[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
IMDbPro

The 77th Annual Academy Awards

  • Émission spéciale
  • 2005
  • 3h 14min
NOTE IMDb
6,2/10
1,2 k
MA NOTE
The 77th Annual Academy Awards (2005)
Musique

Ajouter une intrigue dans votre langueFilms nominated for the annual awards include Aviator (2004), Neverland (2004), Million Dollar Baby (2004), Ray (2004) and Sideways (2004).Films nominated for the annual awards include Aviator (2004), Neverland (2004), Million Dollar Baby (2004), Ray (2004) and Sideways (2004).Films nominated for the annual awards include Aviator (2004), Neverland (2004), Million Dollar Baby (2004), Ray (2004) and Sideways (2004).

  • Réalisation
    • Louis J. Horvitz
    • Errol Morris
    • Roger Goodman
  • Scénario
    • Hal Kanter
    • Buz Kohan
    • Rita Cash
  • Casting principal
    • Chris Rock
    • Andrew Adamson
    • Alan Alda
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    1,2 k
    MA NOTE
    • Réalisation
      • Louis J. Horvitz
      • Errol Morris
      • Roger Goodman
    • Scénario
      • Hal Kanter
      • Buz Kohan
      • Rita Cash
    • Casting principal
      • Chris Rock
      • Andrew Adamson
      • Alan Alda
    • 11avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 7 Primetime Emmys
      • 1 victoire et 12 nominations au total

    Photos105

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 97
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Chris Rock
    Chris Rock
    • Self - Host
    Andrew Adamson
    Andrew Adamson
    • Self - Nominee
    Alan Alda
    Alan Alda
    • Self - Nominee
    Jo Allen
    • Self - Nominee
    Alejandro Amenábar
    Alejandro Amenábar
    • Self - Winner
    Andrea Arnold
    Andrea Arnold
    • Self - Winner
    Antonio Banderas
    Antonio Banderas
    • Self - Performer
    Drew Barrymore
    Drew Barrymore
    • Self - Presenter
    Bob Beemer
    • Self - Winner
    Annette Bening
    Annette Bening
    • Self - Nominee & Presenter
    Elmer Bernstein
    Elmer Bernstein
    • Self - Memorial Tribute
    • (images d'archives)
    Halle Berry
    Halle Berry
    • Self - Presenter
    Beyoncé
    Beyoncé
    • Self - Performer
    Jerry Bick
    • Self
    • (images d'archives)
    Brad Bird
    Brad Bird
    • Self - Winner…
    Pierre Bismuth
    Pierre Bismuth
    • Self - Winner
    Cate Blanchett
    Cate Blanchett
    • Self - Presenter & Winner
    Orlando Bloom
    Orlando Bloom
    • Self - Presenter
    • Réalisation
      • Louis J. Horvitz
      • Errol Morris
      • Roger Goodman
    • Scénario
      • Hal Kanter
      • Buz Kohan
      • Rita Cash
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    6,21.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    7willc1991

    Very Good

    I Just

    Saw It and it was very very very good.

    It was better than last year

    This year was good because it had some good movies nominated but others weren't that good. I think the movie that won best Picture shouldn't of. The actress should have the actor should have. and i thought that CLint Eastwood did deserve to win again which he did. Hilary Swanks win for Million Dollar Baby was predictable and deserving Jamie Foxx' too predictable win was deserving. A nice little buzz was guessing whether Clint or Martin would win. I was glad to see Clint walk away with the prize. Virginia Madsen also deserved her Oscar and so did Morgan Freeman. The original Screenplay was won by Charlie Kaufman for a movie that should have taken home Best Picture but wasn't nominated, Eternal Sunshine. The Best Adapted Screenplay predictably went to Sideways and The Incredibles conquered the animation Prize. so you can go to sleep knowing that my information is correct because I can see into the future.
    1castansfield

    Boring, Disrespectful, and Disgraceful....

    I'm not usually given to hyperbole, but after seeing over two decades worth of Academy Awards, I can honestly say that this year's awards show was the most disgraceful example of poor direction, total cruelty, and sheer stupidity that I've ever had the misfortune to witness. I'm not talking about the awards themselves- as usual, there is plenty to argue about when you tally up who won, who lost, and who never even got nominated, but the process is as it's always been and is as fair as it's liable to be. What is terribly UNfair is the treatment both the "stars" and "non-stars" received at the hands of Cates and Horvitz, in the name of "reducing boredom."

    It is bad enough that for the last several years anyone who isn't Al Pacino has been "played off" at 45 seconds without any regard for what he was saying, how he was saying it, and what the emotion was behind the statement. It demonstrates nothing more than a total lack of respect, however, to herd nominees on the stage like cattle without paying them the honor of showing their faces while their names are read, to make them slink away quietly when they lose, to deny them the thrill of a walk to the podium, and to force them to read their statements with their backs to the audience. All of those things were done to the "non-stars" -never mind that the movies wouldn't exist at all without those artists and that most of them only ever get one chance to face their peers and their audience.

    The stars didn't fare much better. It's becoming more sad than funny when winners of the caliber of Hilary Swank and Clint Eastwood have to beg for a few extra seconds for their speeches. Chris Rock, as host, was neither as inflammatory and controversial as the Academy had hoped, nor nearly as funny as he could be. His opening remarks were almost (but not quite) as offensive as Sean Penn made them out to be, and his comments during the show were more innocuous than interesting. Of course, he could hardly be blamed when it was clear that was being kept on as short a leash as any host has. In the end, Chris Rock was something he's almost never been before: a non-entity.

    Even the musical numbers were handled poorly. Beyonce sang well, but there was simply no reason why she should have been featured in three out of the five songs. Another example of utter disrespect for an artist was giving Jorge Drexler's nominated song to Antonio Banderas- even though Drexler was present and clearly wouldn't have minded singing his own song, based on his winning "speech."

    The efforts of Cates and Horvitz to make the show shorter and faster may have worked to a degree, but what resulted was a show devoid of life. We've all whined about the overlong speeches given by people we don't know, about the overblown production, about the self-congratulatory quality. But this is THEIR night- not ours. What is meant to be a celebration has become an insult to the people being celebrated. Cates and Horvitz should, frankly, be ashamed.
    6lee_eisenberg

    What Uruguay was thinking.

    A day or two after "The 77th Annual Academy Awards", I read an article in The Wall Street Journal about how Uruguay's new populist president Tabare Vazquez had just been sworn in. But it said that the thing on the minds of most Uruguayans was not their new president, but what happened at the Oscars: Uruguayan singer Jorge Drexler didn't get to perform his nominated song "Al otro lado del rio", so he sang a few lines when he won.

    Aside from that, I wonder just what Martin Scorsese has to do to win an Oscar. I mean, "Million Dollar Baby" was good, but Clint Eastwood had already won an Oscar. As for the whole thing about cutting people off before they have a chance to finish their speeches, what are you gonna do? And I do think that Chris Rock was a pretty good host (but I liked Jon Stewart even better the next year).

    All in all, passable.
    kvc2

    Right, the 2005 Oscars was boring.....

    and giving people Oscars in the audience WAS disrespectful. Did Beyonce have to sing every song but one? Has Hollywood no more singers these days? What about Catherine Zeta-Jones, who used to sing with the Welsh National Opera and won an Oscar (in part) for singing? It turned the Oscars into a Beyonce concert....As to the winners, Jamie Foxx and Morgan Freeman were really no-brainers, but I was depressed to see the women win who did. Hilary Swank won an Oscar five years ago for playing a butch woman from the wrong side of the tracks, and here she plays the same kind of role and wins again. In between the two awards, her career has really come to nothing, because she is a terribly limited talent. Can she play an l8th Century French aristocrat? No -- but Michelle Pfeiffer can, brilliantly. Can Swank play a turn of the 20th-century suffragette? Nope -- Julia Ormond took every scene away from her in IRONJAWED ANGELS. Swank is a very contemporary American woman, masculine, and not really very attractive. She doesn't seem to have much depth or sophistication. If she can find other roles like these two, she can continue. Meryl Streep she ain't. Annette Bening really deserved to win, whether people liked BEING JULIA or not (I doubt many actually saw it, but it was a tour de force). And while I do admire the multi-talented Cate Blanchett, basically she was doing an imitation of Kate Hepburn; I don't think impersonations deserve Oscars. Virginia Madsen really deserved to win in that category. As to Best Director and Picture, AVIATOR was much more artistic, and Scorsese is to my mind a greater talent. But Eastwood has grown tremendously since his spaghetti western days, and he is popular in Hollywood. Doesn't justify a simplistic boxing movie winning, though.....Thanks for a chance to express my opinions.
    9Anonymous_Maxine

    We still love you, Martin!

    I was a little concerned during parts of the show that it was going to be swept up by The Aviator, it seemed like just about every category was going to something from that movie. It is understandable since it is such a great film, but the competition for awards this year included an unusually high number of great films. The Aviator, Million Dollar Baby, Finding Neverland, and Ray all deserved the Best Picture Oscar, for example. And so did Eternal Sunshine of the Spotless Mind, by the way. Here's an interesting little factoid – Eternal Sunshine received six times as many votes by IMDb users for Best Picture than The Aviator!

    Chris Rock delivered a completely unexciting performance as probably the most anticipated host the Academy Awards has seen in years, at least in terms of the potential for controversy. People were afraid he was going to do something obscene or vulgar, and all he did was get up there and make a lot of bland, dumb jokes like so many others before him. He had some moments, but I know that he is a much, much funnier man than the one we saw during the show. For much of the second half he seemed to disappear completely.

    Pierce Brosnan was the only person forced to announce an award winner alongside a wildly unamusing animated cohost, which was one of the options that the IMDb gave in a daily poll that asked what event would make you immediately turn off the show. Interestingly enough, another option was if someone referred to Million Dollar Baby as some gigantic cliché like "a knockout," which strikes me as funny now because, in announcing the winners, the quote on the IMDb home page is "With a one, two, three punch Million Dollar Baby proved to be the one, the darling of the Academy as Clint Eastwood's boxing drama put the competition out for the count." Clever.

    I was glad to see Eternal Sunshine awarded in the Best Screenplay category, although I think it deserved more. I also agreed with most of the main acting categories, which is rare, although I was surprised that Jamie Foxx won Best Actor, I was sure he was going to win Best Supporting Actor for Collateral, if only because I really think Don Cheadle deserves an Oscar for his performance in Hotel Rwanda, which was brilliant all around. But Foxx delivered an astonishing performance in Ray as well, and it was also good to see Morgan Freeman recognized for his work in Million Dollar Baby.

    Troy should have won costume design over The Aviator, The Passion of the Christ should have won Best Makeup over A Series of Unfortunate Events, I, Robot should have won over Spiderman 2 for Visual Effects, and I really think SuperSize Me should have won Best Documentary, although I haven't seen any of the other nominees, so what do I know. These are just a few categories that I had other opinions on, but I really had a problem with the Best Foreign Film category this year. I haven't seen any of the films in the category, so I won't say that they don't deserve to have been nominated. I'm sure they do, in fact. But here are a few films that not even recognized – Hero, The Motorcycle Diaries, and Maria Full of Grace. What is that? The Motorcycle Diaries certainly deserved much more than recognition than Best Original Song. Catalina Sandina Moreno was at least nominated for Best Actress, but how about Hero for Cinematography or Art Direction? Anyone with me on this?

    Oh, that's right. The Motorcycle Diaries wasn't exactly a foreign film, and Hero was originally released in 2002. But still.

    Ah, nobody cares. The winners won and that's the end of it, I'm just another in an endless line of people who have to rant and rave about how it should have gone. But I should mention that while I disagreed with some of the awards this year, it's like that any year and I think that all of the winners this year deserved the Oscars that they were awarded. There were just so many other films and people that deserved so much more than they got. Just see them all, that's my solution.

    Vous aimerez aussi

    The 76th Annual Academy Awards
    6,7
    The 76th Annual Academy Awards
    The 78th Annual Academy Awards
    6,8
    The 78th Annual Academy Awards
    The 75th Annual Academy Awards
    6,5
    The 75th Annual Academy Awards
    La 82e cérémonie des Oscars
    6,7
    La 82e cérémonie des Oscars
    La 95e cérémonie annuelle des Oscars
    6,5
    La 95e cérémonie annuelle des Oscars
    The 73rd Annual Academy Awards
    6,5
    The 73rd Annual Academy Awards
    The 81st Annual Academy Awards
    7,8
    The 81st Annual Academy Awards
    The 79th Annual Academy Awards
    7,1
    The 79th Annual Academy Awards
    The 84th Annual Academy Awards
    7,1
    The 84th Annual Academy Awards
    The Oscars
    6,6
    The Oscars
    The Oscars
    6,4
    The Oscars
    The Oscars
    6,5
    The Oscars

    Centres d’intérêt connexes

    Prince and Apollonia Kotero in Purple Rain (1984)
    Musique

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      At 74, Clint Eastwood became the oldest Best Director winner.
    • Citations

      Chris Rock: No straight guys I know watch the Oscars.

    • Connexions
      Featured in The 57th Annual Primetime Emmy Awards (2005)
    • Bandes originales
      Al otro lado del río
      Written by Jorge Drexler

      Performed by Antonio Banderas and Carlos Santana

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 27 février 2005 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
      • Espagnol
    • Aussi connu sous le nom de
      • 77-а церемонія вручення премії «Оскар»
    • Lieux de tournage
      • Kodak Theatre - 6801 Hollywood Boulevard, Hollywood & Highland Center, Hollywood, Los Angeles, Californie, États-Unis
    • Société de production
      • Academy of Motion Picture Arts and Sciences (AMPAS)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 3h 14min(194 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.