, angry smart aleck and the viewer is left head-scratching as to his magnetic appeal.
Much to his delight, Rodney is invited by his new crush to the town gay bar, where Bobby claims to be the DJ. Upon arrival, the boyfriend-to-be promptly leaves Rodney solo and heads off to another area of the bar for a quick encounter with a rather handsome young man. This is yet one more of the ridiculously inexplicable plot elements since Rodney's feeling as an outcast are supposedly derived largely from his lonely existence in a parochial town. As tiny as the town is, they have openly gay students at the high school? A secretly bisexual football captain? Lesbian moms? A Gay teacher? and it has a gay bar downtown (patronized by attractive men, no less)? Apparently, the place is not so backwater after all.
Ten years earlier, Todd Stephens' "Edge of Seventeen" covered nearly the same material with a much more creative, honest, touching, and humorous film.
The topic of the story is fortunately not about some disease or drugs, what is the common trend in gay themed movies in these days, but it focuses on the social interactions between characters what could be considered not to be in the high school elite. The play and the direction could be a little bit more sophisticated, but on the other hand it's somehow better so, because it really shows the distress of the characters, that they are experiencing. If this was intended, then this is a remarkable job and assuredly an achievement, specially for such an young director.
It's actually a good story that gives you a little inside into, how it is to be a fat girl and to acknowledge it to yourself.
Le saviez-vous
- AnecdotesThora Birch was originally supposed to be in the film but dropped out at the last minute.
- GaffesAt the graduation dance Rodney leaves the punch bowl carrying one cup but arrives at his table carrying two.
- Citations
Judy: I found your tape.
Rodney Miller: What tape?
Judy: The one with the two queers uh sodomizing and felating each other's assholes 10 ways 'til Tuesday.
Rodney Miller: Not my tape.
Judy: I think it is.
Rodney Miller: No, ma'am, it's not.
Judy: Oh, it is, too.
Rodney Miller: Never seen sodomizing to me my eyes no way.
Judy: I had all the girls over from Buddies and Bereavement and we were going to watch the Kirk Cameron film and that's what played instead.
Rodney Miller: Maybe it was Kirk Cameron.
- ConnexionsReferences Tribulation (2000)
- Bandes originalesChemistry
Written by Drew Bayers, Ryan George, Max Humphrey and Nathanael Keefer
Performed by The Adored
Courtesy of Sheridan Square Entertainment
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 11 204 $US
- Montant brut mondial
- 11 204 $US
- Durée
- 1h 22min(82 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1