Une expédition de spéléologie tourne vraiment mal, alors que les explorateurs sont piégés et poursuivis par une étrange race de prédateurs.Une expédition de spéléologie tourne vraiment mal, alors que les explorateurs sont piégés et poursuivis par une étrange race de prédateurs.Une expédition de spéléologie tourne vraiment mal, alors que les explorateurs sont piégés et poursuivis par une étrange race de prédateurs.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 22 nominations au total
Stephen Lamb
- Crawler
- (as Steve Lamb)
Avis à la une
The concept of crawling through tight, winding, unfamiliar tunnels is scary enough. But, of course, this movie moves far beyond that.
This movie has a great setup with a close group of long time friends having fun and reuniting for different outdoor adventures.
From the beginning the directing is great. You really get a sense of adventure and the anxiety/excitement that goes into exploring a cave. It portrays it well and brings home the endeavor that cave exploration is.
The story is engaging as it builds. They run into natural trouble that's bad enough. But then the dire situation becomes far worse.
This movie is genuinely suspenseful. The gore is well done. The characters are sympathetic. The emotion builds to a fever pitch.
There are some shocking elements to the ending.
It is a great movie and there is no way it should be rated anything less than an 8 out of 10.
It really is well done. With relatable characters you can actually care about. It's considered a classic by many for a reason. It's legitimately uncomfortable, suspenseful and scary. And well directed. It's just a great movie.
This movie has a great setup with a close group of long time friends having fun and reuniting for different outdoor adventures.
From the beginning the directing is great. You really get a sense of adventure and the anxiety/excitement that goes into exploring a cave. It portrays it well and brings home the endeavor that cave exploration is.
The story is engaging as it builds. They run into natural trouble that's bad enough. But then the dire situation becomes far worse.
This movie is genuinely suspenseful. The gore is well done. The characters are sympathetic. The emotion builds to a fever pitch.
There are some shocking elements to the ending.
It is a great movie and there is no way it should be rated anything less than an 8 out of 10.
It really is well done. With relatable characters you can actually care about. It's considered a classic by many for a reason. It's legitimately uncomfortable, suspenseful and scary. And well directed. It's just a great movie.
When I read that "The Descent" featured an all women cast I expected a T+A extravaganza with spelunkers in too tight T-shirts and panties cavorting beneath the earth. I was disappointed. What I saw was a scary movie. I am not by nature claustrophobic but a few scenes of the close quarters they were climbing through left me squirming in my seat. I can't continue the review without issuing a SPOILER alert since I will be discussing critical movie facts. The movie was very spookily lit with looming shadows and false colors and was expertly designed. The creatures living below ground were creepy and scary since often they were only glimpsed in the shadows. I hadn't expected the death count to be so high nor the movie to be so bloody. I flinched often during the movie due to the sudden appearance of the creatures or from the wounds suffered by the cast. The pace of the movie once they began the cave exploration was very fast and of course with this type of movie a deeper examination of the facts reveals some plot holes but events move too fast for reflection. I can't say I liked or agreed with some events in the end of the movie. I think Juno, maybe not the best person in the group, was unfairly judged and condemned. None the less the movie was very effective in scaring me and holding my attention. The fact that it had, primarily, an all women cast was hardly noticeable. This is not a chick flic. Worth seeing.
An interesting and differentiated horror movie in the "gore" style. It is above average for the genre. It started slowly, but after half it became interesting, maintaining a tense atmosphere, a little frightening and claustrophobic. The atmosphere is good. It can be divided into two parts: before and after the cave. You sit on the armchair during the exhibition with that feeling of agony and distress. It escapes from the usual clichés to the genre, having an unconventional and surprising ending. There are some logic flaws in the plot and the characters, but nothing that compromises the story. The curiosity is to see the cast practically all feminine. It's worth as entertainment. I recommend it to all lovers of horror art.
Focusing on the fear of claustrophobia with the simple dread of the unknown, The Descent puts likable characters in frightening situations. As a horror fanatic, this film floats at the top of my list of best scary films in recent years. The setup feels like it moves quickly and seamlessly into the main storyline, but that's because it's so beautifully shot, well-acted, and scripted so that we know and care enough about the characters to worry once they belay down into the dark cave. This character knowledge carries weight throughout the movie, as the group variously splinters and works together to escape. Shocks and jolts start before the central scare appears. And props to an all-woman cast that feels totally natural and not slapped together to achieve cheap feminist self-congratulations. Well-acted and atmospheric, I recommend this movie to anyone wanting to see a solid, scary horror movie that doesn't reinvent the genre, but definitely strays from the norm.
10enoonmai
With Dog Soldiers, Neil Marshall created a tight and claustrophobic atmosphere then added the scares to create a very good horror film. However, the tension was often released with humour and the audience were allowed to catch their breath and relax. At no point in The Descent are you allowed to relax as Marshall grabs your attention within the first few minutes and doesn't let go until the credits roll at the end.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.
Le saviez-vous
- AnecdotesThe scene where Sarah finds Beth barely clinging to life originally featured some "truly shit" dialogue, and the actors let that be known. Neil Marshall agreed, and the three went to a nearby pub the night before filming and rewrote the dialogue on a napkin. The film's producer chewed Marshall out for it, but he also agreed the scene was vastly improved now.
- GaffesAll of the spines in the various bone piles throughout the movie have the spines intact and the inter vertebral disks still present in the spines. Inter vertebral disks, however, are cartilage, not bone, and would have decayed (especially given that there is no clothing, hair, or fur in the bone piles, meaning that the bones are quite old). The spine segments should be scattered and in pieces, not in long segments.
- Crédits fousThe creature's snarling sound can be heard at the end of the credits.
- Versions alternativesSPOILER: The endings of the US and European versions differ. In the end, Sarah wakes up at the bottom of the cave, crawls out, and makes her way back to the car. When she is driving away, she pulls over and vomits, and when she leans back into the car, she is startled by the ghost of Juno sitting in the passenger seat. The US version cuts to the credits here. In the European version, this apparition causes Sarah to wake up for real at the bottom of the cave, revealing her escape to be just a dream. She then has a vision of her daughter's birthday cake, which we see is just her torch. The camera backs out, the voices of the creatures can be heard again and are increasing in strength as they are closing in on her, and the movie ends. This ending was considered "too dark" for US audiences.
- ConnexionsEdited into The Descent: Deleted and Extended Scenes (2006)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El descenso
- Lieux de tournage
- Perth and Kinross, Écosse, Royaume-Uni(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 500 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 26 024 456 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 911 330 $US
- 6 août 2006
- Montant brut mondial
- 57 130 027 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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