Ajouter une intrigue dans votre langueBen's dad, Sam, shows up one night with a note that Ben's mother has left. While Ben's wife and his three sisters try to find her, Ben takes Sam on a day trip to see a farmhouse that is for ... Tout lireBen's dad, Sam, shows up one night with a note that Ben's mother has left. While Ben's wife and his three sisters try to find her, Ben takes Sam on a day trip to see a farmhouse that is for sale.Ben's dad, Sam, shows up one night with a note that Ben's mother has left. While Ben's wife and his three sisters try to find her, Ben takes Sam on a day trip to see a farmhouse that is for sale.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 3 nominations au total
Avis à la une
The film seems to be a vehicle for its star, Peter Falk, and he runs away with the movie, as it was expected. Mr. Falk, one of the most endearing actors working in movies in this era and in past years, is an actor of such stature, he must be reckoned with. As Sam Kleinman, the distant father to Ben, he is a man that clearly is misunderstood, not only by Ben, but it appears by the whole family and his wife of forty-seven years.
When Muriel, the matriarch of the Kleinman clan, runs away, everyone goes into a panic because this woman, who has been the strong figure of the family, is vital to keep everyone together. Not knowing where she has gone, Sam shows up at Ben's house confused as he feels abandoned, suddenly, by the woman he married and has been faithful for all those years.
Ben, the youngest son, takes his father on a trip to look for a house he wants to buy so he can get his own family out of Manhattan into the country. The trip provides the excuse for Ben to bond with his father in ways he never knew about because the old man had always projected an aloof figure to his younger son. Along the way, father and son realize how much they love one another and how misunderstood the old man has been by his children. The love of Sam for Muriel spans the many years they have known one another; they seem inseparable.
Peter Falk is magnificent in the film. He makes an excellent Sam Kleinman, the man who suddenly realizes his life is about to change for the worst. Mr. Falk shines as the older man and there's never a false movement in his interpretation of the man whose whole world is crumbling under him.
Not being a Paul Reiser fan, we must confess that as Ben Kleinman, he is right. Ben and his father discover how much in common they both have and their love for Muriel, the mother that has sacrificed her life in order to keep the family together. Olympia Dukakis is only seen at the end of the film. She makes a good contribution as the fleeing mother. Elizabeth Perkins plays Rachel with great style..
The film has a beautiful look thanks to the cinematography of Dan Gillham, and the excellent musical score by Steven Argila. Ultimately, the film shows a great team effort between its director, Mr. DeFelitta and Paul Reiser who wrote it for the screen.
Although this film is clearly targeted for an older audience, it should please anyone.
Sam Kleinman (Peter Falk) has been a workaholic, at times pushing his wife Muriel (Olympia Dukakis), his daughters (Mackenzie Connolly and Lydia Jordan), and his son Ben (Paul Reiser) into the background. One day Muriel leaves a note that after years of marriage she is leaving! Her daughters, along with Ben's wife Rachel (Elizabeth Perkins) immediately begin the search for her whereabouts, leaving the confused and hurt and disgruntle Sam to sort things out on a road trip with son Ben. The road trip becomes a time for the two men to learn who each other is and what they each mean to their status as father and son and as family members. Sam relaxes for the first time in his life and introduces the now workaholic Ben to the pleasures and fun of living. The trip comes to an end with a phone call about the whereabouts of Muriel and why she left and the regrouping of the wiser family draws the story's warm ending. All is not what it seemed: it's better and, well, different.
Falk and Reiser play off each other like the pros they are, but in many ways the film belongs to the brief moments when Olympia Dukakis is on screen, reminding us that she is one of our strongest matriarchs on film. Well worth viewing. Grady Harp
By the end of the film there were few dry eyes in the house and my usually stoic and callous heart melted just like the Grinch's and I ended up giving this a superb.
This picture is a must for anyone who has parents. No violence or nudity but some strong language.
Le saviez-vous
- AnecdotesIn the movie, Paul Reiser drives a Peugeot 505. In the Columbo TV series, Peter Falk drives a Peugeot 403.
- GaffesWhen the son and father are driving down the road, the red car behind them disappears then reappears. After a few shots the red car finally passes them.
- Citations
[Two young girls walk by. Sam keeps staring after them, finally points at them]
Sam Kleinman: Explain that to me.
Ben Kleinman: What?
Sam Kleinman: The holes in those jeans...
Ben Kleinman: Uh-uh.
Sam Kleinman: They're on purpose?
Ben Kleinman: That's right.
Sam Kleinman: It's not because she's poor, and can only afford ripped clothes?
Ben Kleinman: That's correct, sir.
Sam Kleinman: [takes this in] And she doesn't mind that we can see her ass peeking out like that?
Ben Kleinman: No, she does not. In fact, I think she would be insulted if you didn't look.
Sam Kleinman: The last thing I wanna do is insult her.
- ConnexionsReferenced in The Tonight Show with Jay Leno: Épisode #14.30 (2006)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bizimkiler Hakkında
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 816 403 $US
- Week-end de sortie aux États-Unis et au Canada
- 235 341 $US
- 18 sept. 2005
- Montant brut mondial
- 823 337 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1