East Side Story

This is a very technically well-made film with good pacing and overall good acting, with standout performances from the main females and most of the main male actors. The main problem with the film is the extent to which is borrows from stereotypical sitcom television conventions, down to the nicely packaged happy ending. Boy meets closeted boy, boy dumps closeted boy, boy meets new gay couple on block, one half of the gay couple cheats on partner with boy, purely dramatic devices causes a break-up (which in typical television fashion, the couple didn't actually belong together - not the like the boy and cheating partner do), till finally, again true to TV conventions, all is resolved and happily so, that by the time the end title credits roll, boy ends up with the right half of the couple.

Don't get me wrong, it's a well-made film with some excellent performances. It's definitely a crowd-pleaser and it's sure to be enjoyed by nearly any gay-identified audience member who views it. Apparently, the distributors didn't see any cross-over appeal as the movie seems to be headed to a DVD release without even a cursory theatrical release in some of the major markets where it did not make into (or which do not have) a gay and lesbian film festival.

Definitely worth renting, once the DVD is released, apparently in the next few months, and perhaps even owning. However, comparing this to Brokeback Mountain is definitely not appropriate.

Gay movies very often suffer a lack of funding and subsequent underdevelopment. East Side Story bears no sign of this; the production values are good and the acting is mostly great (the lead actor is particularly good).

Diego is approaching 30, yet his life has consisted of very little outside of working at his family's restaurant in East Los Angeles. After being dumped by his "boyfriend", rather than face the ensuing fall-out over his homosexuality, he resolves to leave LA and make a life for himself in Phoenix. But a brief meeting with his openly gay new neighbours begins opening his mind to the possibilities of life - if he can only have the courage to be who he is.

The blurb for this film claims that it avoids all the clichés, and that is actually true. Just about everything works perfectly in East Side Story, a welcome fact that ensures you concentrate on the emotional journey playing out on the screen. Those who saw "Mambo Italiano" another gay film of high production values (from Canada) may notice some story similarities, but every element is still very valid. Anyone looking for a good gay movie should certainly give East Side Story a go.

Fresh young talent and a healthy dollop of enthusiasm serve as the springboard of this well written (Carlos Portugal and Charo Toledo), well directed (Carlos Portugal) and well acted exuberant story of those once perceived tightly closet doors of the East Los Angeles Hispanic community. Not that this is the first film to engage the topic of being gay in East LA - QUINCEAÑERA is another superb film on the subject - but it addresses so many other aspects of family and social life happening now that it deserves a wide audience. With a cast of newcomers coupled with some very fine veterans of the screen EAST SIDE STORY comes to life in a highly entertaining fashion.

Closeted schooled chef Diego Campos (a fine debut by René Alvarado) works as a waiter in his grandmother Sara's (elegant Irene DeBari) little Mexican restaurant where grumpy homophobic chef Don Rogelio (Luis Accinelli) presides in the kitchen. Diego dreams of opening his own restaurant but family ties keep him grounded. Diego's campy Aunt Bianca (Gladise Jimenez) returns from Monaco on one of her many expensive sojourns to find a man and changes begin to happen. Diego's equally closeted boyfriend Pablo Morales (David Berón) has been refusing to settle down in a relationship with Diego, claiming that the union is a 'passing fancy'. When Bianca enters, Pablo's attentions turn to the sexy lady and Diego is brokenhearted.

Into this mélange enters a white gay couple who buy a 'flip' house across the street, a signal to the neighborhood that gentrification is just around the corner. The couple - Wesley (Steve Callahan) and Jonathan (Cory Schneider) - meet the morose Diego and a match strikes between Diego and Wesley. Jonathan is assigned all the lines having to do with prejudice and is the one who wants out of the neighborhood as soon as their house is enhanced and their gay friends begin to visit. The white couple move apart and Wesley and Diego begin a courtship dance that is encouraged by Diego's family. How Diego handles his loss of Pablo to his Aunt Bianca and copes with the possibility of being open with Wesley forms the story line. It is all the hilarious and not so hilarious sidebars that share the space of the 'outing' that make the film so personal and successful.

Carlos Portugal is clearly a talent to watch, as are his attractive and talented cast members. EAST SIDE STORY is a fine companion piece to QUINCEAÑERA and should enjoy the same degree of popularity for all the same reasons! Grady Harp

East Side Love Story is about Diego Campos and his quest to get out of East L.A. and become a chef in his own restaurant. Along the way he finds that sometimes to get away from home, you just need to stay where you are.

First off, the good parts. I liked the acting and the set design. The restaurant in particular reminded me of some of the places I grew up eating in. To me, that's a bonus.

The acting, while heavy handed at times, didn't seem devoid of heart. René Alvarado (Diego) seemed to finally find his voice near the end of the movie. The rest of the cast were fun, if stereotypical, parts. Pablo, the closeted boyfriend. Wesley, the new neighbor with a problem. Bianca, the crazy aunt (or sister, depending on the writer). The understanding and wise maternal figure, Sara. All played to the fullest and farthest the actor could go.

The bad parts: The acting, while good, was deeply uneven. Most of the actors tended to "sell to the cheap seats" instead of going for smaller actions.

The writing was manic and led to uneven pacing. The whole back and forth between two characters, while building drama, was kind of tedious.

The cinematography. Again, while not terrible, shots seemed to go for more group shots than anything else. Reactions were off camera. In particular a scene between Diego and Westley left all of Diego's dialog being delivered while the back of his head was to camera.

The worst offence is the lighting. Maybe it was the copy I watched, but I couldn't see what the hell was going on some of the time. It honest to god looked like it was being lit by a flashlight ... with a dying battery.

All in all though, I would watch it again. Though, not without a glass of wine first.

My partner & I saw "East Side Story" at NYC's NewFest in June 2006.

The movie is a well constructed take-off on the Italian-Puerto Rican ethnic conflict in the musical "West Side Story". Instead of the historical focus on those two ethnic groups in NYC, ESS dramatizes the current fault line between middle class Latino residents in LA's Echo Park neighborhood and well-off gays & lesbians who are buying up their homes, gentrifying their area, and threatening to displace them. The specific characters and basic storyline are believable and the movie entertains you throughout the movie.

Of the 15 or so films we screened at that NYC LGBT festival last year & this month, "East Side Story" was by far our favorite (We also liked "Forgiving the Franklins", "Coffee Date", "Outing Riley" and "Bubble", a gripping but HEAVY film by the Israeli director of "Yossi & Jagger".).

Question: does anyone have an idea of when / if "East Side Story" will appear in (art) theaters OR be released on DVD? We'd really like to see it again and, if possible, purchase a copy.

If not, I'll contact the NewFest organizers to see if they can answer this question.