Ajouter une intrigue dans votre langueA fear-obsessed freelance cameraman (Shinya Tsukamoto) investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.A fear-obsessed freelance cameraman (Shinya Tsukamoto) investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.A fear-obsessed freelance cameraman (Shinya Tsukamoto) investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Avis à la une
I highly suggest seeing this film if you are a fan of Shimizu's works. Apparently it was filmed before Ju-On, in only eight days. This shows what a master filmmaker can do in such a short time. This movie will make you feel very uncomfortable and extremely disturbed. It is about a camera man who wants nothing more than to feel the most extreme fear. He than finds a subterranean lair filled with eerie creatures called Deros, and he finds a girl (or a creature much like a girl) chained to a rock and takes her home to care for her. He attempts to feed her but he finds that the only thing that she'll eat is blood. The only problems I had with it were the shaky camera moves (Blair-Witch style)but since he only made it in eight days...he has an excuse, and it will go to a normal camera to give your eyes a break. Overall a masterpiece in psycho-horror.
Not too much to say about this one. The story starts off relatively interesting but pretty much dies on the vine. The "twist" ending doesn't really do much to save it either.
A guy is obsessed with "terror" and is searching for the "ultimate fear". He goes around looking for it and comes across a strange blood-drinking chick instead. They hang around a bunch and then the "revalation" as to who this chick is and what this guy's life is all about is made known...
The beginning of the film started off with some decent concepts including some Lovecraft-ian references that were never expanded on, and eventually just ends up being a bore. Nothing really notable at all in this one. Not horrible and will probably be loved by J-horror bandwagon-jumpers, but I've seen too much of this stuff (ranging from "classic" to flat-out horrible...) to be thrilled with every new one that comes down the pike. Not the worst of the bunch but very, very average..5/10
A guy is obsessed with "terror" and is searching for the "ultimate fear". He goes around looking for it and comes across a strange blood-drinking chick instead. They hang around a bunch and then the "revalation" as to who this chick is and what this guy's life is all about is made known...
The beginning of the film started off with some decent concepts including some Lovecraft-ian references that were never expanded on, and eventually just ends up being a bore. Nothing really notable at all in this one. Not horrible and will probably be loved by J-horror bandwagon-jumpers, but I've seen too much of this stuff (ranging from "classic" to flat-out horrible...) to be thrilled with every new one that comes down the pike. Not the worst of the bunch but very, very average..5/10
In Tokyo, the freelancer cameraman Takuyoshi Masuoka (Shinya Tsukamoto) is obsessed investigating the fear sensation near death. When he shots with his camera a man stabbing himself in the eye in the access to the subway, he seeks what the suicidal might have seen to experiment the same sense of horror the man felt when he died. He finds a passage to the underground of Tokyo where he meets a mysterious naked woman that does not speak and he calls her F (Tomomi Miyashita). He brings F to his place and he has difficulties to feed her, until he discovers that she drinks blood. Masuika becomes a serial killer draining the blood of his victims to nurse F.
"Marebito" is a very weird low-budget movie that discloses the madness process of the lead character through his journey to hell in the underground of Tokyo. This original story is disturbing and unpleasant, using a morbid and creepy atmosphere, to unravel the twisted mind of a deranged man. However this strange movie is recommended for very specific audiences only. My vote is six.
Title (Brazil): "Marebito: Seres Estranhos" ("Marebito: Weird Beings")
"Marebito" is a very weird low-budget movie that discloses the madness process of the lead character through his journey to hell in the underground of Tokyo. This original story is disturbing and unpleasant, using a morbid and creepy atmosphere, to unravel the twisted mind of a deranged man. However this strange movie is recommended for very specific audiences only. My vote is six.
Title (Brazil): "Marebito: Seres Estranhos" ("Marebito: Weird Beings")
A strange film by Grudge writer/director Takashi Shimizu.
Shinya Tsukamoto (Ichi the Killer) is consumed with finding out the source of terror that caused a man to stab himself in the eye. He wants to experience the same terror - terror so horrible that it would cause you to want to kill yourself.
He goes underground looking for the beings that inhabit the tunnels under Tokyo and finds a naked girl, who he brings home to live with him. The girls is more animal than human and he kills to provide her blood rather than give her his own blood, which she wants.
It is not certain throughout whether he is going mad or finding what he is searching for. He even tries to escape, but resumes the search until he finally succumbs to the terror.
Despite the shaky camera work, which some like, but which distracts me, it was a fascinating look at terror and certainly a film that contains much more than available at first glance. A blend of mysticism and horror, it is a worthy view for fans of Japanese horror.
Shinya Tsukamoto (Ichi the Killer) is consumed with finding out the source of terror that caused a man to stab himself in the eye. He wants to experience the same terror - terror so horrible that it would cause you to want to kill yourself.
He goes underground looking for the beings that inhabit the tunnels under Tokyo and finds a naked girl, who he brings home to live with him. The girls is more animal than human and he kills to provide her blood rather than give her his own blood, which she wants.
It is not certain throughout whether he is going mad or finding what he is searching for. He even tries to escape, but resumes the search until he finally succumbs to the terror.
Despite the shaky camera work, which some like, but which distracts me, it was a fascinating look at terror and certainly a film that contains much more than available at first glance. A blend of mysticism and horror, it is a worthy view for fans of Japanese horror.
Marebito starts out with an interesting premise, but somewhere along the way the movie falls apart.
A camera man captures a man in the subway committing suicide by stabbing himself in the eye. The camera man becomes transfixed by the death image of the man and studies the footage with the hopes of finding a clue as to why the man would commit such an act. He surmises that the man has experienced something so terrifying immediately before his death as to render him suicidal. So the camera man ventures into the subway for clues and finds a door that leads even further down into the subway. The beginning part of the film captured my interest.
Too bad.
What the main lead uncovers...actually what he finds beneath the subway...and what unfolds thereafter is incredibly dull. The rest of the film becomes a jumbled mess as the main character tries to rationalize, in his more and more irrational mind, the supernatural events that unfold. But the film looks rushed and uninspired...it does look like it was filmed in two weeks.
I thought Ju-on was creepy and fairly good as a horror film. The director's effort on this film is unfocused and meandering; he even interlaces at points in the film, clumsily I might add, with discussions of philosophy and the supernatural in the hopes, I suppose, of lending the film some gravitas. Is the director trying to be metaphorical and deliberately obtuse? I don't know and I did not care.
Because I found some parts of the film creepy and even innovative, I rate this film: Average.
A camera man captures a man in the subway committing suicide by stabbing himself in the eye. The camera man becomes transfixed by the death image of the man and studies the footage with the hopes of finding a clue as to why the man would commit such an act. He surmises that the man has experienced something so terrifying immediately before his death as to render him suicidal. So the camera man ventures into the subway for clues and finds a door that leads even further down into the subway. The beginning part of the film captured my interest.
Too bad.
What the main lead uncovers...actually what he finds beneath the subway...and what unfolds thereafter is incredibly dull. The rest of the film becomes a jumbled mess as the main character tries to rationalize, in his more and more irrational mind, the supernatural events that unfold. But the film looks rushed and uninspired...it does look like it was filmed in two weeks.
I thought Ju-on was creepy and fairly good as a horror film. The director's effort on this film is unfocused and meandering; he even interlaces at points in the film, clumsily I might add, with discussions of philosophy and the supernatural in the hopes, I suppose, of lending the film some gravitas. Is the director trying to be metaphorical and deliberately obtuse? I don't know and I did not care.
Because I found some parts of the film creepy and even innovative, I rate this film: Average.
Le saviez-vous
- AnecdotesTakashi Shimizu shot the film in just eight days, between the production dates for Ju-on: The Grudge (2002) and its remake, The Grudge (2004).
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- How long is Marebito?Alimenté par Alexa
Détails
Box-office
- Budget
- 5 000 000 JPY (estimé)
- Montant brut aux États-Unis et au Canada
- 13 983 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 852 $US
- 11 déc. 2005
- Montant brut mondial
- 107 259 $US
- Durée
- 1h 32min(92 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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