NOTE IMDb
6,3/10
8,5 k
MA NOTE
Au Maroc, alors qu'il participe à la mise en place d'une distribution de nourriture dans un cadre humanitaire, un Néerlandais est kidnappé par un terroriste.Au Maroc, alors qu'il participe à la mise en place d'une distribution de nourriture dans un cadre humanitaire, un Néerlandais est kidnappé par un terroriste.Au Maroc, alors qu'il participe à la mise en place d'une distribution de nourriture dans un cadre humanitaire, un Néerlandais est kidnappé par un terroriste.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
i missed the first 15 minutes first time i saw five fingers on cable . i thought it would be just another dumb action, terrorist movie with a typical ending . wow, was i wrong ! five fingers is a truly psychological thriller with a Hitchcock like ending . being only 87 minutes long, it shifts into high gear very quickly . it could have been a stage play because not many scene changes nor many characters to deal with here . Laurence Fishburne gives a truly memorable, award winning performance as Ahmad, the muslin kidnapper . the ending caught me totally by surprise . so much that i ran out to buy the DVD . i watched it a few times because i missed some important details the second time around . i am sorry i did not get to enjoy this movie in the theatre . it was one of the best movies i have seen during the past few years . most films i see are forgotten as soon as they roll the credits at the end . five fingers had me thinking about it for a long time . see it you won't be sorry !
This is a tense psychological drama. A Dutch banker travels to Morocco to set up a food program at the behest of his Moroccan girlfriend. He is kidnapped by a group of extremists who hold him captive and ultimately torture him for information. But who, we wind up asking, is ultimately who? And what truly are everyone's motives? It's a tough film to watch as it deals not only with terrorism and our assumptions about terrorists but also with the challenging topic of torture as a means of obtaining information.
The best parts of the film involve the intense dialogs between the three main characters of the captive, Martijn (Ryan Phillippe), the captor, Ahmat (Laurence Fishburne), and the captor's accomplice, Aicha (Gina Torres). These three actors' performances are outstandingly authentic and riveting. There's no question that if you love to see actors at the top of their game that you shouldn't miss this film. Ryan Phillippe's role as Martijn, however, is the most demanding and he never falters. As the focus character, Ryan's performance creates an incredibly intelligent and complex character.
But this, nevertheless, is a flawed film. It sometimes stumbles over itself. There seems to be some serious issues with editing and pacing. That's too bad. But this is still definitely worth watching if you can handle it's frank look at modern man's sojourn into primitive behavior.
The best parts of the film involve the intense dialogs between the three main characters of the captive, Martijn (Ryan Phillippe), the captor, Ahmat (Laurence Fishburne), and the captor's accomplice, Aicha (Gina Torres). These three actors' performances are outstandingly authentic and riveting. There's no question that if you love to see actors at the top of their game that you shouldn't miss this film. Ryan Phillippe's role as Martijn, however, is the most demanding and he never falters. As the focus character, Ryan's performance creates an incredibly intelligent and complex character.
But this, nevertheless, is a flawed film. It sometimes stumbles over itself. There seems to be some serious issues with editing and pacing. That's too bad. But this is still definitely worth watching if you can handle it's frank look at modern man's sojourn into primitive behavior.
"Five Fingers" is a great psychological thriller, which takes place mainly inside a torture room. The story is about Martijn (Phillipe), a young Dutch idealist who goes to Morocco to finance a food program from money he has embezzled; his cause is encouraged by his Moroccan girlfriend, Saadia (Haoud). However, as soon as he reaches Rabat, he gets abducted by a terrorist group, led by a dark character played by Lawrence Fishburne, who believes that Martijn has come there with a sinister purpose. They interrogate him harshly, and although in the beginning he tries to explain his mission, he subsequently decides to change his story. What is the truth, then?
Malkin provides us with a carefully crafted claustrophobic setting, with the tension gradually building up as the abductors play cat and mouse with Martijn. In this theatrical atmosphere, all actors give good performances, and are even moderately successful in applying their respective accents (Dutch, Arabic).
However, the best thing of all is the clever ending, which of course I am not going to reveal here. From that alone, the film deserves an 8/10.
Malkin provides us with a carefully crafted claustrophobic setting, with the tension gradually building up as the abductors play cat and mouse with Martijn. In this theatrical atmosphere, all actors give good performances, and are even moderately successful in applying their respective accents (Dutch, Arabic).
However, the best thing of all is the clever ending, which of course I am not going to reveal here. From that alone, the film deserves an 8/10.
Despite Ryan Phillipe's awful accent (as Martijn), the movie does a good job pulling you into the world they create. It is, as advertised, a "psychological thriller" and a bit of a mystery as you watch it unfold and slowly flashbacks illuminate the present situation.
Laurence Fishburne is EXCELLENT and makes the movie. Phillipe does a good job and although other characters play pivotal roles, it is really about the two of them.
Most of the film is shot in the same location, but it never gets boring or drags and keeps a lot of tension in most of the scenes. A real psychological treat if you just enjoy it! Not the best movie, but certainly a solid piece of entertainment that gets you to look at things from a slightly different perspective than most treatments of the subject of 'terrorism'.
Laurence Fishburne is EXCELLENT and makes the movie. Phillipe does a good job and although other characters play pivotal roles, it is really about the two of them.
Most of the film is shot in the same location, but it never gets boring or drags and keeps a lot of tension in most of the scenes. A real psychological treat if you just enjoy it! Not the best movie, but certainly a solid piece of entertainment that gets you to look at things from a slightly different perspective than most treatments of the subject of 'terrorism'.
the line between good and evil. the war. in all its forms. the appearances. and the deep roots of the story in our contemporary every day reality. few motifs for define this film as special. for the inspired grow up of story. for performances. for ambiguity who gives, at the end, an impressive revelation. for the atmosphere of play. for the states of Matjin who reflects the fears of us. for the cold verdict. and, sure, for violence who is not more than convincing spice for a film who could be a warning or just precise reflection of reality.
Le saviez-vous
- AnecdotesWhen Martijn flails around trying to get free he bends one of the chair legs. Later when Aicha helps him up, the chair is no longer damaged.
- GaffesIt is not possible to read time in seconds on an analogue chess-clock. So the brute cannot know when to begin the countdown before the flag falls.
- ConnexionsReferences Lawrence d'Arabie (1962)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Fingers - Ataque terrorista
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 459 754 $US
- Durée
- 1h 27min(87 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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