The Thing About My Folks

Paul Reiser steps away from the standup comedy spotlight to write a warmly humorous and gently tender story about family - what we see and what we don't see, what we expect and what surprises us. THE THING ABOUT MY FOLKS doesn't set any new standards for film, but it is a fine little story well told that reminds us about the significant bonds that family represents.

Sam Kleinman (Peter Falk) has been a workaholic, at times pushing his wife Muriel (Olympia Dukakis), his daughters (Mackenzie Connolly and Lydia Jordan), and his son Ben (Paul Reiser) into the background. One day Muriel leaves a note that after years of marriage she is leaving! Her daughters, along with Ben's wife Rachel (Elizabeth Perkins) immediately begin the search for her whereabouts, leaving the confused and hurt and disgruntle Sam to sort things out on a road trip with son Ben. The road trip becomes a time for the two men to learn who each other is and what they each mean to their status as father and son and as family members. Sam relaxes for the first time in his life and introduces the now workaholic Ben to the pleasures and fun of living. The trip comes to an end with a phone call about the whereabouts of Muriel and why she left and the regrouping of the wiser family draws the story's warm ending. All is not what it seemed: it's better and, well, different.

Falk and Reiser play off each other like the pros they are, but in many ways the film belongs to the brief moments when Olympia Dukakis is on screen, reminding us that she is one of our strongest matriarchs on film. Well worth viewing. Grady Harp

Meh. This will not go down in history as a memorable movie. At least not for me it won't. The only thing memorable about it would be Peter Falk's less than masterful overdoing of the Jewish father schtick. And I generally have quite a soft spot for Peter Falk...

The movie overall was OK, but just in the most general sense. The plot line started out interesting but fizzled badly in the end. No real strength to the whole story. Paul Reiser did not do his best work here either. I don't think any of the actors really meshed with each other. Instead of telling a story, they kept kind of acting "at" each other. There was a woodenness about the whole effect. Even the great Olympia Dukakis could not get into her character's groove. And you only saw her for about ten minutes at the very end. But it's the worst acting I've ever seen from her, ever. Which isn't saying much, I know, because she is otherwise a fabulous actress. Let's just say her acting in this probably embarrassed all her acting coaches. It was not good.

Elisabeth Perkins was pretty, as usual, but completely lacked character or depth. The few witty lines she was given somehow just didn't make the cut either. They all fell kind of flat. You somehow knew they were meant to be funny, but just couldn't see the actual funny part for yourself.

All in all, a pretty ho-hum little movie that I would never take the time to watch again.

We saw the film this evening (not my first choice) and I was very pleasantly surprised. Kudos to Paul Reiser; this is not a made for TV movie, nor is it going straight to rental. Peter Falk should get an Academy Award nomination for his wonderful performance. The scenery of upstate NY is also beautiful and fits the movie. The film covers several tracks-father- son, mother- dad, and husband- wife. The whole family relationship thing is covered. You'll laugh, you'll cry and you'll recommend it to your 40 plus friends. Not a date movie. Peter Falk needs more work; his talent has been under utilized. Bottom line, the "Thing About My Folks" is I loved it and so will you.

We just returned from a showing of "The Thing About My Folks" at the Santa Barbara Film Festival, and couldn't help pondering why this film does not have national distribution. Peter Falk's performance of the father was sheer genius. Paul Reiser's script was insightful and very tender. The cinematography was breathtaking:What could be more beautiful than autumn in upper New York State with the the changing of the leaves. (Especially as seen from the seat of a 1936 Ford). If this finally does get national distribution, I'm certain Peter Falk will be up for some kind of acting award. His depiction of the 'father who worked too hard' was brilliant. My husband and I laughed and cried. At a time when war rages abroad, it's such a relief to see a film with no car chases, explosions, and senseless gun battles. This was a lovely film. Good luck to the creators.

"The Thing About my Folks" came in as a surprise. We had no idea about what to expect. The film directed by Raymond DeFelitta, and based on a screen play by one of its stars, Paul Reiser, proved to be a pleasant time at the movies. Although the film is predictable and we know what will be the outcome, this is a voyage of discovery where Ben gets to know his father, perhaps for the first time in his life, Ben sees his father for what he really is, and not the mythical figure he has in his mind.

The film seems to be a vehicle for its star, Peter Falk, and he runs away with the movie, as it was expected. Mr. Falk, one of the most endearing actors working in movies in this era and in past years, is an actor of such stature, he must be reckoned with. As Sam Kleinman, the distant father to Ben, he is a man that clearly is misunderstood, not only by Ben, but it appears by the whole family and his wife of forty-seven years.

When Muriel, the matriarch of the Kleinman clan, runs away, everyone goes into a panic because this woman, who has been the strong figure of the family, is vital to keep everyone together. Not knowing where she has gone, Sam shows up at Ben's house confused as he feels abandoned, suddenly, by the woman he married and has been faithful for all those years.

Ben, the youngest son, takes his father on a trip to look for a house he wants to buy so he can get his own family out of Manhattan into the country. The trip provides the excuse for Ben to bond with his father in ways he never knew about because the old man had always projected an aloof figure to his younger son. Along the way, father and son realize how much they love one another and how misunderstood the old man has been by his children. The love of Sam for Muriel spans the many years they have known one another; they seem inseparable.

Peter Falk is magnificent in the film. He makes an excellent Sam Kleinman, the man who suddenly realizes his life is about to change for the worst. Mr. Falk shines as the older man and there's never a false movement in his interpretation of the man whose whole world is crumbling under him.

Not being a Paul Reiser fan, we must confess that as Ben Kleinman, he is right. Ben and his father discover how much in common they both have and their love for Muriel, the mother that has sacrificed her life in order to keep the family together. Olympia Dukakis is only seen at the end of the film. She makes a good contribution as the fleeing mother. Elizabeth Perkins plays Rachel with great style..

The film has a beautiful look thanks to the cinematography of Dan Gillham, and the excellent musical score by Steven Argila. Ultimately, the film shows a great team effort between its director, Mr. DeFelitta and Paul Reiser who wrote it for the screen.

Although this film is clearly targeted for an older audience, it should please anyone.