Marnie et Nate

The double meaning in the title speaks for itself..

It's not your typical comedy/romance sitcom.. What I like about the show is it's not afraid to take a poke at political correctness gone mad.. It has a British comedy undertone, and I wouldn't be surprised if that's where the idea originated from.. It reminds me a bit of a hybrid crossing of Father Ted comedy series shown in Great Britian and Canada and a Norman Lear type production in the wake of All in the Family.. While Committed isn't as shocking, it certainly takes stabs at places television tends to avoid these days because its not safe..

I fear it won't last, if only because of the double meanings will be missed by a vast majority of viewers.. And some of the double meanings have the propensity to offend. That in itself is not a bad thing.. sometimes we need to be offended in order to realize how ridiculous some things are.. The story lines, while somewhat predictable at times, work because of the great chemistry the cast seems to have developed, including some great cameos early on.. I love Todd as the protaginistic, wheel chair bound third wheel, no pun intended.. Tom Poston is he usual dry self that works against the shtick back drop of the main characters.. I try never to miss the show.. and ensure my PC records it for my viewing pleasure.. If you like something irreverent, I highly recommend it.. If you are easily offended, be forewarned.. the show gets close to the edge of the envelope..

I can't figure out what people don't like about this show. The Marni character is charming and hot, Nate's clueless and funny. Todd's hysterical. The dialog is hilarious.

The blond nanny neighbor is wicked hot, although they don't show enough of her. (I just learned that she's the wife of Melissa Etheridge. Wow!)

I'll admit, Tom Poston's clown character is kind of silly, and I could probably do with out him, but other than that...

What's not to like?

Unfortunately, I have the sense that this show may not survive, but if not, it'd be a shame.

Network: NBC; Genre: Sitcom; Content Rating: TV-14 (for language and sexual humor); Classification: Contemporary (star range: 1 - 4);

Seasons Reviewed: Complete Series (1 season)

It is love at first sight when a mistaken identity blind date brings the wildly free-spirited Marnie (Jennifer Finnegan, "Crossing Jordan") and severely neurotic record store owner Nate (Josh Cooke) together. With their two, respective, friends Bowie (Darius McCrary, trying desperately to loose his "Family Matters" image) and Tess (Tammie Lynn Michaels, "Popular") strapped in the backseat "Committed" takes us on a wild ride through the eccentricity, neurosis and flat-out insanity of the two opposites as they make this budding committed relationship work.

Created by classic sitcom writers Eileen Heisler and DeAnne Heline ("Murphy Brown"), "Committed" rejuvenates both the traditional sitcom and the rarely well done relationship series by successfully pulling the rug out from under all our expectations and sends them both flying in fresh new directions. Don't let the New York street setting and self-referential episode titles fool you. With its institutionalized mothers, outrageous plots, lengthy set pieces and politically incorrect dark comedy, "Committed" is more "Titus" and "Monk" - than "Friends".

The drive-by sitcom viewer won't know what to make of this show. Take, for example, Tom Poston in a lead role as a dying clown who lives in Marnie's closet and whose action consists of little more than shuffling to the kitchen in a bathrobe dragging an oxygen tank. Or RonReaco Lee as Marnie's passive-aggressive wheel-chair-bound black friend Todd. His antagonistic relationship with Nat is the highlight of the series. And then there are the over-the-top story lines, my favorite being "The Morning After" where a romantic day puts Nat uncomfortably in the middle of a bitter reunion between Marnie and the father who abandoned her when she was 12. In another episode Marnie's problem is resolved by the death of another character. It's a testament to the writing and mad-capped performances from Cook and particularly Finnegan (doing TV's first low-pitched nasal voice), that this material, which reads so unfunny on paper, gets such raucous laughs.

In the series' driver's seat, Finnigan is a knock-out embodying all of Marnie's effervescent ticks and eccentricities all the while making what could have been such a cartoon character into someone with a winding line of logic to her. Cooke is equally funny with his spastic reactions. The role of tightly wound Nat must be a physical comic's dream. The show works because we buy this unlikely pair as a couple, and it works better than that by avoiding all the lazy pitfalls of the relationship series. There is no "will-they-or-won't-they" false sexual tension, they don't artificially break up and try to get back together. "Committed" is one show that knows how to find comedy in a functional relationship.

The show's weakest elements are with supporting players McCrary and Micheals. The two work well when bouncing off the leads, but the show starts to feel too "sitcom" when episodes start popping up with Bowie and Tess in their own B-story. "Committed" is at its best when it is all about Nat and Marnie. The lack of these forced B-stories is what initially gives the show such a unique flavor and allows precious time for the scenarios to be fully explored and jokes to flow up to the next level. Rare in the usually set-up/punch-line sitcom world. The show does this in the pilot beautifully so we know the show can do it. Special attention goes to a lengthy, gut-busting set-piece in which Todd is forced out of a restaurant.

"Committed" is the type of screwball sitcom that would be called brilliant if it where British. But there is an element of sadness in watching it. In a year with "Desperate Housewives" and "The Office" remake, I can't shake the feeling that this is a last gasp of fresh air for the dying multi-camera studio audience sitcom. Even the fact that I used the word "sitcom" above as a negative is symptomatic of how we have been conditioned to recoil against, and instantly dismiss, the genre over the years. That's a bad sign. Good sitcoms are few and far between and given how far apart they can be this may very well be the last hurrah before the genre is muscled off the stage.

"Committed" is a good one. Even all the elevated standards we now expect for a sitcom to get a shred of notice, this show rises to the challenge and surprises every chance it can. When was the last time you saw a musical action montage at the end of a sitcom episode and it was used well? It has a desire to build on jokes instead of dispensing drive-by one-liners and the skill to create a couple even I enjoyed rooting for. It is a pleasure. A unique show - feisty, cute, very funny, genuine (despite its silliness) and, with these characters, had great potential. It can be edgy and crude but not mean-spirited or crass. You may think you've seen all the sitcom has to offer, but "Committed" proves there is life in it yet.

* * * ½ / 4

This show has just come on in Australia and i gotta say it's fantastic. I really love it when basically unknown actors really get their chance to shine and pull it off really really well. The writing is excellent and the actors don't disappoint the humor. Their mannerisms,facial expressions even the tones of their voices alone make you laugh.

I love how neurotic Nate is and his scenes with the guy in the wheelchair are hilarious. The "clown in the closet" who's built into the contract of the lease is a brilliant aspect of the show. I mean why not have a clown in your closet? It's funny and it works and no other show has it. It's shows like these that are worth spending the money on. And it's reality shows,with hideous situations and bias editing that need to go.

A whole lot of funny Potential here. This is a quirky and fun new sitcom, that has that something that hum Let me see

..... I know! Iknow! It makes you laugh. The Characters are funny and still a bit tense, but hopefully this new series will have the chance to stay on long enough to pick their development and keep us laughing as opposed to what there is on TV now, if it is funny well so is the mumps. With exception to "E.B.L. RAYMOND" and "Still Standing" and sometimes "Listen Up", there are not many funny sitcoms on anymore. Heck Friends just ended last year, yet it sucked for the last 3 years it was on anyway. Back to basic's "Committed" is witty and just a whole lot of laughs, hope it makes it.