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6,4/10
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Ajouter une intrigue dans votre langueA twelve-year-old boy named Chiro was exploring the outskirts of Shuggazoom City and discovered a giant and abandoned Super Robot.A twelve-year-old boy named Chiro was exploring the outskirts of Shuggazoom City and discovered a giant and abandoned Super Robot.A twelve-year-old boy named Chiro was exploring the outskirts of Shuggazoom City and discovered a giant and abandoned Super Robot.
- Récompenses
- 2 nominations au total
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Created by a British veteran of Warner Brothers' "Teen Titans", this show is among the first to be produced from a collaboration between Japanese animators and a major American studio, in this case, Disney's Jetix Animation Group (another example is Warner Brothers/Turner Cartoon Network Toonami and Production I.G. for "IGPX").
The animation is mindful of early Rankin/Bass shows like their versions of "The Hobbitt" and "The Lord of the Rings: The Return of the King". he characters are voiced by an impressive cast of talent like Clancy Brown of "Starship Troopers", Kari Wahlgren, long time V/O artist for anime, most recently Otomo's "Steamboy", Mark Hamil ("Star Wars 4, 5 & 6"), Mako (Aku of Genndy Tartakovsky's "Samurai Jack") and James Hong ("Big Trouble In Little China").
With great sight gags and one liners meant for the adults in the audience, a sound effects library lifted from Horta/Manhana's loops from the original Star Trek TV series, appearances by characters from classic anime series (such as the captain of the "Yamato", aka the "Argo" of "Starblazers" fame, as an intergalactic tour bus driver in the episode "Big Lug") and plot lines that borrow from so many movie genres, including a showdown between Chiro and the Skeleton King that sounds vaguely like the exchange between Luke Skywalker and Darth Vader in "The Return of the Jedi" S.R.M.T.H.G. makes for great fun for young and old. With a title more convoluted than a certain group of radioactive, adolescent reptilian martial artists, how can you go wrong?
The animation is mindful of early Rankin/Bass shows like their versions of "The Hobbitt" and "The Lord of the Rings: The Return of the King". he characters are voiced by an impressive cast of talent like Clancy Brown of "Starship Troopers", Kari Wahlgren, long time V/O artist for anime, most recently Otomo's "Steamboy", Mark Hamil ("Star Wars 4, 5 & 6"), Mako (Aku of Genndy Tartakovsky's "Samurai Jack") and James Hong ("Big Trouble In Little China").
With great sight gags and one liners meant for the adults in the audience, a sound effects library lifted from Horta/Manhana's loops from the original Star Trek TV series, appearances by characters from classic anime series (such as the captain of the "Yamato", aka the "Argo" of "Starblazers" fame, as an intergalactic tour bus driver in the episode "Big Lug") and plot lines that borrow from so many movie genres, including a showdown between Chiro and the Skeleton King that sounds vaguely like the exchange between Luke Skywalker and Darth Vader in "The Return of the Jedi" S.R.M.T.H.G. makes for great fun for young and old. With a title more convoluted than a certain group of radioactive, adolescent reptilian martial artists, how can you go wrong?
I am a 17 year old girl, who loves her fair share of cartoons, Animaniacs, Darkwing Duck, Talespin, Pinky and the Brain and DuckTales to name a few. So I was surprised when I watched the first episode by chance one Sunday morning, and I found it really absorbing. Super Robot Monkey Team Hyperforce Go! is a fun show with good characters, great animation and funky music. One or two of the later episodes without Skeleton King are a little weak, but this is a great show that I really wasn't expecting to enjoy. The animation, colours and character designs are very impressive to look at, and the theme tune is funky and memorable. Then we have some good, funny writing and creative story lines. And the characters are great as well, Chiro voiced really well by Rica Matsumoto is a very likable and resourceful hero, and the Robot Monkeys Gibson, Nova, Antauri, Otto and Sparx all have unique and endearing personalities. I may be biased though, but my personal favourite character is Skeleton King, he is a cool and sinister villain, and voiced brilliantly by Mark Hamill(pretty darn impressive, seeing how amazing his vocal performance as the Joker in Batman:The Animated Series is). Overall, a fun show, I thought it wouldn't be my thing, but I find it very easy to like. 9/10 Bethany Cox
RWBY stans, feast your eyes on a Japanese inspired cartoon that will make you want to binge the entire series in one day. THIS! It's fun and full of energy and action. The art style reminds me of Gainax and My Life As A Teenage Robot. The voice acting is magnificent. I wish this show lasted a little longer, though. It was so much hyperactive fun.
I LOVED this show when I was a kid, every time there was a new episode or a marathon or pretty much whenever it was on I would make time for it. The characters were amazing, the art style was incredible, and the story line was fantastic. I wish WISH that they didn't cancel it. They deserved that final season so much. That is the only reason I'm not rating it 10. Please, anyone let me know if there's a petition going around or if not how can I start one because this show was absolutely amazing.
This show was made in America, wtf? I first saw this on the Japanese version of the Disney channel a couple of weeks ago here in Japan. I had no idea it wasn't made here.
Japanese writing on the title. Campy theme song that sounds like it was recorded in one of those "you can be a superstar!" instant demo tape karaoke booths. Cheap 2-D animation. Title of random English words that makes absolutely no sense in either language and would be considered an entire sentence if it had any recognizable parts of speech. Mouths that flick mechanically between four positions - open, closed, gaping hole, and nonexistent.
The whole thing screams your typical daytime-TV Japanese animated show that come a dime a dozen over here. And not the kind they have out now that takes advantage of more creative plot lines and modern animation techniques. I'm all for international exchange of art forms, but instead of emulating the Japanese shows that actually have plot and style, this show emulates all of the horrible and campy things that the Japanese are finally beginning to get rid of in their own animated shows. It's like Engrish, except that Engrish is only funny if it's seriously created by someone who doesn't speak the language. When the Japanese do it, it's cute. When Americans do it, it's silly. It makes my head hurt.
That said, I can't hate it. The animation is clean and flows well. And the English version employs my two favorite voice actors to voice the main character and the main villain. Who can go wrong with Mark Hamill playing the bad guy? And while it doesn't bring anything new to television that the Japanese haven't been doing for the last forty years, it's still the kind of show that I would probably have watched and loved as a kid. Today's kids will like it.
Japanese writing on the title. Campy theme song that sounds like it was recorded in one of those "you can be a superstar!" instant demo tape karaoke booths. Cheap 2-D animation. Title of random English words that makes absolutely no sense in either language and would be considered an entire sentence if it had any recognizable parts of speech. Mouths that flick mechanically between four positions - open, closed, gaping hole, and nonexistent.
The whole thing screams your typical daytime-TV Japanese animated show that come a dime a dozen over here. And not the kind they have out now that takes advantage of more creative plot lines and modern animation techniques. I'm all for international exchange of art forms, but instead of emulating the Japanese shows that actually have plot and style, this show emulates all of the horrible and campy things that the Japanese are finally beginning to get rid of in their own animated shows. It's like Engrish, except that Engrish is only funny if it's seriously created by someone who doesn't speak the language. When the Japanese do it, it's cute. When Americans do it, it's silly. It makes my head hurt.
That said, I can't hate it. The animation is clean and flows well. And the English version employs my two favorite voice actors to voice the main character and the main villain. Who can go wrong with Mark Hamill playing the bad guy? And while it doesn't bring anything new to television that the Japanese haven't been doing for the last forty years, it's still the kind of show that I would probably have watched and loved as a kid. Today's kids will like it.
Le saviez-vous
- AnecdotesGreg Cipes (Chiro) also voices Caleb from W.I.T.C.H. (2004) and Beast Boy from Les Jeunes Titans (2003).
- ConnexionsReferenced in Luz à Osville: Young Blood, Old Souls (2020)
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