Last Kiss

I saw this at the Toronto International Film Festival to a packed house!

And what a showing it was!

When I stepped in to watch this, I had no idea where the movie would go, nor if it would be remotely interesting. But it quickly started to make sense. An outdoor wedding by the lake, guys talking guy stuff, and cute girls chatting and flirting from the other table, and soon you know it's going to be about guy/girl relationships. And so the plot evolves.

And while it's not an entirely unique story-line, there are unique things about it. The characters are distinct. The main cast of 4 guys all get enough screen time and have their own 'problems' that can easily interweave that the story could really jump from one character to the next. That's a good thing. A relatively predictable story then becomes slightly less so.

If you're looking for a moderate movie -- nothing too serious, but then nothing too fluffy -- something that you can watch, maybe chuckle a few times, or maybe something that might get you to think more deeply about relationship (and in particular if you're considering getting into a long-term relationship, or if you're not sure a long-term relationship you're in), then this would be just the ticket. You get into the minds of the characters, and there are quite a few that you can get to know, which lets you empathize with them. Some questions that I pondered watching this: is avoidance an option in life? Is truth always the best policy?

Anyways, women will find this to be an enjoyable watch, as there are a few distinct women's points of view that come forth through this which seemed quite honest.

Anyways. Strong acting. A few giddy moments, but fun overall. The result was a story that moved along nicely.

The Last Kiss, a film by Tony Goldwyn (Yes son of Samuel Goldwyn) was adapted from the 2001 Italian film L'Ultimo bacio, and written for the screen by none other than Paul Haggis. The Last Kiss goes through a number of relationships, spanning a number of different ages, and dissects the hardships of those relationships. Zach Braff seems to have upgraded his acting from Garden State and might actually become a more dexterous and talented actor than previously perceived. Paul Haggis' wonderful dialog lends greatly to the reality and adversity that co-exist alluringly within this screenplay. This film has been incorrectly advertised as a romantic comedy that puts Braff in the middle of two girls, and he cannot decide which one he wants to continue his life with. This is simply not true. The film is about a group of people that have just seen what the rest of their lives are going to be like, and want to add a small bump in the road of life. Overall the film does a lot more than your average romantic comedy/buddy film, and shoves the afflictions and austerities of modern-day relationships in your face. This is not the greatest of date movies, like the trailer wants us to believe, and should be perceived as a more earnest and pensive film than it appears.

Don't necessarily expect to see the next step in Andrew Largeman's life. While the trailer makes you think "Hey, it's Zach Braff playing another guy who is confused about his life, and not sure where to go from here", The Last Kiss does offer a little more. For one its much more mature, and the characters are all flawed (and not in cute 'Natlalie Portman lies to get people to like her' ways) and they are all real. The performances were far better than i expected, the entire cast shines. The movie succeeds in appealing to everyone. No matter who you are and what state your romantic life is in, you will find someone to relate too.

Jacinda Barrett finally gets to show some acting skills, and comes through beautifully. Casey Affleck is great. Zach Braff makes me understand why he wants something different, despite the fact that Jacinda Barrett seems so lovable. And the biggest surprise is Rachael Bilson. Early on she seems as if she is playing Summer Roberts on the big screen, but as her character unfolds she simmers with sex appeal, and was able to break my heart with just a simple gesture.

The Last Kiss succeeds in letting its actors shine, and if anything you should see it for its great soundtrack.

I browsed through twenty-something user comments just to be sure, but not one of them seems to mention, that this film is actually a remake of the 2001 Italian film L'ultimo bacio. And although I can't say, that the American version is bad, but it is somewhat disappointing after seeing the original, which is far superior in every aspects.

First of all, I don't deny, that Paul Haggis is an excellent script-writer, but he shouldn't be given credit for this one, for the plot line is pretty much the same (there are some differences, but they're, I think, for the worse - for example the college girl character is actually an 18-years-old high school student in the Italian version, and has somewhat different characteristics).

Also, the acting of the Hollywood version ranges from OK to quite good, but the Italian cast simply blew me away - incredible performances all over.

All in all, I don't want to diminish this film, I won't give it a bad rating, but I just can't think of an argument why this version should be preferred over the original, so if you have a choice, do yourself a favor and see L'ultimo bacio instead.

Although I could never pin-point the one "off thing" about Garden State, I still am in believe that it is one of the best films I have seen in the past few years. Zach Braff really showed his worth with that film, and being an off-fan of Scrubs as well, I looked forward to his next film. It has been two years, but finally we now have The Last Kiss, which was scripted by recent two-time Oscar winner Paul Haggis. I managed to win a double pass to see a sneak preview of the film, and after seeing it, I am very glad that I did.

The Last Kiss centres around Michael (Braff). He is twenty-nine, and like anyone growing up, is conflicted about life. He has a wonderful girlfriend, Jenna (Jacinda Barrett), who just happens to be expecting their child, and life-long friends (the likes of which include Casey Affleck and Eric Christian Olsen). But as he is beginning to go through this crisis, he ends up meeting a young College student named Kim (Rachel Bilson), who becomes totally drawn to Michael after she lays eyes on him during a wedding.

What follows is a somewhat poignant coming-of age story. It is a bit of a departure from the usual work Haggis does, but his work here is just as good as the rest. On one hand, it is nowhere near as good as Garden State, but on the other, it feels more realistic and more mature than it. These are real characters facing real problems, and the fact is that, almost anyone can identify with them. The film stays grounded in reality for its entirety, and rarely deviates off course (unlike some of the strange subplots in State).

While it does focus on Braff's character mainly, there is special attention brought down in many cases to Affleck's character (as Olsen's soul purpose seems to be most of the comedy and/or sex scenes). It is honest and for the most part, absolutely heart-breaking to watch the characters go through life's challenges. But at it's core, like State, it is a film that speaks to the current generation, and tries to make an attempt at letting them know that everyone feels these anxieties, and that they truly are not easy to deal with. I would be lying if I did not say that I saw a little bit of myself and my thoughts in these characters.

The excellent performance here from Braff only continues to prove why he will soon become one of Hollywood's most sought-after actors. While some of the things his character ends up doing over the course of the film may become slightly agitating, his performance does not. Although his facial expression barely changes throughout the film, you can see the genuine emotion he is conveying in his performance. His body language and demeanor is both touching and pitiful (in a good way) at the same time. You really do not know if you want to love or hate this guy through his anxiety-ridden phase, and as a result, Braff really strikes an emotion-chord that probably would never have been even nearly as well developed with any other actor.

Barrett and Bilson really stand out as the women in Braff's characters life. They play their characters so they distinctly different to the point of it being deliciously delightful all at once. The two contrast each other magnificently, from Barrett's wholesomeness to Bilson's devilish sexiness. The happiness and sadness they have to go through is excellent, and again, really gives a sense of realism to the film. They really grow throughout the film, and their chemistry with Braff is an absolute wonder to witness. Supporting turns from Affleck, as well as Blythe Danner and Tom Wilkinson as Jenna's parents are all very well done (although slightly underplayed), and only complement the other three even more so.

The only thing I can really find wrong with the film lies squarely with Haggis' script (which was reportedly edited slightly by Braff). While the film is great, it really does not stay solid on what it is trying to be. Is it a comedy? Is it a drama? It is hard to tell, as scenes that should be purely whimsical are not all that funny, and devastatingly dramatic scenes have the audience laughing hysterically. This only happened in a few instances (the rest of the scenes are either funny or dramatic), but it was downright awkward in many cases. Braff managed to blend the two together quite well for Garden State, and we have seen how masterful Haggis' work is, so why does it all not totally come together here? It really makes for quite the serious question, as the film could have easily slipped in as the best of the year so far, but must contend with being just one of the best.

While the film has a chillingly bizarre problem with its tone, the performances and story more than make up for it. This is an excellent and poignant coming-of age film, and yet another vehicle to show off the work of Braff and Haggis. And with a superb supporting cast to boot, I am unsure of what more to ask for.

8/10.