Trust the Man

One of the significant tragedies in modern film is the coupling of one of our most powerful actresses with an insipid filmmaker.

Here, we have her placed in a film he made, playing an actress with an insipid husband — a writer. He has a friend who is there simply to say goofier things, and thereby make the film appealing. As with all date movies, the separated couple is reunited by a public confession of love that is accepted (and happily ever after...). In this case, that confession literally happens at a play Julianne's character is in. So there's the simple, mechanical narrative fold.

As a quirky, inconsequential film, its not so bad, about in the middle of its cohort. Our goofy pair, anchored by Billy Crudup who is observed by Gyllenhaal (and in another position, Shandling). But no one really comes to film simply to tread water in the flood of desperate romance. We come for some advance. With films that advertise themselves as trivial, a trivial advance will do.

Nothing here does that, and because the centerpiece is a woman who is patiently wasting her life, the message is clear.

So I will recommend that you not watch this unless you are prepared to get depressed.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Trust the Man Mr. Black's Grade: C+ Opening Date: possibly June, 2006 Look at this cast! Billy Crudup , David Duchovny , Ellen Barkin , Eva Mendes , Julianne Moore , Justin Bartha and Maggie Gyllenhaal .

Trust the Man is a well written comedy about two men fighting to save their relationships after a bunch of drama, cheating, and trial separations. Unfortunately you could 'see' the writing all over the big screen. I didn't believe for a moment that these folks were real people, just actors reading a script. You could almost see the smirk on their faces before they said their funny lines - there was nothing spontaneous about it at all.

Part of the problem was the all-star cast. Now I understand bringing in Julianne Moore. When you are the director, ya got to put your wife in the picture - but why Gary Shandling? Don't get me wrong, Gary is a funny, funny guy. But the moment he's on you say to yourself, "hey there's Gary Shandling, time to be funny" and he's in a pretty small role. The same thing happens when Ellen Barkin hits the screen.

This is a business, and they needed to 'sell' this movie, which they did, to Fox Searchlight for possible release next June. I'm pretty sure that director Bart Freundlich has some famous friends - he is one hell of a nice guy, very friendly and extroverted. If I was making low budget movie and knew Gary Shandling, I'd ask him to be in it too. But the laughs didn't come when they should have, and the casting really got in the way.

This film is about the relationship turmoil about two couples, with them all trying their best to save their relationships.

I saw this film mainly because of the stellar cast that the film has assembled. The initial scene of couple therapy reminds me of a similar scene in "Mr And Mrs Smith", and is certainly funny. However, there is not much humour in the film after that. The plot then spirals to become outrageous and unbelievable. This film is marketed as a comedy, and yet I do not think it is funny. It is more drama than comedy.

The film is often slow and fails to grasp the attention of the viewers. I get the impression that events in the film happen just for the sake of happening. I can see no reason why the events happen that way. Maybe it really was because my attention deficit, that I do not even recall seeing David Duchovny's character having any evidence of having an affair at all apart from his self confession.

I think this film could have been good with a better plot, but the plot is quite a mess and does not make viewers interested in what happens next. The ending is artificial and seem forcefully put together. I would not recommend this movie!

The only thing this movie has going for it is the acting talent. There is no story, no arc, and the characters take an incredibly shallow view on relationships. Just like the other 2 B. Freundlich movies, it is all talk and no substance. Boring and has nothing to say. Tries way too hard to be funny, and all the forced jokes just fall flat. Since IMDb is forcing me to write 10 full lines, I will continue by saying that Julianne Moore is luminous as always, David Duchovny is very likable, Billy Crudup is over-the-top and annoying (scenery chewing much?) and Maggie Gyllenhaal is wonderful. She is the best thing in the movie and rises above the weak material.

I watched this movie hoping for a French-style witty and reflective comedy examining complex relationships. What a pity this wasn't a European movie set in the cafés and homes of Paris rather than New York!

After a promising 15 minutes when initial relationships are established, the whole thing rapidly descends into a series of cheap and corny attempts at humour all rounded off with the worst of Hollywood RomCom endings. Secondary characters such as the guy with the foreign accent are one dimensional and clichéd, so that an interesting comedy descends into not-very-funny farce, and the potential for comic examination of believable roles and relationships is lost.

The leads - especially Maggie Gyllenhall, Julianne Moore and David Duchovney - are (as always) excellent. But their contribution is in spite of, not because of, the script.

6/10 - but only to reflect the lead actors' efforts to rescue a really disappointing script.