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Unknown White Male

  • 2005
  • PG-13
  • 1h 28min
NOTE IMDb
6,4/10
1,1 k
MA NOTE
Unknown White Male (2005)
Home Video Trailer from Wellspring
Lire trailer2:25
3 Videos
6 photos
BiographieDocumentaire

Ajouter une intrigue dans votre langueThe true story of Doug Bruce who woke up on Coney Island with total amnesia. This documentary follows him as he rediscovers himself and the world around him.The true story of Doug Bruce who woke up on Coney Island with total amnesia. This documentary follows him as he rediscovers himself and the world around him.The true story of Doug Bruce who woke up on Coney Island with total amnesia. This documentary follows him as he rediscovers himself and the world around him.

  • Réalisation
    • Rupert Murray
  • Casting principal
    • Doug Bruce
    • Rupert Murray
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,1 k
    MA NOTE
    • Réalisation
      • Rupert Murray
    • Casting principal
      • Doug Bruce
      • Rupert Murray
    • 40avis d'utilisateurs
    • 54avis des critiques
    • 65Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 5 nominations au total

    Vidéos3

    Unknown White Male
    Trailer 2:25
    Unknown White Male
    Unknown White Male
    Clip 3:10
    Unknown White Male
    Unknown White Male
    Clip 3:10
    Unknown White Male
    Unknown White Male
    Clip 1:11
    Unknown White Male

    Photos5

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    Rôles principaux2

    Modifier
    Doug Bruce
    • Self
    Rupert Murray
    • Narrator
    • (voix)
    • Réalisation
      • Rupert Murray
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs40

    6,41K
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    Avis à la une

    6roland-104

    Hoax? Quite Likely.

    Rupert Murray makes his film directing debut here, in a documentary movie that tells the story of a friend of his, a young man, Doug Bruce, an intense and successful stock broker in New York City who one evening experienced a dissociative fugue state that lasted perhaps up to several days. Once he had come to his senses again, lying in a hospital bed, he realized that he had no memory whatsoever for his past: his identity, name, or personal history. He retained excellent language skills and other instrumental abilities, could learn new material and remember it, and even was able to write his first name accurately - his only link to his past - when registering for medical tests.

    Dr. Daniel L. Schacter, a Harvard Memory Psychologist, appears early in the film as a useful talking head, offering us a concise review of the various classes of memory: episodic (personal identity and life events), semantic (general fund of information about the world), and procedural (language skills, how to ride a bike) memory. It is only episodic memory that is compromised in psychogenic amnesia. Bruce's retained language skills and other procedural abilities, and his intact fund of general knowledge, demonstrated that Bruce was suffering from a psychogenic amnesia, not an organic amnesia, i.e., one based on obvious brain damage.

    In organic cases, e.g., in Korsakoff's or Alzheimer's diseases, or after severe head trauma, amnesia also is not limited to the past (retrograde amnesia) but also affects the capacity to form new memories and retain newly learned material (anterograde amnesia). An MRI study did show that Bruce had an enlargement, perhaps a tumor, in the area of the pituitary gland, but this could not explain his fugue or memory loss.

    Bruce had a broad enough social network – stretching from New York City to London to Spain, where his family live - that it did not take long before he was identified and then looked after by people who know him. The film traces his initial medical evaluations, his reunion with friends and family, and his efforts to reconstruct his life. He does gradually fill in some missing pieces, though even 15 months later he has only patchy recall of his past.

    We never do learn of any obvious trigger for his fugue state. Apparently he had never before suffered from such an event. Reference is made to the fact that his mother had died, but that was several years earlier. No other major stressors were disclosed. There was no evidence of trauma or foul play surrounding the onset of the fugue. No so-called "secondary gain" factors emerged, i.e., there was no apparent reward to be gained, or scrape to be avoided, by a convenient (malingered) amnesia episode.

    Though in various newspaper accounts since the film's release, we learn that Bruce has indulged in a great deal of self promotion around the matter of his amnesia, never tiring of being the center of attention at Manhattan parties, even starting up a website about his situation. Maybe his initial amnesia was real enough, but these subsequent developments do suggest that sustaining his condition has had its rewards.

    This was a very frustrating film for me. I kept waiting for psychiatric treatment to commence, since Doug's amnesia was indisputably psychogenic in origin, or at least for more information on a plausible set of stressors to explain the timing and extent of his problem. Initial evaluation by a psychiatrist is mentioned early on, but treatment apparently never came; it certainly wasn't mentioned. So Bruce's case was very much like a 19th Century case, where everyone agrees on the diagnosis and then just sits around waiting. Cost was certainly no object: Bruce and his family were well off people.

    The only interesting aspect of the situation was that everybody agreed on Bruce's largely favorable personality changes after the fugue. He showed a fresh sort of innocence, thoughtfulness, emotional openness and sensitivity, where before the event his friends saw him as brash, cynical, and a more flip wit. But these personality changes weren't dwelt upon as much as I would have wanted. At film's end, we see Bruce building a new, more relaxed life, with a new lover and a new career in the arts.

    This film held my attention keenly because of my clinical interest, as I waited in suspense for the other shoe to drop: i.e., for resolution of the problem, or at least elucidation of the causes, as a consequence of psychotherapy, hypnotherapy, or the use of amnesia-busting drugs, e.g., sodium amytal or pentobarbital interviews. Why weren't any of these things tried? Did Bruce duck treatment because he knew he didn't need any? Take away clinical pique, and actually found this film is pretty boring: neither the protagonist nor his friends or family are especially interesting people. Bruce's reunion with drinking buddies in London showed them to be especially dull. My Grade: B- 6/10
    9Spuzzlightyear

    What If?

    Unknown White Male is one of those movies that makes you think, and makes you think HARD. It documents the very odd case of one Doug Bruce, whose ride on the subway in New York City takes an odd turn, when he suddenly develops a severe case of Amnesia and doesn't know a thing at all about his former life. He winds up at a hospital, where a chance piece of paper with a phone number of the Mother of a former date ends up to be the beginning of a literal self-discovery, as friends and family try to put Doug's life back to normal. The interesting part of this is, of course, is whether Doug is willing to accept all of this, or will he reject some of things that he's always loved? This documentary is pretty awesome in it's compounding of the most immediate of life's lessons, and raises some rather interesting questions, such as could you rebuild a person's life exactly as you left it, and most interestingly, and the one that I have a major interest in, is what if people wanted to change some aspects of you that were undesirable to those people? Damn. I know my parents would get first crack at me, and try to create something else. I KNOW this. As I said, this film is a great conversation-starter, it's very well made and interesting, and proved to be one of the best films in the Vancouver Film Festival this past year.
    7gavin-boyter

    Beautifully Shot Hoax

    It's a mockumentary! No, really. Think about it. He wakes up on the subway without either a wallet or a mobile phone and the filmmakers don't comment on this. Him and his buddies shoot some Super-8 home movie footage INSIDE a bar (you'd need lights for this). Everyone's so damned gorgeous. He takes a video camera to an airport to meet his dad. He hugs complete the friends who have become strangers as if they're still his best pals. The acting's mostly good but there are hammy moments too. Watch it again... (you see, now they've got me doing their PR too). It is wonderfully shot though and does contain some genuinely thought-provoking material about the nature of identity and the importance of memories in cementing personality. So when will the filmmakers come clean?
    3mkcasper

    Interesting topic handled poorly

    I saw this film last night and was very disappointed with it. It is quite apparent that the filmmakers have no training in how to construct an interesting story. This film is about as interesting as watching someone's home movies. The interviews with Doug, his family and friends make no attempt to delve into the startling revelation that Doug has completely lost all sense of his past. They all might as well be talking about what Doug plans to do after graduating from art school rather than talk about how Doug will handle "re-starting" his existence at age 37. There seem to be some small clues in the film that may explain how poorly it was put together. Doug spends little time back in Europe with his former friends and family and they don't seem to make the journey to visit him either (except for the filmmaker). Doug himself mentions that his British mates seem to have deep feelings for him but they seem concealed by a typical British avoidance of such emotion.

    That is exactly how this film feels (or doesn't feel). There is almost no emotional connection to the film or the subjects (even Doug). You don't really even walk away with a "There but for the grace of God go I" empathy towards Doug. The most riveting emotional notes are in the first 10 minutes as Doug recalls the first hours of his amnesia and his complete feeling of being lost and real terror about not even knowing who he might be able to call to come pick him up from the hospital. After that, it is if the film has been sterilized of all emotional "infection". Even as a factual depiction of this extreme form of amnesia it falls very short of being informative or interesting.

    Without apologizing for the filmmakers, I can understand how they would not want to use this opportunity to manipulate or exploit Doug's situation or his condition by forcing some kind of confrontation with Doug's past. But the film goers don't get any real kind of bridge with Doug's past either (or his present for that matter). Without that, you can't really move yourself emotionally into either wanting Doug to regain his memory or rooting for him to carry on with a new existence that is different and separate from his past. It is almost as if even his old friends and family didn't really know him all that well so there wasn't much of Doug for them to lose.

    This movie should have some kind of theme to it. Loss...renewal...exploration...frustration...something...anything! And the filmmaker would have been better served to get some professional help with the subject and maybe take more time with the project to see if a more interesting story develops.
    kingeorge497

    Don't be Fooled

    Having my PhD in Neuropsychology, i is very apparent from the film that this is not a documentary but in fact a fictional story. The symptoms displayed by the character show many things that prove this is fake. It is also, suspiciously likely that the things he does are so "novel" almost as if he woke up and CHOSE to start a new life. Fake it til you Make it. This Is A Fake The Worst part is that his best friend just happens to be a filmmaker and He willingly chooses to pick up a camera immediately after he is "struck" with amnesia. Also, This man chooses to talk about his "condition" as though he is a celebrity... Good Job Fakers It is Pathetic really Nice job with this fake.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Shortlisted for Best Documentary Feature at the 2005 Academy Awards.
    • Citations

      [first lines]

      Narrator: How much of our past lives, the thousands of moments we experience, helps to make us who we are? If you took all of these remembrances, these memories, away, what would be left? How much is our personality, our identity, determined by the experiences we have, and how much is already there - pure "us"?

    • Connexions
      Featured in Siskel & Ebert & the Movies: Freedomland/Winter Passing/Tristam Shandy: A Cock and Bull Story/Eight Below/Unknown White Male (2006)
    • Bandes originales
      Symphony No.8
      Written by Antonín Dvorák

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    Détails

    Modifier
    • Date de sortie
      • janvier 2005 (États-Unis)
    • Pays d’origine
      • États-Unis
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Неопознанный белый мужчина
    • Sociétés de production
      • Court TV
      • FilmFour
      • Spectre Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 126 836 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 24 591 $US
      • 26 févr. 2006
    • Montant brut mondial
      • 131 256 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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