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Derrière le masque

Titre original : Behind the Mask: The Rise of Leslie Vernon
  • 2006
  • R
  • 1h 32min
NOTE IMDb
6,7/10
26 k
MA NOTE
Nathan Baesel in Derrière le masque (2006)
Theatrical Trailer from Anchor Bay Films
Lire trailer0:55
1 Video
56 photos
Dark ComedyFound Footage HorrorMockumentaryParodySatireSlasher HorrorComedyHorrorThriller

Ajouter une intrigue dans votre langueThe next great killer and psychopath has given a documentary film crew exclusive access to his life as he plans his reign of terror over the quiet town of Glen Echo.The next great killer and psychopath has given a documentary film crew exclusive access to his life as he plans his reign of terror over the quiet town of Glen Echo.The next great killer and psychopath has given a documentary film crew exclusive access to his life as he plans his reign of terror over the quiet town of Glen Echo.

  • Réalisation
    • Scott Glosserman
  • Scénario
    • Scott Glosserman
    • David J. Stieve
  • Casting principal
    • Nathan Baesel
    • Angela Goethals
    • Zelda Rubinstein
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    26 k
    MA NOTE
    • Réalisation
      • Scott Glosserman
    • Scénario
      • Scott Glosserman
      • David J. Stieve
    • Casting principal
      • Nathan Baesel
      • Angela Goethals
      • Zelda Rubinstein
    • 188avis d'utilisateurs
    • 179avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 3 nominations au total

    Vidéos1

    Behind the Mask: The Rise of Leslie Vernon
    Trailer 0:55
    Behind the Mask: The Rise of Leslie Vernon

    Photos55

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    Rôles principaux27

    Modifier
    Nathan Baesel
    Nathan Baesel
    • Leslie Vernon
    Angela Goethals
    Angela Goethals
    • Taylor Gentry
    Zelda Rubinstein
    Zelda Rubinstein
    • Mrs. Collinwood
    Robert Englund
    Robert Englund
    • Doc Halloran
    Scott Wilson
    Scott Wilson
    • Eugene
    Bridgett Newton
    Bridgett Newton
    • Jamie
    Kate Miner
    Kate Miner
    • Kelly
    • (as a different name)
    Ben Pace
    Ben Pace
    • Doug
    Britain Spellings
    Britain Spellings
    • Todd
    Hart Turner
    • Shane
    Krissy Carlson
    • Lauren
    Travis Zariwny
    Travis Zariwny
    • Dr. Meuller
    Teo Gomez
    • Stoned Guy
    Matt Bolt
    • Slightly More Stoned Guy
    Jenafer Brown
    • Virgin Girl
    Kane Hodder
    Kane Hodder
    • Guy at Elm Street House
    Mia Butler
    • Communion Girl
    Morgan Kitzmiller
    • Communion Girl
    • Réalisation
      • Scott Glosserman
    • Scénario
      • Scott Glosserman
      • David J. Stieve
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs188

    6,726.4K
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    Avis à la une

    8potterhead97

    A diamond in the rough

    I must say this film was great. I'm not typically one to watch movies that are both Comedy and Horror. But this was definitely a standout film in the Comedy Horror genre. I would recommend Behind the Mask: The Rise of Leslie Vernon to horror film buffs especially. Being a horror movie buff myself, I found that this flick really put the classic slasher films to good use. They formed a sort of method to the slasher's madness and I have to say I loved that. I also appreciated the slight twist at the ending. I would love to see another film like this to be created. It is definitely worth the watch. Although if you are prone to motion sickness, it may be triggered by the moments where a hand-held camera is used. Other than that, I highly recommend the movie!
    8hausrathman

    An Entertaining Mockumentary that works as thriller too.

    Leslie Vernon, a highly-enthusiastic wannabe "supernatural" serial killer, along the lines of Halloween's Michael Meyers or Friday the 13th's Jason, invites a film crew along to document his initial spree this original horror comedy that allows you to see a killing spree from the point of view of the killer. The film crew soon finds itself rooting for the likable Leslie, well-played by Nathan Baesel, who has planned his spree to the last detail. The crew slowly moves from documenting the events to aiding and abetting them, but it has second thoughts as the reality of the events overwhelm them. They discover too late that Leslie isn't exactly who he claims to be, and he has worked out everything, including their last minute hesitations, into his meticulous plan.

    The documentary approach gives the filmmakers enough distance from the events to successfully spoof the conventions of slasher genre. However, the filmmakers managed to restore genuine tension by limiting that distance by making the witnesses, the filmmakers, into participants. That's why this film succeeded where other spoofs and "found footage" failed. It delivers both narrative perspective and intimacy.

    Well done.
    8Reviews_of_the_Dead

    Solid Meta Slasher Film That Peaks Behind the Curtain

    This film is one that I checked out as I believe it was part of Fangoria's Top 300 Horror Movies issue. I didn't hear of it before that and I've seen it a couple of times now. It is another one that I heard more about when I got into listening to horror movie review podcasts. This viewing here is due to the Podcast Under the Stairs Summer Challenge series for the 2000s. The synopsis is the next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo.

    We start with Kelly (Kate Miner) who works at a diner. She is taking out the trash for the end of the shift. She props the door open with a brick. There is an uneasy feeling and she thinks she sees someone in the shadows. The door closes behind her. She flees around the building.

    The film then shifts a documentary film crew that we will be following. The woman doing the interview is Taylor Gentry (Angela Goethals). The two guys behind the camera in her crew are Doug (Ben Pace) and Todd (Britain Spellings). It should be pointed out that this film is telling us that Jason Voorhees, Freddy Kruger and Michael Myers are all real. They all have killed a lot of people and there is a new man that is going to join them, Leslie Vernon. The crew is doing a documentary on him as he stalks and kills his victim in order to join their ranks. We then meet him and he's played by Nathan Baesel.

    There is a legend in this town of Glen Echo. Leslie Vernon was killed by the citizens by throwing him over a waterfall to his death. Much like the other legends, he is back to get his revenge and claim his birthright.

    They sit down to do an interview with him to get more information and he is fine with it. They ask him questions to get into the mind of a killer like this. To that he tells them he has to show them. They get into his vehicle and go to town. He explains how he chooses his victim. He looks for a virgin with a group of friends. There needs to be a good mix of tough and easy kills to help his numbers. He tells them though that he has already picked out his victim, or they'd be well behind schedule since it takes so much planning.

    This takes them to the opening scene we saw with Kelly. It is interesting here is that we get to see how it is done, which feels a bit like peaking behind the camera of filmmaker as well. From here, Leslie introduces us to his mentor from the business, Eugene (Scott Wilson) who is now is now retired. Along with his wife of Jamie (Bridgett Newton), the documentary is given a look into killers like him from the 1960's and 70's before the big three took over.

    We are then given more into the planning stages that Leslie has to go through to prepare Kelly. He has to do a lot of cardio and prepping the house for the night of the killings. Taylor seems intrigued to continue to learn more, but the deeper they get into it, they have second thoughts. It is interesting, but she is also an accomplice to the potential murders. A decision has to be made, but Leslie might be on top of it more than they realize.

    I have to say that the first time I watched this I loved some of the aspects to this movie. One of the firs things is stating that the many of the horror film legends were real and that they all know each other. On top of that, I love that they all do follow a similar plan, which if you look at the films, would make sense. This movie does a really good job for me in setting the world that we are living in before peaking behind this curtain as I've said.

    This is really two different movies that are combined into one. The first part of this is a mockumentary done in the vein of found footage. Taylor sets that stage with their opening monologue as I've said. In this part, it is mostly Leslie and her with Doug and Todd interjecting at different points. I also like that more information is provided by Doc Halloran (Robert Englund) who is a Dr. Loomis of sorts, Eugene, Jamie and even Mrs. Collinwood (Zelda Rubinstein), a librarian that helps Kelly. This part feels like we are watching a slasher be made from behind the scenes.

    The second half of the movie is a normal movie that is a slasher. It is smart though and I think that is what makes it work. Leslie has shown us what his initial plan was, but much like Scream, this takes a meta approach where despite the characters knowing, things have been changed to incorporate the new elements. I give credit to the depth of planning and knowing from Leslie there.

    That meta approach brings me to something else I wanted to delve into really quick. I've said I love that they state Jason, Freddy and Michael are all real and are legends. Chucky gets brought up as another killer briefly as well. There is some realism that is lost with the latter, but I do feel this movie is a bit odd with just accepting these killers. Like they know they're real. I don't know if Taylor truly believes Leslie is going to do what he says or not, but Doug and Todd do and seem to be on board. I feel this could be a commentary on us as an audience that we know we're going to see these horrific things and we are complacent as it is entertainment. Regardless, the co-writer of David J. Stieve and the other co-writer/director of Scott Glosserman really know their slashers so this works there.

    I'm not sure this movie would be as good though if it wasn't for the acting. I'm not saying anyone here is going to win awards. Baesel is really good for me as Leslie. It is interesting as I believe this was his first acting role in a feature. I love how charismatic he is when things are going good and then turns on being a monster when it becomes time for that. He is a likeable guy so I can see why this crew wants to be around him as he looks into everything that he is. Goethals is solid as Taylor and I love what the movie does with her character. I love the cameos by Englund, Wilson, Rubinstein and even briefly Kane Hodder. Newton and Miner were quite attractive and I love how their characters fit into this story. Pace and Spellings are also solid as well in helping round this out for me.

    That will take me to the last thing I wanted to go over which would be the effects and cinematography. Where I want to start would be the latter. As I've said, the first part of this is mockumentary. It does feel like we are getting a legit doc on Leslie Vernon. It all feels real including interviews and it also feels like we are seeing how a slasher film is made on top of it. When it actually becomes a slasher, I do feel that the effects are good. I'm assuming some of this would be budget, but we don't actually get to see a lot of the kills or much in the blood/gore category. I am forgiving here though due to how things lead up and eventually play out. The cinematography I would say is well done.

    So in conclusion here, this movie keeps getting better and better for me with each viewing. I really like the concept here of doing a mockumentary on a new killer that is trying to join the likes of the legends. Baesel's take on Leslie Vernon is what really makes this work for me and I love the meta approach this movie is taking to the slasher genre. The rest of the cast helps get us to bring this life. The effects are a bit light, but the found footage stuff works for me. The soundtrack also fit for what was needed as well. I've come up on this last viewing with my rating, which I think this is a good movie. If you haven't seen this and you're a slasher fan, I would definitely recommend giving it a viewing. This is also interesting if you enjoy seeing how filmmaking is done as that is part of it as well.
    9kagyakusha

    GREAT Movie!

    I highly highly recommend this movie. It's a black comedy/mockumentary/horror movie that's bloody hilarious. I LOVED it. I can't recommend it enough!!! If you're a horror film junkie, or even if you're not (for example, my boyfriend doesn't particularly like horror films but is fond of intelligent comedy and was right beside me laughing for this one) you should DEFINITELY see this movie! It's so respectful of the genre at the same time that it plays with it... Nathan Baesel, who says he was inspired by Anthony Hopkins' Hannibal Lecter really pulls off charming and cheery -- not copying Lecter, but applying the influence to create a new and lovable serial killer (this is what makes him both funny AND creepy - it's impossible not to like him!).
    6Ash512

    Don't believe the OVER-hyper

    I saw this at the Fantasia Film Festival. I have to admit the first act has some really funny moment, and the actor who portrays Leslie Vernon is great. That being said, the second part turns into a full-blown slasher. The break is WAY too rough to really make it believable, plus the slasher part does not deliver the suspense nor the action, nor the gore we would expect from that kind of movie, which makes it quite monotonous and basically, dull. The director did an okay job, alternating between hand-held video cameras for the documentary parts and stable HD cams for the slasher parts. The guys does have a respect for the genre, but that won't necessarily make the movie good. The cast is pretty solid, especially the guy who plays Leslie Vernon like I said earlier.

    So the ''mockumentary'' part is pretty funny, but the ending is terrible. Watchable, but not amazing.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      At the beginning, Taylor is standing in front of the Red Rabbit Pub. This is a reference to the Red Rabbit matchbook found by Dr. Loomis in La Nuit des masques (1978).
    • Gaffes
      At the beginning of the film, a title says "Glen Echo, Maryland." Later, a microfiche copy of the local newspaper says "Glen Echo, Oregon."
    • Citations

      Jamie: I'll tell you: never hang out with a virgin. You got a virgin in your crew, either get somebody in her pants or get the hell away from her.

      Eugene: Aside from that, the simple answer is: run like a motherfucker and don't stop till the sun comes up.

    • Crédits fous
      The Credits say "Only one animal was killed during production" as a spoof of the normal practice of saying that no animals were killed during production.
    • Connexions
      Featured in Flirting with Danger: Power & Choice in Heterosexual Relationships (2012)
    • Bandes originales
      Moonlight With The Stars And You
      Written by Reginald Connelly, Jimmy Campbell and Harry M. Woods (as Harry Woods)

      Performed by Ray Noble and His Orchestra (as The Ray Noble Orchestra)

      Courtesy of EMI Film & Television Music

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    FAQ21

    • How long is Behind the Mask: The Rise of Leslie Vernon?Alimenté par Alexa
    • Is there a scene at the end of the credits?
    • Who is Eugune?

    Détails

    Modifier
    • Date de sortie
      • 26 août 2007 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Behind the Mask: The Rise of Leslie Vernon
    • Lieux de tournage
      • Portland Public Library, 801 SW 10th Ave, Portland, Oregon, États-Unis
    • Sociétés de production
      • Glen Echo Entertainment
      • Code Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 69 136 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 38 500 $US
      • 18 mars 2007
    • Montant brut mondial
      • 69 136 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 32 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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