Shooting Dogs
Un prêtre catholique et un professeur d'anglais se retrouvent bloqués dans une école de Kigali pendant le génocide rwandais de 1994.Un prêtre catholique et un professeur d'anglais se retrouvent bloqués dans une école de Kigali pendant le génocide rwandais de 1994.Un prêtre catholique et un professeur d'anglais se retrouvent bloqués dans une école de Kigali pendant le génocide rwandais de 1994.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 1 victoire et 3 nominations au total
Avis à la une
After the magnificent 1994 "Hotel Rwanda", the world has the chance to see another testimony of the genocide in Rwanda, where eight hundred thousand (800,000) people was killed between April and July of 1994 under the total absence of protection or intervention of the United Nation. This powerful and touching true story was filmed in the real locations with the support of the survivors of the massacre. John Hurt is fantastic in the role of a suffered Catholic priest that dedicated his life to the people of this poor country, and Hugh Dancy is also amazing with an excellent interpretation. There are magnificent lines, but I personally was moved when Joe asks Christopher how much pain can a human being take, when he sees the mother being killed by machete strikes with her baby son by one killer of the militia. The questions about God's role the children ask Father Christopher are also great. The feelings of Rachel about the differences between the situation in Bosnia and in Rwanda are very sincere and the sacrifice of Christopher is something very beautiful in this film. The last question to the UN representative "- How many acts of genocide does it take to make a genocide?" in the procedures, regulations, viewpoint of whatever from UN closes this sad but recommended movie with golden key. My vote is nine.
Title (Brazil): "Tiros em Ruanda" ("Shots in Rwanda")
As the film starts, I first thought that "Hotel Rwanda" told this story, albeit differently, and there was no reason to do it again. As the story progresses, my next thought was that you can never stop telling this story again and again 800,000 dead, mostly Tutsis, at the hands of the Hutus, the majority in power. "The Diary of Anne Frank" could not tell the whole story of another genocide 45 years earlier when the Nazis slaughtered many millions of Jews. There was room, and a need for "Schindler's List."
This film revolves around a school in Rwanda in 1994 under siege. Inside of the school are many black Tutsi students, a UN peace-keeping force with a sympathetic Belgium Captain, a dedicated young white teacher, and the school head, a Catholic priest named Christopher, played brilliantly by John Hurt. The school is surrounded by machete-bearing Hutus waiting for the chance to kill any Tutsi they find whether they are a baby, a woman, an old man, simply any Tutsi, who they, the Hutus, derisively call cockroaches. Mans' inhumanity to man could not be displayed in a more ugly fashion.
What does a well meaning, civilized person do when confronted with indescribable savagery? Run for safety or futilely stay and die?
This question is answered differently by different characters. The priest is losing all hope, but is innately courageous and focused on his faith. The UN Captain is sympathetic, but like any soldier feels driven to follow orders even if his superiors are remote and insensitive. The white teacher has great affection for the Tutsis, but is just starting out in life. A BBC reporter leaves the under siege school when first given the chance and states what might be true for most of us: "We're all selfish people in the end."
"Hotel Rwanda" was nominated for three Academy Awards for acting and writing. This film has the same high caliber of acting and writing as well as art direction and directing. It is moving without being exploitive. It is true, compelling storytelling that will haunt you for a long time to come.
The headlines about the genocide in Darfur in the Western Sudan will have a new unsettling meaning for you.
FYI There is a Truly Moving Pictures web site where you can find a listing of past Crystal Heart Award winners as well as other Truly Moving Picture Award winners that are now either at the theater or available on video.
What makes this movie special is that a number of the production crew are survivors of the Rwandan crisis, and are telling their own stories. As macho as i would love to sound, i had tears in my eyes and felt the pain, hopelessness and indignation - and those are things that no director can claim to have brought to life for me in anything i've watched until now (the closest was probably the magnificent "Mysterious Skin"). Nothing is held back, and not should it be. The horror here is not graphic close-ups, but the shocking disregard for life that leads to the slaughter of newborn babies with machetes, the abject impotence of the UN and how tribal loyalties can turn the closest of friends into murderers.
For those who have lived in Africa (as i have), what is portrayed here is all too real. Like is said by one BBC reporter in the movie, in the Balkans the people were white and they could have been your own mother, but in Rwanda its worse than numbness - its just another dead African. Ignore your preconceptions, assumptions and instant reaction to skip to the next title because its not familiar, it wasn't in the cinema and Hotel Rwanda didn't appeal to you much. The impact this movie had on me was that profound, and i'd urge anyone to watch it to understand what happened there.
And when the credits come up and you've had time to think it over and resolve that it should never happen again, i'd say one word to you: Darfur. It just happened again only recently.
Set in the Ecole Technique Officielle (ETO), a high school in Kigali, John Hurt plays Christopher a priest who has seen his share of tribulations and clings to what hope he has left while Joe (Hugh Dancy) is embroiled in the horrors that unravel at the school as the hope he had begins to slide.
Michael Caton- Jones is a director who has previously delved deeply into relationships in 'This Boy's Life' and 'City by the Sea'. In Shooting Dogs his exposition of humanity is excellently portrayed in what essentially has the make up of a Hollywood horror story. As the Hutu's seize power, Tutsi's and their supporters gradually come under fire as the school is besieged and machetes dictate who lives and dies.
Despite the characters being fictionalized the events took place and what we are presented with is a powerful and truly disturbing picture as no punches are pulled and the true terrors exposed. This acts both as a wake-up call and homage to those who died and those who survived the atrocities.
Father Christopher, played by John Hurt, is the lynch pin in this nightmarish scenario. Having been weathered by a life of strain his last strands of hope are fading as the chaos descends upon his school. As usual Hurt's performances stretch beyond impeccable to a level of authenticity one could only expect from someone who was actually there. As with Joe, whose childlike naivety is broken down gradually until he becomes a shadow of his former self, contrasting Christopher. The director uses a young Tutsi girl, Maria (Claire Hope-Ashley), to introduce and somewhat narrate the proceedings as an unsteady UN-laced serenity is transformed into a time of fear and suffering. (The title comes from the fact the UN were killing dogs that fed on decomposing bodies but could never fire shots against those wielding machetes.) This is a flawless film in its delivery and character portrayal. The cast and crew were made up of survivors and those linked closely to the events so the film has already had the authenticity in its bones. Hotel Rwanda approached the subject matter from a different angle- a story about heroism. This film shares the same theme but it is the basic approach that sharpens the emotions and the human elements that set it apart from other films of this nature.
From the playful opening scenes to the carnage that ensues, the audience cannot help but be enthralled and engrossed by man's potential for good and totally disgusted by his potential for evil.
Le saviez-vous
- AnecdotesThe characters are fictional, but the events are not. Parts of this movie were shot at Ecole Technique Officielle (E.T.O.), a high school in Kigali, where the actual events took place. The title of this movie comes from the fact that U.N. peacekeepers used to shoot local dogs that fed on the decomposing bodies of the genocide victims.
- GaffesThroughout the movie, the Belgian Captain wears the insignia of a Sergeant (three white lines).
- Citations
Joe Connor: Why are you doing this?
Christopher: You asked me, Joe, where is God in everything that is happening here, in all the suffering? I know exactly where he is. He's right here. With these people. Suffering. His love is here. More intense and profound than I have ever felt. And my heart is here, Joe. My soul. And if I leave I think I may not find it again.
- Crédits fousBefore the credits we are shown photographs of Rwanda genocide survivors who served as on set crew members. Next to each picture is text stating how many loved ones they lost.
- Versions alternativesA "clean language version" of the film was released on DVD in 2007.
- Bandes originalesNyirigira
Meilleurs choix
- How long is Shooting Dogs?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Beyond the Gates
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 108 281 $US
- Week-end de sortie aux États-Unis et au Canada
- 36 412 $US
- 7 nov. 2004
- Montant brut mondial
- 558 588 $US
- Durée
- 1h 55min(115 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1